Impedance range

Vocalism Principle: Dynamic Control Button: No Active Noise-Cancellation: No Communication: True Wireless Volume Control: No Style: In-Ear Sensitivity: 105dB Is wireless: Yes Max Output: 0.1mW Line Length: 0m Support APP: No Function: For Video Game;For Mobile Phone;HiFi Headphone;Sport Number Of Drivers: 2 Plug Type: L Bending Impedance Range: up to 32 Ω Earcups Type: Sealed Headphone Pads Material: Other Bluetooth Version: 5.0 Codecs: AAC;Apt-X;SBC Support Memory Card: No Driver Diameter: 5.8mm Resistance: 32Ω Waterproof: Yes Frequency Response Range: 20 - 20000Hz Total Harmonic Distortion: 0.02% Features: Waterproof;With Microphone;Apple Siri Support Charging Method: Charging case Magnet Type: Neodymium Bluetooth Protocol: HSP, HFP, AVRCP, A2DP Bluetooth Frequency: 2400MHz-2483.5MHz Bluetooth Range: 10M / 33Fft Audio Codec: Qualcomm aptX, AAC, SBC Earbuds Capacity: 2*60mAh Charging Case Battery: Built-in Lithium polymer battery Charging Case Capacity: 300mAh 3.7V (1.11Wh) Charging Limited Voltage: 5.25V Charging Port: USB-C Fully Charge the Earbuds: 1.5h Fully Charge the Case: 2h Operating Time: 9H-10H playtime on one charge Total Operating Time: 27H-30H playtime with charging case

Brand Name: AMIC DIGITAL STORE Vocalism Principle: Dynamic Active Noise-Cancellation: Yes Control Button: Yes Communication: True Wireless Volume Control: Yes Impedance Range: up to 32 Ω Headphone Pads Material: Silicone Waterproof: Yes Frequency Response Range: 20 - 20000Hz Magnet Type: Neodymium Wireless Type: Bluetooth Line Length: 10m Package List: User Manual, Pair of Earbuds, Charging case, Charging Cable Driver Diameter: 10mm Resistance: 32Ω Sensitivity: 10dB Is wireless: Yes Bluetooth Version: 5.1 Total Harmonic Distortion: 1% Charging Method: Charging case Max Output: 1000mW Support APP: Yes Function: for Video Games, Common Headphone, For Mobile Phones, HiFi Headphone, Sport With Microphone: Yes Features: waterproof, With Microphone, Active Noice Cancelling Name: Wireless Bluetooth 5.1 Earphones Feature 1: Bluetooth V5.1+ Touch Control+Gaming Headsets Feature 2: Auto Pairing + Bluetooth Headphone Style 3: Sports headphones, Waterproof + Binaural Call Bluetooth Version: Bluetooth 5.1 Earphone Music Time: Around 4-5 Hours

Earcups Type: Sealed Max Output: 10 Number Of Drivers: 2 Charging Method: Charging case Driver Diameter: 13 Total Harmonic Distortion: 1 Impedance Range: up to 32 Ω Bluetooth Version: 5.1 Package List: User Manual, Charging case, Charging Cable, Ear Plug Rubbers Features: waterproof IPX5, With Microphone, Active Noice Cancelling With Microphone: Yes Is wireless: Yes Support APP: No Support Memory Card: No Resistance: 32 Line Length: 0 Frequency Response Range: 20-2000 Sensitivity: 92 Plug Type: NONE Function: for Video Game, Common Headphone, For Mobile Phone, HiFi Headphone, Sport Active Noise-Cancellation: Yes Volume Control: Yes Control Button: Yes Vocalism Principle: Dynamic Wireless Type: bluetooth Connectors: Type c Communication: Wireless Style: In-ear Certification: CE,FCC Origin: Mainland China Brand Name: Lenovo

Impedance: 32 Frequency Range: 20 – 20,000Hz. Rated Power: 4MW. Connector: 3.5mm jack (Straight). Wire: Environmental TPE, 1.1m. Coil Material: Copper-clad aluminum. Sound Pressure Level (SPL): 105dB

1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time)

VARDUS VR300-TOWERS 2 NOs Enclosure Type Ported BASS 6 TWEETER 25mm TEX NOMINAL IMPEDANCE 6ohms DIMENSIONS 860 x 223 x 255 Mid - Range 6 inch Freq Range at -6 dB 50 - 20 khz SPL 1W at 1M 88dB Recommend Amp 10 - 120W VARDUS S-2 SURROUND 2 NOs NOMINAL IMPEDANCE 6ohms Freq Range at -6 dB 65 - 20 khz SPL 1W at 1M 86dB Recommend Amp 10 - 100W VARDUS CENTER 1 NO NOMINAL IMPEDANCE 6ohms Freq Range at -6 dB 70 - 20 khz SPL 1W at 1M 89dB Recommend Amp 10 - 100W SUBWOOFER WH-SE 1NO Description/Format Active Reflex Subwoofer System Drive Units 1 x (8'') 200mm Cone Long-throw Enclosure Type Vented Box Frequency Response (+/-3dB) 30Hz - 200Hz Power Output 150Watt

Not an imitation of the past, but a modern studio microphone for the future. For decades Neumann has been setting standards in the world of studio microphones, and the TLM 107 follows closely to a tradition of innovation. With five directional characteristics and a novel-operating concept, this standard-setting large-diaphragm microphone provides sound without any coloration. Featuring equally impressive level stability and low self-noise, it captures everything from the softest whisper to thundering drums. Use the TLM 107 for everything from broadcasting, to studio and demanding home recording applications. The TLM 107 doesn't try to imitate a vintage sound or dated relic, in fact it's just the opposite, a modern studio mic with detailed, high-precision sound reproduction that is very close to the original source. Neumann Engineering The newly developed sound transducer, which was designed especially for this microphone, is impressive with its outstanding impulse fidelity. The great consistency of the five polar patterns, omnidirectional, cardioid and figure-8, with the intermediate patterns wide-angle cardioid and hypercardioid, is also unusual for a large-diaphragm capsule. The TLM 107 provides optimal sound not only for the cardioid setting; it also ensures maximum precision over the entire frequency range for all of the other directional characteristics. The sound always remains balanced, with an almost linear reproduction up to 8 kHz, and a slight boost in the highest frequencies that lends presence and freshness to the voice. Here particular attention has been paid to the natural reproduction of speech sounds, especially the critical “s” sound. The grille is acoustically optimized for low sensitivity to pop sounds. In addition, the sound transducer is edge-terminated, with both diaphragms at ground voltage. Specifically, this ensures considerably reduced sensitivity to dust and humidity. Features Multipattern large diaphragm microphone with 5 polar patterns (omni, wide cardioid, cardioid, hypercardioid, figure-eight) Navigation switch with LED illuminated display for polar pattern, PAD and low cut Sound characteristics: transparent, natural reproduction of human voice, outstanding transient response Balanced sound in all 5 polar pattern settings TLM 107 Condenser Microphone Specifications: Acoustical operating principle Pressure gradient transducer Directional pattern Omni, wide angle cardioid, cardioid, hypercardioid, figure-8 Frequency range 20 Hz... 20 kHz Sensitivity at 1 kHz into 1 kohms 11 mV/Pa Rated impedance 50 ohms Rated load impedance 1000 ohms Equivalent noise level, CCIR1) 22 dB Equivalent noise level, A-weighted1) 10 dB-A Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) 72 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) 84 dB Maximum SPL for THD Maximum SPL for THD Maximum SPL for THD Maximum output voltage 10 dBu Supply voltage (P48, IEC 61938) 48 V ± 4 V Current consumption (P48, IEC 61938) 3.2 mA Matching connectors XLR3F Weight 445 g Diameter 64 mm Length 145 mm Capture clear and accurate sound in any setting with a Neumann TLM 107 condenser microphone! Microphone Type: Condenser Polar Pattern: Cardioid, Wide Cardioid, Omni, Hypercardioid, Figure-8 Frequency Response: 20Hz-20kHz Max SPL: 141dB Output Impedance: 50 ohms Signal to Noise Ratio: 88dB (A weighted) Included Accessories: Stand mount, display case Manufacturer Part Number: TLM107MT

