Impedance

Matchless Quality with Boombastic Sound Experience. Selected choice for quality conscious audience. Specially Designed with Latest Technlogy Reversible Connector Compatible for iPhone 7/ 7+/ 8/ 8+/ X/ XS Max/ 11/ 12/ 13/ Pro/ Max/ iPad. Connect through Pop-Up Window or Bluetooth. Tested Before Shipping.

Impedance: 4-8 ohm, (parallel impedance, showing capacitive reactance nature, extremely large capacitive reactance, and extremely small current): 75-150W (single 3-5W) Withstand voltage: 12-18V (piezoelectric horn talks about withstand voltage, not) Sound pressure: 303P: 102dB/303A/303A7: 104dB

Impedance: 32 Frequency Range: 20 – 20,000Hz. Rated Power: 4MW. Connector: 3.5mm jack (Straight). Wire: Environmental TPE, 1.1m. Coil Material: Copper-clad aluminum. Sound Pressure Level (SPL): 105dB

1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time)

Type Audio Midi Interfaces Product Description A 24-bit USB recording interface. The compact Alesis iO2 EXPRESS audio-recording interface is ideal for home studios and portable recording setups. The 2-channel USB interface for Mac and PC-based systems enables you to record at up to 24-bit resolution for input into virtually all DAW, recording, and performance software. The Alesis i02 EXPRESS recording interface is small enough to comfortably fit into your mobile recording rig, laptop bag, or backpack, yet it contains high-quality components and circuitry suitable for the studio. Flexible recording and playback The i02 EXPRESS interface's discrete-design preamplifiers and true 48-volt phantom power ensure that you capture microphones' complete signal. High quality analog-to-digital and digital-to-analog converters ensure that every detail of your session or performance gets recorded – and played back on your monitoring system. It's class compliant, so you can use the plug-and-play Alesis iO2 EXPRESS with virtually any computer. The iO2 EXPRESS is USB bus powered so you won't need to carry a bulky power supply, and its performance is optimized for minimal laptop battery drain so you'll be able to track long sessions and gigs remotely. Complete iO The iO2 EXPRESS has 2 input channels. Each channel has an XLR microphone input, a 1/4" TRS insert for external effects units, and a 1/4" TS jack that works with line-level sources and can accommodate direct connection of guitars. The Alesis iO2 EXPRESS sends and receives 2 audio channels on a single USB cable for simple, universal interface. You can monitor your sessions on any studio monitoring or other loudspeaker system via dual 1/4" balanced outputs. For remote tracking and alternative playback, the iO2 EXPRESS has a 1/4" TRS headphone output. The iO2 EXPRESS features traditional MIDI In and Out jacks for playing and controlling software with keyboard and pad controllers, workstations, and other MIDI-compatible instruments. Level management Each channel has a gain trim control, and there's a master level control for optimal gain staging. When monitoring on headphones, you'll appreciate the dedicated volume control. You can also visually monitor levels and operation using the tricolor, stereo metering tree and lighted status indicators. Complete the package The Alesis iO2 EXPRESS comes complete with a copy of Steinberg Cubase LE digital audio workstation (DAW) software. Cubase is one of the most popular DAWs in the world thanks to its intuitive approach to composing, recording, editing, and mixing. In addition to the included software, the Alesis iO2 EXPRESS is compatible with virtually all audio and MIDI software. Features 2-channel computer audio recording interface Record up to 24-bit/48kHz audio into virtually any software Monitor sessions with balanced studio monitor and headphone outputs High-quality A/D and D/A converters, discrete-design preamps, 48V phantom power Inputs for microphones, line-level sources, and instruments including guitars Tricolor stereo level meter and lighted status indicators for visual monitoring MIDI Input and Output jacks for playing and controlling software instruments USB bus powered – no external power supply needed Includes: iO2 EXPRESS interface USB cable iO2 Express Audio Interface Specifications: SYSTEM REQUIREMENTS Mac: OS X 10.2+ Windows: XP, Vista, or 7 USB port FREQUENCY RESPONSE MIC/LINE IN to USB OUT: ±0.1dB MIC/LINE IN to MAIN OUT (through ADC/DAC) ±0.35dB SIGNAL-TO-NOISE RATIO (SNR) MIC/LINE IN (balanced) to INSERT OUT: 110dB A-weighted, input impedance at XLR or 1/4" jack = 600 ohms GUITAR IN (unbalanced) to INSERT OUT: 99dB A-weighted, input impedance at 1/4" jack = 600 ohms MIC/LINE IN (balanced) to USB OUT: 99dB A-weighted, input impedance at MIC or LINE jack = 600 ohms GUITAR IN (unbalanced) to USB OUT: 94dB A-weighted, input impedance at 1/4" jack = 600 ohms MIC/LINE IN (balanced) to MAIN OUT (through ADC/DAC): 97dB A-weighted, input impedance at MIC or LINE jack = 600 ohms MIC/LINE IN (balanced) to MAIN OUT (through direct monitor): 95dB A-weighted, input impedance at MIC or LINE jack = 600 ohms TOTAL HARMONIC DISTORTION + NOISE (THD+N) MIC/LINE IN (balanced) to INSERT OUT: GUITAR IN (unbalanced) to INSERT OUT: % Input Gain = minimum, 1KHz input signal, INSERT OUT = 5.3dBV MIC/LINE IN (balanced) to USB OUT: % Input Gain = minimum, 1KHz input signal, USB OUT = -0.3dBFS GUITAR IN (unbalanced) to USB OUT: % Input Gain = minimum, 1KHz input signal, USB OUT = -0.7dBFS MIC/LINE IN (balanced) to MAIN OUT (through ADC/DAC): % Input Gain = minimum, 1KHz input signal, MAIN OUT = 5.6dBV MIC/LINE IN (balanced) to MAIN OUT (through direct monitor): % Input Gain = minimum, 1KHz input signal, MAIN OUT = 5.6dBV

3D-Compatible: The HDMI v.1.4 connections will accept 3D video from your 3D-ready Blu-ray player and output the video signal in 3D to your 3D-ready HDTV. Double Bass: With the double bass feature you can boost the bass output by feeding the low frequency signals from the left and right channels (when front speakers set to large) to both the front speakers and to the subwoofer. WRAT (Wide Range Amplifier Technology): This technology uses low-negative-feedback circuit topology for accurate signal reproduction, improved dynamic signal-to-noise ratio, and better delivery of power peaks. H.C.P.S. (High Current Power Supply): The Onkyo HT-R580 is equipped with a H.C.P.S. massive high power transformer. Digital-to-Analog Converters (DACs): This receiver is equipped with 192kHz/24-bit Burr-Brown DACs to decode and playback high-resolution recordings with less jitter and clearer sound. 32-Bit Processing DSP: The Onkyo AV receiver is equipped with a powerful and highly accurate 32-bit processing DSP (Digital Signal Processor) for better surround sound reproduction. Supported Audio Formats: The HT-R580 supports the following audio formats: 2-channel Linear PCM (32-192-kHz, 16/20/24-bit/) Multichannel Linear PCM (7.1-ch, 32-192-kHz, 16/20/24-bit) Bitstream (DSD, Dolby Digital, Dolby Digital Plus, Dolby TrueHD, DTS, DTS-HD High Resolution Audio, DTS-HD Master Audio) Dolby Pro Logic IIx Music Settings: While listening in the Dolby Pro Logic IIx Music format, there are three further enhancements you can adjust: Panorama: Broadens the front stereo image to the surround speakers to provide a wraparound effect, especially effective when there is limited output from the surround channels, panorama can be turned on/off in the menu. Dimension: Allows you to move the sound field forward or backward. Centre Width: Allows you to adjust the width of the centre channel. PLIIz Height Gain: The Height Gain Control in Dolby Pro Logic IIz enables you to select how much gain is applied to the front-height effect speakers. There are three settings - Low, Mid, and High. Onkyo Original DSP Modes: The OnkyouTX-SR508 features its own proprietary set of DSP (Digital Signal Processing) modes to bring your movies and music more to life. Audyssey Dynamic EQ: Audyssey Dynamic EQ solves the problem of deteriorating sound quality as volume is decreased by taking into account human perception and room acoustics. Dynamic EQ selects the best possible frequency response and surround levels moment-by-moment as volume is changed. The result is bass response, tonal balance and surround impression that remain constant despite changes in volume. Audyssey Dynamic EQ combines information from incoming source levels with actual output sound levels in the room, a prerequisite for delivering a loudness correction solution. Front L/R 130 W/Ch (6 ohms, 1 kHz, 1%, 1 channel driven, FTC) Center 130 W (6 ohms, 1 kHz, 1%, 1 channel driven, FTC) Surround L/R 130 W/Ch (6 ohms, 1 kHz, 1%, 1 channel driven, FTC) Subwoofer 130 W (6 ohms, 1 kHz, 1%, 1 channel driven, FTC)) Dynamic Power 180 W (3 ohms, Front) 160 W (4 ohms, Front) 100 W (8 ohms, Front) THD (Total Harmonic Distortion): 0.08% (1 kHz, 1 W) Damping Factor: 60 (Front, 1 kHz, 8 ohms) Input Sensitivity and Impedance: 200 mV/47 k-ohms (Line) Output Level and Impedance: 200 mV/2.2 k-ohms (Rec out) Frequency Response: 5 Hz–100 kHz/+1 dB, -3 dB (DSP bypass)) Tone Control ±10 dB, 50 Hz (Bass) ±10 dB, 20 kHz (Treble) Signal-to-Noise Ratio: 100 dB (Line, IHF-A) Speaker Impedance: 6 ohms –16 ohms Video Section Input Sensitivity/Output Level and Impedance Video 1.0 Vp–p/75 Ù (Component) 0.7 Vp–p/75 Ù (Component PB/CB, PR/CR) 1.0 Vp–p/75 Ù (Composite) Component Video Frequency Response: 5 Hz–100 MHz/0 dB, -3 dB