Extremely low self-noise and the high SPL transmission! A standard name in high-end recording studios around the world, Neumann mics deliver the professional touch that’s needed to capture high-quality audio. The TLM 103 is fast becoming a standard for home recording and the music industry. The large-diaphragm Neumann TLM-103 Microphone provides platinum-quality sound on a bronze budget, using transformerless circuitry for ultralow self-noise and handling high sound pressure levels up to 138dB. The TLM-103’s cardioid polar pattern optimizes attenuation of unwanted sound and suppresses feedback and comes with a rugged wire mesh grille that helps protect the capsule. This is the mic for everyone who, despite budget limitations, does not want to do without the uncompromising Neumann sound. It's not just for vocals -- the versatile Neumann TLM 103 studio microphone will let your voiceovers, guitars, and other acoustic instruments shine with "that Neumann sound" which draws audio professionals to the brand time and time again. The affordable TLM 103 is a large-diaphragm cardioid microphone featuring a transformerless circuit, low noise, high sound pressure level (SPL) handling, and a capsule based on the company's classic, significantly more expensive U87 capsule. This large-diaphragm condenser mic will do the job for a range of applications, from home recording to professional broadcasting and commercial recording studio use. Cardioid: An Excellent Choice for Most Recording Situations The TLM 103 boasts a large-diaphragm capsule with a universal cardioid pattern that draws in sound at the front of the microphone and rejects sound from the rear. When capturing vocals, recording instruments like the acoustic guitar, doing interviews, and so forth, a cardioid mic is often the way to go. With this Neumann microphone, off-axis sounds are rendered naturally while isolation is increased. Looks and Sounds Like a Neumann Its K 103 large-diaphragm capsule, based on the K 87 from the company's U 67 and U 87 microphones, has a flat frequency response up to about 4 kHz, and above that, a wide 4 dB presence boost. So that you know it's a Neumann, the TLM 103 is addressed from the front and is marked with the red Neumann logo on the body of the microphone. The microphone keeps plosives, pops, and other unwanted noises in check, thanks to its large wire mesh headgrille, which protects the capsule. You can use a pop filter with the TLM 103 if you want, but you may not really need it unless you are exceptionally spitty when you sing or speak. To further prevent noise from interfering with the mic's performance, the TLM 103's entire internal construction is elastically mounted. What's more, the capsule is set on an elastic mount. Since its frequency range actually reaches below 20 Hz, the lowest of low bass signals are reproduced without coloration. It's because of this low frequency extension that the TLM 103 is more sensitive to structure-borne interference and wind noise. Features Large diaphragm cardioid microphone Pressure gradient transducer with with one-diaphragm capsule Transformerless circuitry Extremely low noise: 7 dB-A Includes swivel mount Straightforward handling for homerecording and professional studios TLM 103 Microphone Specifications: Acoustical operating principle Pressure gradient transducer Directional pattern Cardioid Frequency range 20 Hz... 20 kHz Sensitivity at 1 kHz into 1 kohm 23 mV/Pa Rated impedance 50 ohms Rated load impedance 1 kohms Equivalent noise level, CCIR1) 17.5 dB Equivalent noise level, A-weighted1) 7 dB-A Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) 76.5 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) 87 dB Maximum SPL for THD 0.5%2) 138 dB Maximum output voltage 13 dBu Dynamic range of the microphone amplifier (A-weighted) 131 dB Supply voltage (P48, IEC 61938) 48 V ± 4 V Current consumption (P48, IEC 61938) 3 mA Matching connector XLR3F Weight approx. 450 g Diameter 60 mm Length 132 mm Views: 2

3D-Compatible: The HDMI v.1.4 connections will accept 3D video from your 3D-ready Blu-ray player and output the video signal in 3D to your 3D-ready HDTV. Double Bass: With the double bass feature you can boost the bass output by feeding the low frequency signals from the left and right channels (when front speakers set to large) to both the front speakers and to the subwoofer. WRAT (Wide Range Amplifier Technology): This technology uses low-negative-feedback circuit topology for accurate signal reproduction, improved dynamic signal-to-noise ratio, and better delivery of power peaks. H.C.P.S. (High Current Power Supply): The Onkyo HT-R580 is equipped with a H.C.P.S. massive high power transformer. Digital-to-Analog Converters (DACs): This receiver is equipped with 192kHz/24-bit Burr-Brown DACs to decode and playback high-resolution recordings with less jitter and clearer sound. 32-Bit Processing DSP: The Onkyo AV receiver is equipped with a powerful and highly accurate 32-bit processing DSP (Digital Signal Processor) for better surround sound reproduction. Supported Audio Formats: The HT-R580 supports the following audio formats: 2-channel Linear PCM (32-192-kHz, 16/20/24-bit/) Multichannel Linear PCM (7.1-ch, 32-192-kHz, 16/20/24-bit) Bitstream (DSD, Dolby Digital, Dolby Digital Plus, Dolby TrueHD, DTS, DTS-HD High Resolution Audio, DTS-HD Master Audio) Dolby Pro Logic IIx Music Settings: While listening in the Dolby Pro Logic IIx Music format, there are three further enhancements you can adjust: Panorama: Broadens the front stereo image to the surround speakers to provide a wraparound effect, especially effective when there is limited output from the surround channels, panorama can be turned on/off in the menu. Dimension: Allows you to move the sound field forward or backward. Centre Width: Allows you to adjust the width of the centre channel. PLIIz Height Gain: The Height Gain Control in Dolby Pro Logic IIz enables you to select how much gain is applied to the front-height effect speakers. There are three settings - Low, Mid, and High. Onkyo Original DSP Modes: The OnkyouTX-SR508 features its own proprietary set of DSP (Digital Signal Processing) modes to bring your movies and music more to life. Audyssey Dynamic EQ: Audyssey Dynamic EQ solves the problem of deteriorating sound quality as volume is decreased by taking into account human perception and room acoustics. Dynamic EQ selects the best possible frequency response and surround levels moment-by-moment as volume is changed. The result is bass response, tonal balance and surround impression that remain constant despite changes in volume. Audyssey Dynamic EQ combines information from incoming source levels with actual output sound levels in the room, a prerequisite for delivering a loudness correction solution. Front L/R 130 W/Ch (6 ohms, 1 kHz, 1%, 1 channel driven, FTC) Center 130 W (6 ohms, 1 kHz, 1%, 1 channel driven, FTC) Surround L/R 130 W/Ch (6 ohms, 1 kHz, 1%, 1 channel driven, FTC) Subwoofer 130 W (6 ohms, 1 kHz, 1%, 1 channel driven, FTC)) Dynamic Power 180 W (3 ohms, Front) 160 W (4 ohms, Front) 100 W (8 ohms, Front) THD (Total Harmonic Distortion): 0.08% (1 kHz, 1 W) Damping Factor: 60 (Front, 1 kHz, 8 ohms) Input Sensitivity and Impedance: 200 mV/47 k-ohms (Line) Output Level and Impedance: 200 mV/2.2 k-ohms (Rec out) Frequency Response: 5 Hz–100 kHz/+1 dB, -3 dB (DSP bypass)) Tone Control ±10 dB, 50 Hz (Bass) ±10 dB, 20 kHz (Treble) Signal-to-Noise Ratio: 100 dB (Line, IHF-A) Speaker Impedance: 6 ohms –16 ohms Video Section Input Sensitivity/Output Level and Impedance Video 1.0 Vp–p/75 Ù (Component) 0.7 Vp–p/75 Ù (Component PB/CB, PR/CR) 1.0 Vp–p/75 Ù (Composite) Component Video Frequency Response: 5 Hz–100 MHz/0 dB, -3 dB

Its available in mind condition, sealed and 100% genuine. Made In Japan Only calls will be answered. Price is final DTS-ES (Extended Surround) decoder that realizes 6.1 channel surround playback Dolby Pro Logic II for superior sound field playback Equipped with an AAC decoder corresponding to BS digital voice All channels Same power Discrete configuration with the same response 6ch power amplifier Equipped with D terminal (compatible with D4 video), supporting higher quality video Various surround modes that can be selected to suit your source and preference Subwoofer's crossover frequency can be switched (80 Hz, 100 Hz, 120 Hz) Equipped with a 6-channel extension input terminal aiming for future potential and development MAIN SPECIFICATIONS - AVC-2850 Audio section Power Amplifier Rated output / Front: 90W + 90W (20Hz ~ 20kHz, 8Ω, THD0.05%), 135W + 135W (6Ω, 1kHz) THD0.7% Center: 90W (20Hz ~ 20kHz, 8Ω, THD0.05%), 135W THD 0.7% THD 0.7% Surround back: 90 W (20 Hz to 20 kHz, 8 ohm, THD 0.) THD 0.7% Surround: 90 W + 90 W (20 Hz to 20 kHz, 8 ohm, THD 0.05%), 135 W + 135 W (6 ohm, 1 kHz) 05%), 135 W (6 Ω, 1 kHz) THD 0.7% Practical maximum output / Front: 150W + 150W (6Ω, EIAJ) Center: 150W (6Ω, EIAJ) surround: 150W + 150W (6Ω, EIAJ) surround back: 150W (6Ω, EIAJ) Output terminal / Front: [A or B] 6 to 16 Ω, [A + B] 8 to 16 Ω, center, surround, surround back: 6 to 16 Ω Analog section Input sensitivity / impedance / 200mV / 47kΩ frequency characteristic / 10Hz ~ 100kHz: + 0dB, -3dB (direct mode) SN ratio / 102dB (direct mode) strain rate /0.005% (20Hz ~ 20kHz) (direct mode) rated Output / 1.2V [Digital part (D / A output)] Rated output / 2 V (at 0 dB playback) Total harmonic distortion ratio / 0.008% (0 dB at 1 kHz) SN ratio / 102 dB dynamic range / 96 dB [Phono Equalizer part (PHONO input REC OUT)] Input sensitivity / 2.5 mV RIAA deviation / ± 1 dB (20 Hz to 20 kHz) SN ratio / 74 dB (at JIS-A, 5 mV input) Distortion rate / 0.03% (at 1 kHz, 3 V output) Rated output / maximum output / 150 mV / 7 V Video section [Standard video terminal] Input level / impedance / 1 Vp - p / 75 Ω frequency characteristics / 5 Hz to 10 MHz z: + 0 dB, -3 dB S video terminal Input level / impedance / Y (luminance) signal: 1 Vp - p / 75 Ω, C (color) signal: 0.286 Vp - p / 75 Ω frequency characteristics / 5 Hz to 10 MHz: +0, -3 dB Component video terminal P / C (blue) signal: 0.7 Vp - p / 75 Ω, PR / CR (red) signal: 0.7 Vp - p / 75 Ω Frequency response / input level / impedance / Y (luminance) signal: 1 Vp - 5 Hz to 27 MHz: +0, -3 dB Overall Power supply / AC 100 V · 50/60 Hz Power consumption / 235 W (less than 2 W at standby)　 Maximum external dimensions / W 434 × H 171 × D 416 mm mass / 11.5 kg

Type Studio Microphone Product Description A multi-pattern dual 1" condenser microphone. The NT2-A carries on the tradition forged by the now legendary RØDE NT2 with a professional large capsule (1") studio microphone incorporating three-position pick-up patterns, PAD and high-pass filter switches conveniently located on the mic body. At the heart of the NT2-A is the Australian-designed and manufactured HF1 dual diaphragm capsule. The frequency and transient response of this transducer has been voiced to complement today's modern recording techniques, and yet still evoke the silky smooth character of the legendary microphones of the 50s and 60s. These features provide the flexibility and superlative audio characteristics that make the NT2-A one of the most versatile condenser mics available. This Bundle version also includes the SM6 shockmount with detachable pop filter - a high-quality suspension shockmount. It provides isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. It also includes a removable pop shield with two axis of adjustment and a telescopic arm for ultimate application versatility, 6m of XLR cable, and a dust cover. Features Large 1” gold sputtered capsule On-body control of polar pattern, HPF and PAD Three-position variable polar pattern - Omni, Cardioid or Figure 8 Three-position variable High-Pass Filter - Flat, 40Hz or 80Hz Three-position PAD - 0dB, -5dB or -10dB Ultra low noise, transformerless surface mount circuitry Wide, dynamic range Internal capsule shockmounting Made in Australia Full 1-year warranty Includes SM6 shockmount with detachable pop filter, 6m of XLR cable, and a dust cover NT2-A Studio Condenser Microphone Bundle Specifications: NT2-A Condenser Microphone Acoustic Principle: Pressure Gradient Active Electronics: JFET impedance converter with bipolar output buffer Capsule: 1.00" Polar Pattern: cardioid, Omni, figure 8 Address Type: Side Frequency Range: 20Hz - 20kHz Output Impedance: 200Ω Maximum SPL147dB SPL (@ 1kHz, 1% THD into 1KΩ load) Maximum Output Level: 16.0dBu (@ 1kHz, 1% THD into 1KΩ load) Sensitivity-36.0dB re 1 Volt/Pascal (mV @ 94dB SPL) +/- 2 dB @ 1kHz Power Options: +48V phantom power required from mixer or interface; +24V phantom power required from mixer or interface Weight: gm Dimensions: mmH x mm W x mm D Output: XLR SM6 Weight: gm Dimensions (HxWxD): 210mm x 133mm x 210mm

Rugged Stage Mic with Rode's Lifetime Warranty! RODE's M1 dynamic microphone is ruggedly built with a die-cast body and a sturdy dynamic capsule - designed to thrive through night after night of stage abuse. This handheld microphone also offers an excellent balance of weight and ergonomics, so it's comfortable for vocalists to hold and perform with onstage. What's more, the RODE M1 carries with an impressive lifetime warranty from RODE - a testament to the microphone's solid build construction. When you want studio-quality sound onstage, look no further than the RODE M1 dynamic handheld microphone. RODE Microphones was one of the earliest established manufacturers of professional and affordable recording-quality condenser microphones. Committed to offering the highest quality microphones possible for the dollar, RODE has developed a solid reputation among professional and project studios the world over for just that. In fact, their NT2-A won a series of accolades including "World's Best Studio Microphone" at the prestigious Frankfurt Musikmesse. With corporate headquarters and all manufacturing based in Australia, we continue to see some of the highest quality, affordable microphones in existence from RODE Microphones. RODE M1 Dynamic Microphone Features at a Glance: Live dynamic vocal microphone High output neodymium capsule Cardioid pickup pattern Internal pop-filter to reduce plosives Low handling noise 75Hz-18kHz frequency range 320-ohm output impedance Gold plated XLR connectors Feedback rejecting pick-up pattern Heavy duty metal body Lifetime Warranty SPECIFICATIONS M1 Dynamic Microphone Acoustic Principle: Dynamic Directional Pattern: Cardioid Frequency range: 75Hz-18kHz Output impedance: 320 Sensitivity: -56dB ±2dB re 1V/Pa (1.6mV94dB) 1kHz Weight: 0.8 lb. (360g) Dimensions: 2" W x " H x 2" D

Designed and engineered in Europe Branded speakers. ORiX Sound Lab CY3300 home theater system that delivers first rate, exceptional sound that is rich in details and pure. These can also be used as stereo FRONT SPEAKER - 2 WAY BASS REFLEX / DOUBLE BASS (2 DRIVERS ONE TWITTER IN EACH SPEAKER) POWER HANDLING: 160 /280 WATT IMPEDANCE: 4 - 8 OHM FREQUENCY RANGE: 20 - 22.000 HZ CENTER SPEAKER: BASS REFLEX 2 DRIVERS ONE TWITTER POWER HANDLING 60-120 WATT IMPEDANCE: 4 - 8 OHM SURROUND SPEAKER: BASS REFLEX 1 DRIVER ONE TWITTER POWER HANDLING 60-20 WATT IMPEDANCE: 4 - 8 OHM 10/10 Condition, comprising Front pair tower speakers, a pair of rear speakers and a centre speakers.sounds is too good. U don't need a subwoofer with these speakers. Excellent bass. Urgent Sale. First come first get.