Its available in mind condition, sealed and 100% genuine. Made In Japan Only calls will be answered. Price is final DTS-ES (Extended Surround) decoder that realizes 6.1 channel surround playback Dolby Pro Logic II for superior sound field playback Equipped with an AAC decoder corresponding to BS digital voice All channels Same power Discrete configuration with the same response 6ch power amplifier Equipped with D terminal (compatible with D4 video), supporting higher quality video Various surround modes that can be selected to suit your source and preference Subwoofer's crossover frequency can be switched (80 Hz, 100 Hz, 120 Hz) Equipped with a 6-channel extension input terminal aiming for future potential and development MAIN SPECIFICATIONS - AVC-2850 Audio section Power Amplifier Rated output / Front: 90W + 90W (20Hz ~ 20kHz, 8Ω, THD0.05%), 135W + 135W (6Ω, 1kHz) THD0.7% Center: 90W (20Hz ~ 20kHz, 8Ω, THD0.05%), 135W THD 0.7% THD 0.7% Surround back: 90 W (20 Hz to 20 kHz, 8 ohm, THD 0.) THD 0.7% Surround: 90 W + 90 W (20 Hz to 20 kHz, 8 ohm, THD 0.05%), 135 W + 135 W (6 ohm, 1 kHz) 05%), 135 W (6 Ω, 1 kHz) THD 0.7% Practical maximum output / Front: 150W + 150W (6Ω, EIAJ) Center: 150W (6Ω, EIAJ) surround: 150W + 150W (6Ω, EIAJ) surround back: 150W (6Ω, EIAJ) Output terminal / Front: [A or B] 6 to 16 Ω, [A + B] 8 to 16 Ω, center, surround, surround back: 6 to 16 Ω Analog section Input sensitivity / impedance / 200mV / 47kΩ frequency characteristic / 10Hz ~ 100kHz: + 0dB, -3dB (direct mode) SN ratio / 102dB (direct mode) strain rate /0.005% (20Hz ~ 20kHz) (direct mode) rated Output / 1.2V [Digital part (D / A output)] Rated output / 2 V (at 0 dB playback) Total harmonic distortion ratio / 0.008% (0 dB at 1 kHz) SN ratio / 102 dB dynamic range / 96 dB [Phono Equalizer part (PHONO input REC OUT)] Input sensitivity / 2.5 mV RIAA deviation / ± 1 dB (20 Hz to 20 kHz) SN ratio / 74 dB (at JIS-A, 5 mV input) Distortion rate / 0.03% (at 1 kHz, 3 V output) Rated output / maximum output / 150 mV / 7 V Video section [Standard video terminal] Input level / impedance / 1 Vp - p / 75 Ω frequency characteristics / 5 Hz to 10 MHz z: + 0 dB, -3 dB S video terminal Input level / impedance / Y (luminance) signal: 1 Vp - p / 75 Ω, C (color) signal: 0.286 Vp - p / 75 Ω frequency characteristics / 5 Hz to 10 MHz: +0, -3 dB Component video terminal P / C (blue) signal: 0.7 Vp - p / 75 Ω, PR / CR (red) signal: 0.7 Vp - p / 75 Ω Frequency response / input level / impedance / Y (luminance) signal: 1 Vp - 5 Hz to 27 MHz: +0, -3 dB Overall Power supply / AC 100 V · 50/60 Hz Power consumption / 235 W (less than 2 W at standby)　 Maximum external dimensions / W 434 × H 171 × D 416 mm mass / 11.5 kg

A very very powerful bluetooth amplifier that you can use with your mobile or any other device. TDA7492P 2x50W Bluetooth 4.0 Audio Receiver Digital Amplifier Board Specifications: Power Supply: 2.1 interface AC 8~25V Audio Input: Stereo input various versions of the Bluetooth connection, using CSR8635 Bluetooth chip, Bluetooth V4.0, high software compatibility. Output impedance: 8 ohms best(4, 6, 8, 16 ohm impedance can drive speakers) Output power: Add pre-5532 output foot(powered 25V, 6 ohm impedance output 2 x 50W, 8ohm impedance output 2 x 40W dual channel) It is convenient to directly adjust the gain of the second stage power amplifier, and can better drive the horn with a larger damping. Product Size: approx. 80*50*15mm/3.14*1.96*0.59'' Net weight: approx. 36g Quantity: 1pc Note: Please allow 1-3mm differs due to manual measurement. Due to the different display and different light, the picture may not reflect the actual color of the item. Thanks for your understanding. Included: 1 x Audio Receiver Digital Amplifier Board