-------------------------------------------------------------- Frequency Range 30Hz-100Hz -------------------------------------------------------------- Amplifier Input impedance High level 100 kOhm -------------------------------------------------------------- Gain Control Range Low level 10 kOhm 80dB -------------------------------------------------------------- Drive unit impedance 4 ohm -------------------------------------------------------------- Mains input voltage 115 V 50/60 Hz or 230 V 50/60 Hz, subject to country -------------------------------------------------------------- Dimensions WxHxD mm (inches) incl. feet and rear panel controls 290x318x330 (11.43 x 12.53 x 13.01) 290x290x330 (11.43 x 11.43 x 12.61) --------------------------------------------------------------^ Weight Kg (lbs) 11 (24.25) -------------------------------------------------------------- Finishes Brittex Black WhtsAp 03-00-22-0-27-22

Rugged Stage Mic with Rode's Lifetime Warranty! RODE's M1 dynamic microphone is ruggedly built with a die-cast body and a sturdy dynamic capsule - designed to thrive through night after night of stage abuse. This handheld microphone also offers an excellent balance of weight and ergonomics, so it's comfortable for vocalists to hold and perform with onstage. What's more, the RODE M1 carries with an impressive lifetime warranty from RODE - a testament to the microphone's solid build construction. When you want studio-quality sound onstage, look no further than the RODE M1 dynamic handheld microphone. RODE Microphones was one of the earliest established manufacturers of professional and affordable recording-quality condenser microphones. Committed to offering the highest quality microphones possible for the dollar, RODE has developed a solid reputation among professional and project studios the world over for just that. In fact, their NT2-A won a series of accolades including "World's Best Studio Microphone" at the prestigious Frankfurt Musikmesse. With corporate headquarters and all manufacturing based in Australia, we continue to see some of the highest quality, affordable microphones in existence from RODE Microphones. RODE M1 Dynamic Microphone Features at a Glance: Live dynamic vocal microphone High output neodymium capsule Cardioid pickup pattern Internal pop-filter to reduce plosives Low handling noise 75Hz-18kHz frequency range 320-ohm output impedance Gold plated XLR connectors Feedback rejecting pick-up pattern Heavy duty metal body Lifetime Warranty SPECIFICATIONS M1 Dynamic Microphone Acoustic Principle: Dynamic Directional Pattern: Cardioid Frequency range: 75Hz-18kHz Output impedance: 320 Sensitivity: -56dB ±2dB re 1V/Pa (1.6mV94dB) 1kHz Weight: 0.8 lb. (360g) Dimensions: 2" W x 6-7/10" H x 2" D Views: 78

Description Features: Input pre-amps have remarkably low noise levels, and the DBX noise reduction reduces tape noise without side effects. Better control is possible over equalizer to tape with a 5-band graphic than with the common 2-band Hi/Lo controls, allowing a greater range of play with your audio. The graphic bands of the MT120s are 100Hz, 400Hz, 1kHz, 5kHz and 10kHz. The mt120s also has 2 bus input sockets which means that you can add 2 new signals, more with external mixer (not included), and have a stereo effects return on mix-down. What this does is increases the flexibility of the device when used in conjunction with sequencers and computers and multi-timbral sound modules. This makes it possible to create a the most impressive, full, backing track possible without making any sacrifices. MT120S SPECIFICATIONS • Input Impedance (all inputs): 10 kOhm • Input Level: -56 dB (Gain Max) to +10 dB (Gain Min) • Output Impedance (all line outputs): 1kOhm • Output Level (all line outputs): -10 dB • Phones Output: Load impedance 8-40 Ohms, max output level 45 mW per channel • Tape Speed: 9.5 cm/s, 4.8 cm/s • Varispeed: +/- 10% approx. • Wow and Flutter: less than 0.12% WRMS (4.8 cm/s) • Frequency Response: 40Hz-18kHz (dbx out, 9.5 cm/s +3/-5 dB) 40Hz-13kHz (dbx out, 4.8 cm/s, +3/-5 dB) • Distortion: 1.0% (400 Hz, -13 dB Rec level, dbx on) • S/N ratio (3% THD level): 85dB (dbx on, IHF-A) • Channel separation: Better than 65dB at 1kHz • Erasure ratio: Better than 70dB at 1kHz • Record/play head type: 4-channel Permalloy • Erase head type: 4-channel 

M1 Professional Large-diaphragm condenser microphone for unsurpassed audio quality Ideal as main and support microphone for most differing recording situations Cardioid pickup pattern for outstanding sound source separation and feedback rejection Pressure-gradient transducer with shock-mounted capsule Prefect vocals and acoustic instruments External 36-52 Volt phantom power operation Heavy-duty suspension mount and aluminum transport case included Ultra-rugged construction with metal die-cast body High-quality components and exceptionally rugged construction ensure long lift. Acoustical operating principle: Pressure gradient transducer Directional pattern: Cardioid Frequency range: 20Hz – 20KHz Sensitivity: -37dBV/Pa Rated Impedance: 200 Ohms Min. load impedance: 1000 Ohms SPL: 144dB S/N ratio: 78dB Dynamic range: 128dB Power supply voltage: 48V +/-3V Current consumption: 4mA Weight (Microphone only): 0.25Kg (0.55lb) (with suspension mount): 0.43Kg (0.95lb) Dimensions: 46mm (dia.) x 157mm (L) Dimensions: 1.8” (dia.) x 6.2” (L)

Behringer C-1 Studio Condenser Microphone Product Highlights Condenser Element Cardioid Pattern Wide Frequency Response Mic Case Included Behringer C-1 Overview The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure gradient transducer and a shock-mounted large diaphragm capsule for open, transparent sound with high-quality transient response. It is constructed of a die-cast metal body for durability and features an LED light to indicate when the microphone is receiving phantom power. The C-1 includes a swivel mount and custom case. Cardioid Polar Pattern The cardioid polar pattern minimizes off-axis noise and feedback. Wide Frequency Response The C-1 features a 40 Hz to 20 kHz frequency response for accurate reproduction of vocals and instruments. Condenser Element The sensitive condenser element captures signal accurately and with low noise. Behringer C-1 Specs Analog Performance Operating Principle Pressure Gradient Transducer Condenser Diaphragm 0.63" / 16.0 mm Polar Pattern Cardioid Frequency Range 40 Hz to 20 kHz Maximum SPL 136 dB SPL THD 1% Impedance 100 Ohms Load Impedance 1000 Ohms Sensitivity -33 dB General Output Connectors 1 x 3-Pin XLR Operating Current Consumption 2.5 µA Operating Voltage 36 to 52 V Length 7.09" / 180.0 mm Diameter 2.13" / 54.0 mm Weight 0.93 lb / 0.42 kg Packaging Info Package Weight 2.05 lb Box Dimensions (LxWxH) 12.1 x 5.2 x 3.5" In the Box Behringer C-1 Studio Condenser Microphone Swivel Mount Custom Case Views: 3

Type Audio Midi Interfaces Product Description Robust 2 in, 4 out USB powered recording interface. The Focusrite Scarlett 2i4 is a robust 2 in / 4 out USB recording interface that combines affordability, cross-platform operation, a comprehensive feature set and the best audio performance in its class. It’s a perfect match for both the musician and the digital DJ – and it comes in an elegant, road-ready anodized aluminum unibody case.Scarlett 2i4 is a great tool for any musician, with its two award-winning Focusrite microphone/line/instrument preamps accessed via universal front-panel XLR/TRS sockets, combined with professional 24-bit, 96kHz conversion, plus class-leading analogue and digital design from input to output to ensure pristine audio quality throughout the signal path.With its 48V phantom power capability, Scarlett 2i4 is perfect for recording guitar, vocal, or even stereo piano, with high-quality condenser mics. You will love the direct monitoring mode, which removes the latencies associated with listening back to the input signal through the DAW. You can record into the DAW in real time, whilst hearing a zero latency monitor feed from their input sources, controlled by a single knob for easy blending between direct monitoring and DAW playback. In common with other interfaces in the Scarlett series, input level controls feature a novel LED “signal halo” around the knob that indicates signal presence (green) and input overload (red), while a large-diameter silver volume knob gives you full and accurate control over monitor levels at all times, so whether you are mixing your music, or listening back to the track, the levels will always be in your control.Alongside the two Focusrite preamps are four RCA phono outputs, two of which are also available on balanced TRS sockets. These, coupled with the high-level headphone output and flexible monitoring capability make Scarlett 2i4 ideal for digital DJs. Send outputs 1 & 2 to the main PA and use 3 & 4 for cueing, or send all four to a mixer. The converter performance ensures that the quality of the audio streamed from the computer is sonically superb. An A/B source switch for monitoring either of two stereo output pairs via the high-level headphone output provide everything that’s required from a DJ interface.MIDI input and output are included in Scarlett 2i4, allowing capture of performances with MIDI keyboards and controllers and the ability to play parts out to instruments and sound modules, recording their audio via 2i4’s TRS inputs.Scarlett 2i4 comes complete with an excellent package of software tools to help you get your music down straight away. The latest version of the Focusrite Scarlett Plug-in Suite includes Compressor, Reverb, Gate and EQ in the form of VST/AU/RTAS plug-ins. Focusrite’s established Xcite+ bundle is also included, which features Ableton Live Lite (for all your production, performance and compositional needs), Novation’s Bass Station soft synth and over 1GB of royalty-free samples from Loopmasters.Scarlett 2i4 delivers high quality, 24-bit 96kHz audio to and from both Macintosh and Windows computers with USB 2.0 capability – and it’s bus powered so you only need to plug in the included USB cable to start making music. Features Dual mic/line/hi-Z instrument inputs on universal XLR/TRS front-panel connectors Precision, quality conversion at up to 24-bit, 96kHz sampling Better than 105dB dynamic range on record and playback Operates solely on bus power Front-panel inputs and headphone out Switchable Phantom Power Switchable 10 dB pad on all inputs Rear panel balanced TRS outputs (1 & 2) and phono (1–4) Headphone monitor switched to hear either pair of outputs Mixer knob for direct monitoring, mixes between source and outputs 1 & 2 Large monitor level control MIDI in and out Anodized aluminum unibody chassis Scarlett 2i4 USB Audio Interface Specifications: Mic Frequency Response 20Hz - 20kHz +/- 0.1 dB THD+N Equivalent Input Noise (EIN) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3.5dBu Line Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N Noise -90 dBu (22 Hz/22KHz bandpass filter) Signal to Noise Ratio > 100dB Gain Range -10dB to +35dB (-20dB to +25dB when pad is engaged) Max Input Level +26dBu (at 1% THD+N) Instrument Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N % (‘A’ weighted measured with 16dB input gain, -1dBFS at output and 22Hz/22kHz bandpass filter) Noise -87dBu (22Hz/22kHz bandpass filter) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3dBu (+13dBu pad in) Analogue Output Performance Nominal Output Level 0dBFS = +10dBu, balanced 0dBFS = +5.5bBu, unbalanced Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N Output Impedance Power Output into mW Digital Performance Clock sources Internal clock only A-D Dynamic Range 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB D-A Dynamic Range 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz Crosstalk Input to Input Better than 90dB Output to Output Better than 90dB Input to Output Better than 85dB Input Metering Ring LED lit Green Signal present (-24 dBFS) Ring LED lit Red Signal overload (0dBFS), peak held for approximately 1 second Weight and Dimensions Height 48 mm Width 210 mm Depth 140 mm Weight 890 g

Product Description Robust 2 in, 4 out USB powered recording interface. The Focusrite Scarlett 2i4 is a robust 2 in / 4 out USB recording interface that combines affordability, cross-platform operation, a comprehensive feature set and the best audio performance in its class. It’s a perfect match for both the musician and the digital DJ – and it comes in an elegant, road-ready anodized aluminum unibody case.Scarlett 2i4 is a great tool for any musician, with its two award-winning Focusrite microphone/line/instrument preamps accessed via universal front-panel XLR/TRS sockets, combined with professional 24-bit, 96kHz conversion, plus class-leading analogue and digital design from input to output to ensure pristine audio quality throughout the signal path.With its 48V phantom power capability, Scarlett 2i4 is perfect for recording guitar, vocal, or even stereo piano, with high-quality condenser mics. You will love the direct monitoring mode, which removes the latencies associated with listening back to the input signal through the DAW. Features Dual mic/line/hi-Z instrument inputs on universal XLR/TRS front-panel connectors Precision, quality conversion at up to 24-bit, 96kHz sampling Better than 105dB dynamic range on record and playback Operates solely on bus power Front-panel inputs and headphone out Switchable Phantom Power Switchable 10 dB pad on all inputs Rear panel balanced TRS outputs (1 & 2) and phono (1–4) Headphone monitor switched to hear either pair of outputs Mixer knob for direct monitoring, mixes between source and outputs 1 & 2 Large monitor level control MIDI in and out Anodized aluminum unibody chassis Scarlett 2i4 USB Audio Interface Specifications: Mic Frequency Response 20Hz - 20kHz +/- 0.1 dB THD+N Equivalent Input Noise (EIN) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3.5dBu Line Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N Noise -90 dBu (22 Hz/22KHz bandpass filter) Signal to Noise Ratio > 100dB Gain Range -10dB to +35dB (-20dB to +25dB when pad is engaged) Max Input Level +26dBu (at 1% THD+N) Instrument Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N % (‘A’ weighted measured with 16dB input gain, -1dBFS at output and 22Hz/22kHz bandpass filter) Noise -87dBu (22Hz/22kHz bandpass filter) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3dBu (+13dBu pad in) Analogue Output Performance Nominal Output Level 0dBFS = +10dBu, balanced 0dBFS = +5.5bBu, unbalanced Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N Output Impedance Power Output into mW Digital Performance Clock sources Internal clock only A-D Dynamic Range 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB D-A Dynamic Range 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz Crosstalk Input to Input Better than 90dB Output to Output Better than 90dB Input to Output Better than 85dB Input Metering Ring LED lit Green Signal present (-24 dBFS) Ring LED lit Red Signal overload (0dBFS), peak held for approximately 1 second Weight and Dimensions Height 48 mm Width 210 mm Depth 140 mm Weight 890 g Shop No. 345-D, 3rd Floor Star City Shopping Mall, Opp,Bambino Cinema Abdullah Haroon Road Saddar Karachi Pakistan