Seller Type: A Professional / Business Condition: New Product Description The Shure SM58 has been the "go-to" microphone for musicians, producers, and sound engineers around the world for more than 40 years running. No other mic in your arsenal can match its legendary reputation for great sound and rugged dependability. With a Shure SM58 on the stage, you can forget about the microphone and concentrate on your performance. Features: - Tailored, brightened midrange response that flatters most voices and gives your vocals an extra boost, helping them cut through the mix - Built-in spherical filter that helps minimize "pop" sounds - Unidirectional cardioid pickup pattern helps minimize feedback - Legendary Shure build quality Engineered for Great-Sounding Vocals The Shure SM58 features specially tuned mid-range response for boosted presence in your vocal tracks. While some mics let vocals get lost in the mix, the Shure SM58 cuts through instruments and positions the singer right out in front. Your music will gain the crisp focus that separates the professionals from the hobbyists. Special Technology for Quiet Operation Shure's unique spherical filter brings smoothness and clarity to both lead and backing vocals. On the SM58, wind and breath sounds are minimized, cutting down on ambient noise that can ruin recorded tracks and possibly damage live sound equipment. A tried-and-true internal shock mount also cleans up your performance by reducing handling noise. Those loud creaks and pops that result from pulling the mic out of its clip or adjusting its position can be completely avoided with the SM58. Plus, floor vibrations won't enter the signal stream when the Shure SM58 is mounted on a stand. Clean tracks always sit better in the mix, giving them their own space and texture. You'll be surprised at what pops out of your performance once the unwanted noise is gone. Unidirectional Cardioid Pickup Pattern Live sound stages and recording studios both rely on good microphone isolation for quality results. If one audio source bleeds over into another, it's hard to know what to fix and how to fix it. Fortunately, Shure SM58s have a unidirectional, cardioid pickup pattern for outstanding aiming control. Since sounds outside the pickup pattern are automatically rejected, you can position the mic to only "hear" your intended audio source. In the studio, you'll have clean, separated tracks for faster editing. On stage, you can be sure your input levels are strong without worrying about feedback. Either way, your project just got a whole lot easier. Shure includes a 180-degree rotating mic clip to help you get perfect mic placement, every time, with the SM58. Legendary Durability The SM58's tank-like durability has reached mythic status in the music world. Veteran rockers love to tell the tale of how they hammered the stage together with their Shure SM58, then sang through the whole gig without missing a beat. You'll be a part of the legend when you grasp the perfectly balanced die-cast metal handle and raise the rigid steel mesh grille up to your lips. It's hard not to feel the weight of all that music history when you realize your favorite artists hefted that same handle, delivering their lyrics through that same mesh grille. The Drop Test Nostalgic sentiment is nice, but how about some cold, hard evidence? The Shure SM58 met and conquered Shure's famous "drop test," falling ten times from a height of ten feet with no drop in performance! You know what happens at the live show. The energy is high, people are jumping around, and your mic stand is bound to get bumped. It's nice to know you can pick it up, dust it off, and get right back into the moment. Nothing will kill the vibe faster than telling the crowd to hang on a minute while you swap out equipment. With an SM58, you never have to stop! Affordable Quality Shure knows their audience, and they priced the SM58 accordingly. At this musician-friendly price, you can outfit the whole stage without breaking your tour (or studio) budget. Use the savings to try and find other gear that performs as well as the Shure SM58, if you can. - Type: Dynamic (moving coil) - Frequency Response: 50 to Hz - Polar Pattern: Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency Output Level (at Hz) - Open Circuit Voltage: -74.5 dB* (0.19 mV) - Power Level: -56.0 dB** - Impedance: Rated impedance is actual) for connection to microphone inputs rated low impedance - Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 - Connector: 3-pin professional audio connector (male XLR type) - Case: Dark gray, enamel-painted, die cast metal; matte-finished, silver colored, spherical steel mesh grille - Overall Dimensions: 51 x 162 x 23mm (2 x 6-3/8 x in.) - Swivel Adapter: Positive-action, break-resistant, adjustable through 180 degrees, with standard 5/8 in.-27 thread - Net Weight: 298 g (10.5 oz.) *0 dB = 1 v/ bar **0 dB = 1 mw/10 bar

Designed and engineered in Europe Branded speakers. ORiX Sound Lab CY3300 home theater system that delivers first rate, exceptional sound that is rich in details and pure. These can also be used as stereo FRONT SPEAKER - 2 WAY BASS REFLEX / DOUBLE BASS (2 DRIVERS ONE TWITTER IN EACH SPEAKER) POWER HANDLING: 160 /280 WATT IMPEDANCE: 4 - 8 OHM FREQUENCY RANGE: 20 - 22.000 HZ CENTER SPEAKER: BASS REFLEX 2 DRIVERS ONE TWITTER POWER HANDLING 60-120 WATT IMPEDANCE: 4 - 8 OHM SURROUND SPEAKER: BASS REFLEX 1 DRIVER ONE TWITTER POWER HANDLING 60-20 WATT IMPEDANCE: 4 - 8 OHM 10/10 Condition, comprising Front pair tower speakers, a pair of rear speakers and a centre speakers.sounds is too good. U don't need a subwoofer with these speakers. Excellent bass. Urgent Sale. First come first get.

Description Features: Input pre-amps have remarkably low noise levels, and the DBX noise reduction reduces tape noise without side effects. Better control is possible over equalizer to tape with a 5-band graphic than with the common 2-band Hi/Lo controls, allowing a greater range of play with your audio. The graphic bands of the MT120s are 100Hz, 400Hz, 1kHz, 5kHz and 10kHz. The mt120s also has 2 bus input sockets which means that you can add 2 new signals, more with external mixer (not included), and have a stereo effects return on mix-down. What this does is increases the flexibility of the device when used in conjunction with sequencers and computers and multi-timbral sound modules. This makes it possible to create a the most impressive, full, backing track possible without making any sacrifices. MT120S SPECIFICATIONS • Input Impedance (all inputs): 10 kOhm • Input Level: -56 dB (Gain Max) to +10 dB (Gain Min) • Output Impedance (all line outputs): 1kOhm • Output Level (all line outputs): -10 dB • Phones Output: Load impedance 8-40 Ohms, max output level 45 mW per channel • Tape Speed: 9.5 cm/s, 4.8 cm/s • Varispeed: +/- 10% approx. • Wow and Flutter: less than 0.12% WRMS (4.8 cm/s) • Frequency Response: 40Hz-18kHz (dbx out, 9.5 cm/s +3/-5 dB) 40Hz-13kHz (dbx out, 4.8 cm/s, +3/-5 dB) • Distortion: 1.0% (400 Hz, -13 dB Rec level, dbx on) • S/N ratio (3% THD level): 85dB (dbx on, IHF-A) • Channel separation: Better than 65dB at 1kHz • Erasure ratio: Better than 70dB at 1kHz • Record/play head type: 4-channel Permalloy • Erase head type: 4-channel 