Product Description Robust 2 in, 4 out USB powered recording interface. The Focusrite Scarlett 2i4 is a robust 2 in / 4 out USB recording interface that combines affordability, cross-platform operation, a comprehensive feature set and the best audio performance in its class. It’s a perfect match for both the musician and the digital DJ – and it comes in an elegant, road-ready anodized aluminum unibody case.Scarlett 2i4 is a great tool for any musician, with its two award-winning Focusrite microphone/line/instrument preamps accessed via universal front-panel XLR/TRS sockets, combined with professional 24-bit, 96kHz conversion, plus class-leading analogue and digital design from input to output to ensure pristine audio quality throughout the signal path.With its 48V phantom power capability, Scarlett 2i4 is perfect for recording guitar, vocal, or even stereo piano, with high-quality condenser mics. You will love the direct monitoring mode, which removes the latencies associated with listening back to the input signal through the DAW. Features Dual mic/line/hi-Z instrument inputs on universal XLR/TRS front-panel connectors Precision, quality conversion at up to 24-bit, 96kHz sampling Better than 105dB dynamic range on record and playback Operates solely on bus power Front-panel inputs and headphone out Switchable Phantom Power Switchable 10 dB pad on all inputs Rear panel balanced TRS outputs (1 & 2) and phono (1–4) Headphone monitor switched to hear either pair of outputs Mixer knob for direct monitoring, mixes between source and outputs 1 & 2 Large monitor level control MIDI in and out Anodized aluminum unibody chassis Scarlett 2i4 USB Audio Interface Specifications: Mic Frequency Response 20Hz - 20kHz +/- 0.1 dB THD+N Equivalent Input Noise (EIN) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3.5dBu Line Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N Noise -90 dBu (22 Hz/22KHz bandpass filter) Signal to Noise Ratio > 100dB Gain Range -10dB to +35dB (-20dB to +25dB when pad is engaged) Max Input Level +26dBu (at 1% THD+N) Instrument Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N % (‘A’ weighted measured with 16dB input gain, -1dBFS at output and 22Hz/22kHz bandpass filter) Noise -87dBu (22Hz/22kHz bandpass filter) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3dBu (+13dBu pad in) Analogue Output Performance Nominal Output Level 0dBFS = +10dBu, balanced 0dBFS = +5.5bBu, unbalanced Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N Output Impedance Power Output into 32O 24mW Digital Performance Clock sources Internal clock only A-D Dynamic Range 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB D-A Dynamic Range 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz Crosstalk Input to Input Better than 90dB Output to Output Better than 90dB Input to Output Better than 85dB Input Metering Ring LED lit Green Signal present (-24 dBFS) Ring LED lit Red Signal overload (0dBFS), peak held for approximately 1 second Weight and Dimensions Height 48 mm Width 210 mm Depth 140 mm Weight 890 g

Type Audio Interfaces Recording Package Product Description A complete professional recording package for musicians. Focusrite has been a force behind some of the most high-end recording systems used in the world's top studios, and now they've comprised an entire studio bundle for your Mac or PC. The Scarlett Studio bundle includes a Scarlett 2i2 USB audio interface, Scarlett CM25 studio condenser mic, and a pair of Scarlett HP60 reference headphones. Scarlett 2i2 Audio Interface The audio interface is the key to making professional recording. At the heart of Scarlett Studio is the Scarlett 2i2. This interface connects to your Mac or PC via the USB port and provides 2-inputs and 2-outputs to your music software. Scarlett 2i2 delivers the superb quality and legendary Focusrite sound that audio industry professionals have relied on for decades. Plug your instrument – bass, guitar, keyboard, synth, you name it – and the included studio microphone straight into the front panel and 2i2 brings them into your computer at the highest possible quality. You can record, edit and mix until you have just the sound you want, with the best possible playback quality so you can hear exactly what you’re doing. Studio-quality microphone and headphones Scarlett Studio really does give you everything you need to start recording. There’s a studio condenser microphone, the CM25, that’s specially designed to catch the life and soul of your vocals and acoustic instruments. Clean, smooth and sensitive, it captures every nuance. If you can hear it, you can record it. There’s even a high-quality, low-noise microphone cable included, to connect the CM25 to the Scarlett 2i2. The included HP60 studio monitor headphones tell it like it is. Accuracy is number one when it comes to monitoring. Unlike many headphones that flatter the sound, making it sound better than it really is, the HP60s give you a clear and accurate impression of exactly how your music sounds, so you can get it just the way you want it. And when you play it back elsewhere, it’ll sound great. Professional recording software Scarlett Studio includes all the software you need to get you going straight away. Cubase LE 6 is powerful music production software for recording and mixing. Focusrite Scarlett plug-ins are a set of essential tools for polishing your mix, like compression to tighten up that bass or keep your vocals smooth and even; equalisers to bring out the character in your sound, gating to help remove noises, and reverb to give your music the space it needs. The Novation Bass Station is a software synthesizer that you can use to add additional bass or melody sounds to your music. Because it is a synth you can create totally new sounds that no one has ever heard before, or recreate classic sounds. There is also a sample pack from Loopmasters to add drum loops or sound effects to your track. Features Studio-quality recording package for your Mac or PC Focusrite recording technology Includes a Scarlett 2i2 audio interface, CM25 studio condenser, HP60 reference headphones, and mic cable Scarlett Studio Scarlett 2i2 2 in / 2 out USB audio interface 96 KHz, 24-bit conversion 2 Focusrite microphone preamplifiers Red anodised aluminium unibody chassis Unique LED 'halo' indicators to keep levels honest Scarlett Studio CM25 microphone Large-diaphragm condenser microphone 3 m red cable included Mic stand adaptor Scarlett Studio HP60 Headphones Reference quality headphones Extended frequency response Adjustable fit Closed back design to prevent audio spill when recording Scarlett Studio Specifications: System Requirements Mac OS X 10.7 Lion or OS X 10.8 Mountain Lion Windows 7 (all versions) Windows 8 (excluding Windows RT) Analog Input Performance Mic Frequency Response 20Hz - 20kHz +/- 0.1 dB THD+N Equivalent Input Noise (EIN) Gain Range +10dB to +55dB Max Input Level -3dBu Line Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N Noise -90 dBu (22 Hz/22KHz bandpass filter) Signal to Noise Ratio > 100dB Gain Range -10dB to +35dB Max Input Level +20dBu Instrument Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N % (measured with -8dBu input and 22Hz/22kHz bandpass filter) Noise -87dBu (22Hz/22kHz bandpass filter) Gain Range +10dB to +55dB Max Input Level -3dBu Analogue Output Performance Nominal Output Level 0dBFS = 10dBu, balanced Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N Output Impedance Power Output into mW Power Output into mW Digital Performance Clock sources Internal clock only A-D Dynamic Range 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB D-A Dynamic Range 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz Crosstalk Input to Input Better than 90dB Output to Output Better than 90dB Input to Output Better than 85dB Input Metering Ring LED lit Green Signal present (-24 dBFS) Ring LED lit Red Signal overload (0dBFS), peak held for approximately 1 second Weight and Dimensions Height 45 mm / 1 ¾ “ Width 175 mm / 7” Depth 100 mm / 4” Weight 580 g / 1.3 lb