VARDUS VR300-TOWERS 2 NOs Enclosure Type Ported BASS 6 TWEETER 25mm TEX NOMINAL IMPEDANCE 6ohms DIMENSIONS 860 x 223 x 255 Mid - Range 6 inch Freq Range at -6 dB 50 - 20 khz SPL 1W at 1M 88dB Recommend Amp 10 - 120W VARDUS S-2 SURROUND 2 NOs NOMINAL IMPEDANCE 6ohms Freq Range at -6 dB 65 - 20 khz SPL 1W at 1M 86dB Recommend Amp 10 - 100W VARDUS CENTER 1 NO NOMINAL IMPEDANCE 6ohms Freq Range at -6 dB 70 - 20 khz SPL 1W at 1M 89dB Recommend Amp 10 - 100W SUBWOOFER WH-SE 1NO Description/Format Active Reflex Subwoofer System Drive Units 1 x (8'') 200mm Cone Long-throw Enclosure Type Vented Box Frequency Response (+/-3dB) 30Hz - 200Hz Power Output 150Watt

Like the title says, up for sale are 3-way custom components comprising of Hertz tweets, midrange, mid-bass speakers and Nakamichi made in japan 3 way audiophile grade crossovers. Specs: Hertz HT 25 Tweeters: Size mm (in.) 25 (1”) Power Handling - Peak W 120 Power Handling - Continuous W 40 Impedance Ω 4 Frequency response Hz 1.6k ÷ 22k Sensitivity dB SPL 92 Voice coil Ø mm (in.) 25 Magnet Neodymium Cone/Dome Tetolon Hertz HL 70 3 inch Midrange: Size mm (in.) 70 (3”) Power Handling - Peak W 100 Power Handling - Continuous W 50 Impedance Ω 4 Frequency response Hz 200 ÷ 14k Sensitivity dB SPL 92 Voice coil Ø mm (in.) 20 Magnet REN® Neodymium DV 165.3 DV 165.3 1. Large motor assembly for mobile voice coil control. 2. Pure copper voice coil, wound on conex former, for maximum lightness. 3. V-cone® for best off-axis response, clear mid-high frequency detail and powerful bass. 4. TPU surround, for wide excursion and resonance damping. 5. DIN size basket protected by abrasion-proof dust paint. 6. Tin-plated, high current terminals. 7. Silver-plated lead wires for maximum reliability and conductivity. 8. Butyl rubber protective cover, against crashes and abrasions. 9. Epoxy glue for basket and motor system provides perfect coupling. 10. Low carbon content plates for maximum magnetic permeability and high heat dissipation. Technical Specifications: Woofer size mm (in.) 165 (6.5) Power handling W peak 160 W continuous 80 Impedance Ω 4 Frequency response Hz 50 ÷ 23k Sensitivity dB SPL 93 Woofer Magnet size D·d·h mm (in.) 80 x 40 x 15 (3.1 x 1.6 x 0.6) Woofer Voice coil Ø mm (in.) 25 (1.0) Woofer magnet - High density flux ferrite Woofer cone - Water-repellent pressed paper Woofer weight kg (lb.) 0,74 (1.63) Serious buyers

Not an imitation of the past, but a modern studio microphone for the future. For decades Neumann has been setting standards in the world of studio microphones, and the TLM 107 follows closely to a tradition of innovation. With five directional characteristics and a novel-operating concept, this standard-setting large-diaphragm microphone provides sound without any coloration. Featuring equally impressive level stability and low self-noise, it captures everything from the softest whisper to thundering drums. Use the TLM 107 for everything from broadcasting, to studio and demanding home recording applications. The TLM 107 doesn't try to imitate a vintage sound or dated relic, in fact it's just the opposite, a modern studio mic with detailed, high-precision sound reproduction that is very close to the original source. Neumann Engineering The newly developed sound transducer, which was designed especially for this microphone, is impressive with its outstanding impulse fidelity. The great consistency of the five polar patterns, omnidirectional, cardioid and figure-8, with the intermediate patterns wide-angle cardioid and hypercardioid, is also unusual for a large-diaphragm capsule. The TLM 107 provides optimal sound not only for the cardioid setting; it also ensures maximum precision over the entire frequency range for all of the other directional characteristics. The sound always remains balanced, with an almost linear reproduction up to 8 kHz, and a slight boost in the highest frequencies that lends presence and freshness to the voice. Here particular attention has been paid to the natural reproduction of speech sounds, especially the critical “s” sound. The grille is acoustically optimized for low sensitivity to pop sounds. In addition, the sound transducer is edge-terminated, with both diaphragms at ground voltage. Specifically, this ensures considerably reduced sensitivity to dust and humidity. Features Multipattern large diaphragm microphone with 5 polar patterns (omni, wide cardioid, cardioid, hypercardioid, figure-eight) Navigation switch with LED illuminated display for polar pattern, PAD and low cut Sound characteristics: transparent, natural reproduction of human voice, outstanding transient response Balanced sound in all 5 polar pattern settings TLM 107 Condenser Microphone Specifications: Acoustical operating principle Pressure gradient transducer Directional pattern Omni, wide angle cardioid, cardioid, hypercardioid, figure-8 Frequency range 20 Hz... 20 kHz Sensitivity at 1 kHz into 1 kohms 11 mV/Pa Rated impedance 50 ohms Rated load impedance 1000 ohms Equivalent noise level, CCIR1) 22 dB Equivalent noise level, A-weighted1) 10 dB-A Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) 72 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) 84 dB Maximum SPL for THD Maximum SPL for THD Maximum SPL for THD Maximum output voltage 10 dBu Supply voltage (P48, IEC 61938) 48 V ± 4 V Current consumption (P48, IEC 61938) 3.2 mA Matching connectors XLR3F Weight 445 g Diameter 64 mm Length 145 mm Capture clear and accurate sound in any setting with a Neumann TLM 107 condenser microphone! Microphone Type: Condenser Polar Pattern: Cardioid, Wide Cardioid, Omni, Hypercardioid, Figure-8 Frequency Response: 20Hz-20kHz Max SPL: 141dB Output Impedance: 50 ohms Signal to Noise Ratio: 88dB (A weighted) Included Accessories: Stand mount, display case Manufacturer Part Number: TLM107MT