A complete professional recording package for musicians. Focusrite has been a force behind some of the most high-end recording systems used in the world's top studios, and now they've comprised an entire studio bundle for your Mac or PC. The Scarlett Studio bundle includes a Scarlett 2i2 USB audio interface, Scarlett CM25 studio condenser mic, and a pair of Scarlett HP60 reference headphones. Scarlett 2i2 Audio Interface The audio interface is the key to making professional recording. At the heart of Scarlett Studio is the Scarlett 2i2. This interface connects to your Mac or PC via the USB port and provides 2-inputs and 2-outputs to your music software. Scarlett 2i2 delivers the superb quality and legendary Focusrite sound that audio industry professionals have relied on for decades. Plug your instrument – bass, guitar, keyboard, synth, you name it – and the included studio microphone straight into the front panel and 2i2 brings them into your computer at the highest possible quality. You can record, edit and mix until you have just the sound you want, with the best possible playback quality so you can hear exactly what you’re doing. Features Studio-quality recording package for your Mac or PC Focusrite recording technology Includes a Scarlett 2i2 audio interface, CM25 studio condenser, HP60 reference headphones, and mic cable Scarlett Studio Scarlett 2i2 2 in / 2 out USB audio interface 96 KHz, 24-bit conversion 2 Focusrite microphone preamplifiers Red anodised aluminium unibody chassis Unique LED 'halo' indicators to keep levels honest Scarlett Studio CM25 microphone Large-diaphragm condenser microphone 3 m red cable included Mic stand adaptor Scarlett Studio HP60 Headphones Reference quality headphones Extended frequency response Adjustable fit Closed back design to prevent audio spill when recording Scarlett Studio Specifications: System Requirements Mac OS X 10.7 Lion or OS X 10.8 Mountain Lion Windows 7 (all versions) Windows 8 (excluding Windows RT) Analog Input Performance Mic Frequency Response 20Hz - 20kHz +/- 0.1 dB THD+N Equivalent Input Noise (EIN) Gain Range +10dB to +55dB Max Input Level -3dBu Line Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N Noise -90 dBu (22 Hz/22KHz bandpass filter) Signal to Noise Ratio > 100dB Gain Range -10dB to +35dB Max Input Level +20dBu Instrument Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N % (measured with -8dBu input and 22Hz/22kHz bandpass filter) Noise -87dBu (22Hz/22kHz bandpass filter) Gain Range +10dB to +55dB Max Input Level -3dBu Analogue Output Performance Nominal Output Level 0dBFS = 10dBu, balanced Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N Output Impedance Power Output into mW Power Output into mW Digital Performance Clock sources Internal clock only A-D Dynamic Range 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB D-A Dynamic Range 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz Crosstalk Input to Input Better than 90dB Output to Output Better than 90dB Input to Output Better than 85dB Input Metering Ring LED lit Green Signal present (-24 dBFS) Ring LED lit Red Signal overload (0dBFS), peak held for approximately 1 second Weight and Dimensions Height 45 mm / 1 ¾ “ Width 175 mm / 7” Depth 100 mm / 4” Weight 580 g / 1.3 lb Shop No. 345-D, 3rd Floor Star City Shopping Mall, Opp,Bambino Cinema Abdullah Haroon Road Saddar Karachi Pakistan

A complete professional recording package for musicians. Focusrite has been a force behind some of the most high-end recording systems used in the world's top studios, and now they've comprised an entire studio bundle for your Mac or PC. The Scarlett Studio bundle includes a Scarlett 2i2 USB audio interface, Scarlett CM25 studio condenser mic, and a pair of Scarlett HP60 reference headphones. Scarlett 2i2 Audio Interface The audio interface is the key to making professional recording. At the heart of Scarlett Studio is the Scarlett 2i2. This interface connects to your Mac or PC via the USB port and provides 2-inputs and 2-outputs to your music software. Scarlett 2i2 delivers the superb quality and legendary Focusrite sound that audio industry professionals have relied on for decades. Plug your instrument – bass, guitar, keyboard, synth, you name it – and the included studio microphone straight into the front panel and 2i2 brings them into your computer at the highest possible quality. You can record, edit and mix until you have just the sound you want, with the best possible playback quality so you can hear exactly what you’re doing. Features Studio-quality recording package for your Mac or PC Focusrite recording technology Includes a Scarlett 2i2 audio interface, CM25 studio condenser, HP60 reference headphones, and mic cable Scarlett Studio Scarlett 2i2 2 in / 2 out USB audio interface 96 KHz, 24-bit conversion 2 Focusrite microphone preamplifiers Red anodised aluminium unibody chassis Unique LED 'halo' indicators to keep levels honest Scarlett Studio CM25 microphone Large-diaphragm condenser microphone 3 m red cable included Mic stand adaptor Scarlett Studio HP60 Headphones Reference quality headphones Extended frequency response Adjustable fit Closed back design to prevent audio spill when recording Scarlett Studio Specifications: System Requirements Mac OS X 10.7 Lion or OS X 10.8 Mountain Lion Windows 7 (all versions) Windows 8 (excluding Windows RT) Analog Input Performance Mic Frequency Response 20Hz - 20kHz +/- 0.1 dB THD+N Equivalent Input Noise (EIN) Gain Range +10dB to +55dB Max Input Level -3dBu Line Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N Noise -90 dBu (22 Hz/22KHz bandpass filter) Signal to Noise Ratio > 100dB Gain Range -10dB to +35dB Max Input Level +20dBu Instrument Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N % (measured with -8dBu input and 22Hz/22kHz bandpass filter) Noise -87dBu (22Hz/22kHz bandpass filter) Gain Range +10dB to +55dB Max Input Level -3dBu Analogue Output Performance Nominal Output Level 0dBFS = 10dBu, balanced Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N Output Impedance Power Output into mW Power Output into mW Digital Performance Clock sources Internal clock only A-D Dynamic Range 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB D-A Dynamic Range 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz Crosstalk Input to Input Better than 90dB Output to Output Better than 90dB Input to Output Better than 85dB Input Metering Ring LED lit Green Signal present (-24 dBFS) Ring LED lit Red Signal overload (0dBFS), peak held for approximately 1 second Weight and Dimensions Height 45 mm / 1 ¾ “ Width 175 mm / 7” Depth 100 mm / 4” Weight 580 g / 1.3 lb

M-Audio M-Track Two-Channel USB Audio Interface Overview Open The Door To Computer-Based Music Making The M-Track interface from M-Audio® transforms your computer into a digital recording studio with plug-and-play simplicity. A single USB cable provides both power and a data connection to and from your laptop or desktop computer. M-Track offers the right connections for any instrument, from an electric guitar to a professional condenser mic—phantom power is provided. With an all-metal chassis, and low-profile form factor, M-Track delivers professional control in a robust portable package. For software, M-Track includes both Ableton™ Live Lite and a select Waves Audio plugin bundle to get things started. Specifications All specifications are measured at 20 kHz bandwidth. Specifications are subject to change without notice Mic Inputs 1–2 (balanced XLR) Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB) Dynamic Range: 104 dB (A-weighted) Signal-to-Noise Ratio: 104 dB (1 kHz, +1.4 dBu, A-weighted) THD+N: 0.003% (1 kHz, +2 dBu input, -0.8 dBFS) Preamp EIN: -133 dBu (max gain, 40 Ω source, A-weighted) -126 dBu (max gain, 150 Ω source, unweighted) Sensitivity: -53 dBu Gain Range: 55 dB Line Inputs 1–2 (balanced 1/4" [6.35 mm] TRS) Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB) THD+N: 0.004% (1 kHz, -1 dBFS) Sensitivity: -43 dBu Gain Range: 55 dB Inst Input 2 (unbalanced 1/4" [6.35 mm] TS) Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB) THD+N: 0.022% (1 kHz, -1 dBFS) Sensitivity: -47 dBu Input Impedance: 1 MΩ Gain Range: 55 dB Main Outputs, L and R (impedance-balanced 1/4" [6.35 mm] TRS) Frequency Response: 20 Hz – 20 kHz (+/-0.3 dB) Dynamic Range / Signal-to-Noise Ratio: 102 dB (A-weighted) THD+N: 0.008% (1 kHz, -1 dBFS) Max Output Level: +2.86 dBu Power: USB-bus-powered Size (H x W x D): 2.07 x 9.4 x 4.85 inches (52.58 x 238.76 x 123.19 mm) Weight: 2.29 lbs (1.04 kg

Type Studio Microphone Product Description Features: • Top quality back electret condenser transducer • High sensitivity and low self noise • Built-in pre-amplifier circuitry for unrivalled sound performance • Wide frequency response range • LED power indicato Applications: Recording, broadcasting, on-stage performance Specifications: • Transducer Principle: Back Electret Condenser • Directivity Characteristic: Cardioid • Frequency Response: 30Hz-20kHz • Sensitivity: -38dB±2dB (0dB=1V/Pa at 1kHz) • Output Impedance: % (at 1kHz) • Load Impedance: ≥Ω • Equivalent Noise Level: ≤22dB A (IEC ) • Max. Input SPL: 140dB (THD ≤1.0％ at 1kHz) • Power Requirements: 48V DC Phantom Power • Body Dimensions: Ø54 x 128mm • Net Weight: 371g

Product Description Features: • Top quality back electret condenser transducer • High sensitivity and low self noise • Built-in pre-amplifier circuitry for unrivalled sound performance • Wide frequency response range • LED power indicato Applications: Recording, broadcasting, on-stage performance Specifications: • Transducer Principle: Back Electret Condenser • Directivity Characteristic: Cardioid • Frequency Response: 30Hz-20kHz • Sensitivity: -38dB±2dB (0dB=1V/Pa at 1kHz) • Output Impedance: % (at 1kHz) • Load Impedance: ≥Ω • Equivalent Noise Level: ≤22dB A (IEC ) • Max. Input SPL: 140dB (THD ≤1.0％ at 1kHz) • Power Requirements: 48V DC Phantom Power • Body Dimensions: Ø54 x 128mm • Net Weight: 371g

Features: • Top quality back electret condenser transducer • High sensitivity and low self noise • Built-in pre-amplifier circuitry for unrivalled sound performance • Wide frequency response range • LED power indicato Applications: Recording, broadcasting, on-stage performance Specifications: • Transducer Principle: Back Electret Condenser • Directivity Characteristic: Cardioid • Frequency Response: 30Hz-20kHz • Sensitivity: -38dB±2dB (0dB=1V/Pa at 1kHz) • Output Impedance: % (at 1kHz) • Load Impedance: ≥Ω • Equivalent Noise Level: ≤22dB A (IEC ) • Max. Input SPL: 140dB (THD ≤1.0％ at 1kHz) • Power Requirements: 48V DC Phantom Power • Body Dimensions: Ø54 x 128mm • Net Weight: 371g

The Tube MP Studio V3 features ART's new V3 (Variable Valve Voicing) Technology. V3 provides optimized reference points to begin the recording process. The V3 presets were created and fine-tuned by some of the industry's top studio and live-sound engineers, along with ART's accomplished engineering department. V3 allows you to select between a multitude of preamp settings designed for guitars (electric and acoustic), keyboards, bass guitars, drums, vocals and more. V3 gives you incredible presets for every instrument you record, so all your recordings will sound professional. Need to tweak the presets? Go right ahead -- hone your perfect tone! That's the power of V3. V3 also incorporates ART's OPL (Output Protection Limiter), which precisely and accurately controls and maintains the output peak signal. The OPL circuitry is crucial in protecting the next link in a signal chain - such as a hard-disk recording system or a sound card. While it's primary application is to be used with a microphone, the Tube MP Studio V3 can also function as a direct box - impedance matching, amplifying and improving the sound of any instrument plugged into it. The design of the Tube MP Studio V3 allows it to add warmth and fatness to a signal while maintaining low-noise. The Tube MP Studio V3 features all the tone and functionality of its predecessor, the Tube MP. Phase Reverse, +48v phantom power, clip LED and a +20dB switch are all included, as well as an analog VU meter for visual tracking of the signal. Whether you're working with a computer, hard-disk, or digital multitrack recorder, the Tube MP Studio V3's design delivers professional recording studio results at a fraction of the cost of comparable equipment. The Tube MP Studio V3 offers superior performance and sound quality to the "on-board" preamps found in today's low-cost mixers and multi-trackers. Professional quality sound combined with professional features - a hand-selected 12AX7a Tube, Phantom Power and Phase Reverse - are what make the Tube MP Studio V3 an outstanding microphone preamp. FEATURES V3 presets provide fine-tuned presets designed by top studio and live-sound engineers allowing you to quickly optimize your recordings Features ART's Output Protection Limiter, which precisely and accurately controls and maintains the output peak signal In addition to preamplification, the Tube MP Studio can be used as an exceptional direct box for impedance matching, amplifying, and improving the sound of any instrument plugged into it Dynamic range: 100dB Frequency response: 10Hz-20kHz

Overview Vocal Studio Pro is the all-in-one solution for your computer-recording projects. Lay down vocals on your latest tune. Narrate your next podcast. Add a voice-over to your multimedia production. Vocal Studio Pro does it all. The unique combination of high-performance hardware and easy-to-use software makes it possible. Simply plug the microphone into the interface, connect the interface to the computer, put on the headphones, and you're ready. Completing this powerful package are two complementary software selections: Avid® Pro Tools® Express and Ignite by AIR, the all-new music creation software. Together, they deliver a comprehensive path for transforming the ideas in your head into musical works and ideas you can share with the world. Package Contents: M-Audio M-Track Interface M-Audio large diaphragm vocal microphone M-Audio studio headphones Avid Pro Tools Express with iLok USB key Ignite by Air (Download) Mic clip XLR microphone cable USB cable User Guides Safety & Warranty Manual Achieve Accurate Audio Recordings Breathe new life into your recordings with this large-capsule M-Audio microphone. Combining low-noise electronics and high sensitivity, this microphone ensures recordings that are faithful to the original source and free from distortion or unwanted coloration of the sound. The rugged metal body and capsule offers protection and reliability. Expandable Interface M-Track opens the door to enhanced computer-based music making. In addition to providing a superb sounding XLR connection—complete with phantom power—for your M-Audio microphone, M-Track offers the right connections for any audio source or instrument—even an electric guitar! Insert jacks allow you to incorporate your favorite effects. The low-profile design delivers professional control in a portable package. Pro Tools Express Compose, record, edit, and mix using the tools the professionals use. Pro Tools Express starts with 16 simultaneous stereo or mono audio tracks. Add in the popular Boom, Xpand!2, and Structure Free player virtual instruments from AIR Music Technology-all included. Finish off with dozens of high-powered effect plug-ins, including the in-demand AIR effects. Plus, Pro Tools Express offers session file compatibility with the entire Pro Tools family, so you can take your tracks to the finest studios around the world. Pro Tools Express includes an iLok 2 USB key-a Ignite Ignite provides a refreshingly original and musician-centric way to quickly capture, combine, and arrange your musical ideas. The intuitive graphic interface encourages you to experiment and explore new directions. Smart MIDI Chord and Phrase Players empower your ideas and bring them to life through over 275 superior instruments sounds created by AIR Music Technology. When you're ready to collaborate with other musicians or take your ideas to the next level, you can share them through SoundCloud, or export your WAV, MP3 and MIDI files and import them into Pro Tools-or any DAW software. Best of all, Ignite offers seamless integration with your M-Audio keyboard controller, with no set-up chores to perform. Avid, the Avid logo and Pro Tools are trademarks or registered trademarks of Avid Technology, Inc. in the U.S. and other countries Features M-Audio Large Capsule Condenser Microphone Top quality back electret condenser transducer High sensitivity and low self noise Built-in pre-amplifier circuitry for unrivalled sound performance Wide frequency response range LED power indicator Transducer Principle: Back Electret Condenser Directivity Characteristic: Cardioid Frequency Response: 30Hz-20kHz Sensitivity: -38dB±2dB (0dB=1V/Pa at 1kHz) Output Impedance: % (at 1kHz) Load Impedance: ≥Ω Equivalent Noise Level: ≤22dB A (IEC ) Max. Input SPL: 140dB (THD ≤1.0ï¼… at 1kHz) Power Requirements: 48V DC Phantom Power Body Dimensions: Ø54 x 128mm Net Weight: 371g