McIntosh Aw. Response kHz (+dB). Distortion 0.5%. Noise & hum -85dB. Output impedance , and 600 ohms. 600 ohm balanced to ground. 4, 8 and 16 ohms isolated from ground. Damping factor 12 for 4, 8 and 16 ohms. Input impedance 500k. Input sensitivity 0.5V. MECHANICAL: Gray hammertone chassis. Octal socket powers McIntosh C-8, C-4, C104, or C-108 preamps. Connector strip for 4, 8 and 16 ohms as well as 0.5V input. Audio input. TUBES: 2-6BG6 output, 12AX7, 12AU7,-12BH7, 5U4GA Condition: - No Warranty

Seller Type: An Individual Condition: Used Video recording system Rotary two-head helical scanning Video Signal Recording: CCIR standards. PAL and SECAM colour Playback: CCIR standards. PAL and SECAM colour / EIA standard NTSC 4.43 colour Storage temperature -20°C to 65°C Operating temperature 5°C to 40°C Aerial input 75-ohm, asymmetrical aerial socket Channel coverage VHF: Western European channels E2-12 UHF: Western European channels E21 - E68 A total of 8 can be preselected RF output signal UHF channels E30 to E39 (variable) 75 ohms, unbalanced Video Horizontal resolution 260 lines B/W:300 lines Video S/N Colour: Better than 40dB B/W: Better than 43dB Audio frequency response 50Hz to Hz Audio S/N Better than 40dB Inputs and outputs Video input VIDEO IN:BNC connector 1.0 V (p-p) 75 ohms, unbalanced, sync negative Video output VIDEO OUT:BNC connector 1.0 V (p-p) 75 ohms, unbalanced, sync negative Audio inputs AUDIO IN: phono jack 47 kilohms, -10 dBs (0 d Bs = V rms) Microphone: Mini jack -60dBs, suitable for microphones with 600 ohm impedance Audio outputs AUDIO OUT: Phono jack Load impedance less than 10 kilohms -10 dBs with 47 kilohms load, unbalanced Camera connector 14-pin Sony K connector Tape transport Tape speed PAL/SECAM mm/sec. NTSC 20mm/sec Maximum recording time (PAL/SECAM) 2 hours 10 min. (with Sony L-500 cassette) 3 hours 15 min. (with L-750) Fast forward/rewind time Within 3 1/2 min. (with L-500) Timer Timer Only for recording Electronic digital timer 24-hour-clock cycle General Power requirements v AC ± Hz Power consumption 44W Dimensions Approx. 485 x 168 x 379 mm (w/h/d) including projecting parts and controls Weight Approx. 15.8 kg net

Type Studio Microphone Product Description Features: • Top quality back electret condenser transducer • High sensitivity and low self noise • Built-in pre-amplifier circuitry for unrivalled sound performance • Wide frequency response range • LED power indicato Applications: Recording, broadcasting, on-stage performance Specifications: • Transducer Principle: Back Electret Condenser • Directivity Characteristic: Cardioid • Frequency Response: 30Hz-20kHz • Sensitivity: -38dB±2dB (0dB=1V/Pa at 1kHz) • Output Impedance: % (at 1kHz) • Load Impedance: ≥Ω • Equivalent Noise Level: ≤22dB A (IEC ) • Max. Input SPL: 140dB (THD ≤1.0％ at 1kHz) • Power Requirements: 48V DC Phantom Power • Body Dimensions: Ø54 x 128mm • Net Weight: 371g

Type Studio Microphone Product Description A multi-pattern dual 1" condenser microphone. The NT2-A carries on the tradition forged by the now legendary RØDE NT2 with a professional large capsule (1") studio microphone incorporating three-position pick-up patterns, PAD and high-pass filter switches conveniently located on the mic body. At the heart of the NT2-A is the Australian-designed and manufactured HF1 dual diaphragm capsule. The frequency and transient response of this transducer has been voiced to complement today's modern recording techniques, and yet still evoke the silky smooth character of the legendary microphones of the 50s and 60s. These features provide the flexibility and superlative audio characteristics that make the NT2-A one of the most versatile condenser mics available. This Bundle version also includes the SM6 shockmount with detachable pop filter - a high-quality suspension shockmount. It provides isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. It also includes a removable pop shield with two axis of adjustment and a telescopic arm for ultimate application versatility, 6m of XLR cable, and a dust cover. Features Large 1” gold sputtered capsule On-body control of polar pattern, HPF and PAD Three-position variable polar pattern - Omni, Cardioid or Figure 8 Three-position variable High-Pass Filter - Flat, 40Hz or 80Hz Three-position PAD - 0dB, -5dB or -10dB Ultra low noise, transformerless surface mount circuitry Wide, dynamic range Internal capsule shockmounting Made in Australia Full 1-year warranty Includes SM6 shockmount with detachable pop filter, 6m of XLR cable, and a dust cover NT2-A Studio Condenser Microphone Bundle Specifications: NT2-A Condenser Microphone Acoustic Principle: Pressure Gradient Active Electronics: JFET impedance converter with bipolar output buffer Capsule: 1.00" Polar Pattern: cardioid, Omni, figure 8 Address Type: Side Frequency Range: 20Hz - 20kHz Output Impedance: 200Ω Maximum SPL147dB SPL (@ 1kHz, 1% THD into 1KΩ load) Maximum Output Level: 16.0dBu (@ 1kHz, 1% THD into 1KΩ load) Sensitivity-36.0dB re 1 Volt/Pascal (mV @ 94dB SPL) +/- 2 dB @ 1kHz Power Options: +48V phantom power required from mixer or interface; +24V phantom power required from mixer or interface Weight: gm Dimensions: mmH x mm W x mm D Output: XLR SM6 Weight: gm Dimensions (HxWxD): 210mm x 133mm x 210mm

Type Studio Microphone Product Description Large-capsule condenser microphone. The Nova large-capsule condenser microphone from M-Audio® combines low-noise Class A electronics and an evaporated-gold diaphragm over one inch in diameter to achieve low-noise, high-fidelity recording, Nova ensures recordings that are faithful to the original source and free from distortion or unwanted coloration of the sound. The solid brass body and capsule offer protection and reliability. A hard mount and soft case are provided. Features 1.1" Diameter evaporated gold diaphragm > offers smooth, accurate sound Cardioid pickup pattern > easy to isolate from unwanted studio sounds Class A solid-state electronics > designed for low noise and minimal coloration Solid brass body and capsule > delivers protection and reliability Complete ready-to-use package > Includes hard mount, soft case, and XLR cable NOVA Specifications: Type: Large diaphragm condenser, gold evaporated Polar pattern: Cardioid Frequency response: 20Hz-18kHz Sensitivity: 16mV/Pa (-36dBV) Max. SPL for 0.5% THD: 128dB Equivalent noise level: 14dB-A weighted Output impedance: 200 ohms Recommended load impedance: > ohms Preamp topology: Class A FET preamp Power requirement: 48V phantom power Connector: 3-pin male XLR Grille and Body: Wire mesh grille and body, all brass Finishing: Nickel silver plating Size/weight: 7.3"H x 1.9"W/ 23oz

Kenwood KFC-W WOOFER for sale, outstanding STATE.. ORIGINAL PIC ATTATCHED..hardly used....and the box Size is extra large which gives heavy bass..price of box itself is from market but both of these will be in Package of !!!otherwise it will cost u atleast from Market... Only serious Buyer Contact!! Key Features 300mm Pearl Mica Injection P.P.Cone Woofer “TYPHOON” Shape Rigid Diaphragm W Peak Input Power Dual Magnet Drive Sealed/ Ported/ Free Air Type Installation Capabillity Speaker Features Speaker Type Subwoofer Peak Input Power W Rated Input Power 200W Speaker Size 300mm Speaker Cone Design Typhone Shape Dual Magnet Drive Yes Magnet Type Ferrit Terminals Screw / slide type Terminals Gold plated Yes Magnet Cover No Gasket Installation one-way (Fixed) Installation Capabillity Sealed/ Ported / Free-air Speaker/woofer Specifications Peak Input Power W Maximum Input Power 400W Rated Input Power 200W Woofer Cone material Pearl Mica P.P.cone Center Cap Type Aluminum Speaker Basket Steel Speaker Surround Urethane Sensitivity 93dB/W/m Frequency Response 25Hz ~ 800Hz Subwoofer Impedance 4Ω x 1 Dimensions (W x H x D) 328 x 328 x 156mm Mounting Depth 135mm Mouting Hole Diameter 274mm x 0mm Speaker Weight gr Gross Weight gr Weight of Magnet gr Subwoofer Parameters Nominal impedance (Z) 4 DC resistance (Re) 4 Resonant frequency (FSO) 32Hz Mechanical Q factor (QMS) Electrical Q factor (QES) 0.44 Total Q factor (QTS) 0.42 Voice coil inductance (LBM) 1.62mH Voice coil diameter (d) 65mm Force factor (BL) 15.8T/m Peak excursion Xmax 8mm Moving mass (MMS) gr. Volume accoustic compliance (VAS) liter Piston Area (SD) m² Displacement cc Sealed box volume 28.3liter Sealed Box Dimensions 375 x 360 x 350mm (21mm thick MDF)(WxHxD) Vented box volume liter Vented Box Dimensions 380 x 505 x 340mm (21mm thick MDF)(WxHxD) Vented box port diameter/length Ø 76mm / 178mm Condition: - No Warranty

Product Description Features: • Top quality back electret condenser transducer • High sensitivity and low self noise • Built-in pre-amplifier circuitry for unrivalled sound performance • Wide frequency response range • LED power indicato Applications: Recording, broadcasting, on-stage performance Specifications: • Transducer Principle: Back Electret Condenser • Directivity Characteristic: Cardioid • Frequency Response: 30Hz-20kHz • Sensitivity: -38dB±2dB (0dB=1V/Pa at 1kHz) • Output Impedance: % (at 1kHz) • Load Impedance: ≥Ω • Equivalent Noise Level: ≤22dB A (IEC ) • Max. Input SPL: 140dB (THD ≤1.0％ at 1kHz) • Power Requirements: 48V DC Phantom Power • Body Dimensions: Ø54 x 128mm • Net Weight: 371g

Type Microphone A Modern Classic. Samson's VR88 Velocity Ribbon Microphone combines traditional ribbon technology with the precision and versatility of advanced active electronics. It's perfect for capturing warm, natural audio in a variety of live and studio applications, such as miking vocals, acoustic instruments, electric guitars and even overhead miking drums. The VR88 features a low mass, 2.5-micron aluminum ribbon suspended within an intense neodymium field, producing a warm and natural response that is silky smooth from top to bottom. The microphone is equipped with a bidirectional (figure-8) pickup pattern with excellent off-axis rejection. The VR88's FET amplifier and transformer provide the high output and stabilized source impedance necessary for compatibility with any mic pre amplifier. In addition, The VR88 produces a smooth, extended frequency response and is capable of handling high SPLs of up to 137dB, making it an excellent choice for miking vocals, acoustic instruments and even electric guitars. The quality of the VR88 compares to the most highly regarded classic ribbon microphones found in top recording studios. For this reason, its rugged die cast constructed body, as well as a shockmount, comes in a protective carry case. With a sharp new look and superior sound reproduction, the VR88 Velocity Ribbon Microphone represents Samson’s commitment to bringing you the very best microphones. Low mass, 2.5-micron aluminum ribbon microphone Ideal for miking soft, delicate sounds or warming up digital recordings Strong neodymium magnets, precision electronics provide increased sensitivity, low self-noise Bidirectional (figure-8) pickup pattern with excellent off-axis rejection Smooth, extended frequency response of 20Hz-20kHz Handles high SPLs of up to 135dB FET amplifier and transformer provide increased output, stabilized source impedance for compatibility with any mic preamp Rugged die-cast construction Includes shockmount and carry case

A Modern Classic. Samson's VR88 Velocity Ribbon Microphone combines traditional ribbon technology with the precision and versatility of advanced active electronics. It's perfect for capturing warm, natural audio in a variety of live and studio applications, such as miking vocals, acoustic instruments, electric guitars and even overhead miking drums. The VR88 features a low mass, 2.5-micron aluminum ribbon suspended within an intense neodymium field, producing a warm and natural response that is silky smooth from top to bottom. The microphone is equipped with a bidirectional (figure-8) pickup pattern with excellent off-axis rejection. The VR88's FET amplifier and transformer provide the high output and stabilized source impedance necessary for compatibility with any mic pre amplifier. In addition, The VR88 produces a smooth, extended frequency response and is capable of handling high SPLs of up to 137dB, making it an excellent choice for miking vocals, acoustic instruments and even electric guitars. The quality of the VR88 compares to the most highly regarded classic ribbon microphones found in top recording studios. For this reason, its rugged die cast constructed body, as well as a shockmount, comes in a protective carry case. With a sharp new look and superior sound reproduction, the VR88 Velocity Ribbon Microphone represents Samson’s commitment to bringing you the very best microphones. Low mass, 2.5-micron aluminum ribbon microphone Ideal for miking soft, delicate sounds or warming up digital recordings Strong neodymium magnets, precision electronics provide increased sensitivity, low self-noise Bidirectional (figure-8) pickup pattern with excellent off-axis rejection Smooth, extended frequency response of 20Hz-20kHz Handles high SPLs of up to 135dB FET amplifier and transformer provide increased output, stabilized source impedance for compatibility with any mic preamp Rugged die-cast construction Includes shockmount and carry case

Form Integrated amplifier Effective output (20Hz - 20kHz) 150W+150W (6 ohms, %) THD % (Output-power-3dB, 20Hz - 20kHz) Frequency characteristic 20Hz-20kHz+0 -0.2 dB 0.8Hz-150kHz+0 -3 dB SN ratio 115dB (at the time of IHF'66 and Power Amp Direct) Dumping factor ohms) Load impedance main or remote: 4ohms - 16ohms main and remote: 8ohms - 16ohms Input sensitivity/impedance Phono man month: 2.5mV / 47kohm Phono MC: 170 microvolts/220 ohms tuner, compact disk, aux, tape:150mV /, 22kohm Phono SN ratio man month: 88dB (2.5mV input) MC: 72dB (250-microvolt input) Tone control Bass: ±10dB (50Hz) Treble: ±10dB (20kHz) Power source AC100V, 50Hz/60Hz Power consumption 300W Dimensions Width 478x height 183x depth of 453mm Call now Mr salman

Offering Brand new Studio Condenser Microphone. Microphone is for building a home studio. This microphone gives you high quality sound what you can compare with other brand microphone such as behringer b2 and m audio nova. Good to lift your home studio with a best microphone. Fixed Shockmount to attach with stand. Cable is FREE (Long and low noise HQ cable) TABLE STAND IS FREE (Height = 1.5 feet) Works with XLR to 3.5mm stereo cable. For PC Microphone Hub (Works with some laptop too). You can make it work with line in too. But you need to get an additional driver box which is called Mic-PPB what you can get with it. Contact me for more details or read below. Microphone Specifications: Unit: Super-Cardioid Pressure Gradient Transducer Directivity: Omni-directional Frequency Response: 20Hz-16kHz Sensitivity: -38dB (0dB=1V/Pa at 1kHz) Output Impedance: 150 Ohm 30% Polarity (at 1kHz) Load Impedance: > Ohm Equivalent Noise Level: 16dBA Max. Sound Pressure Level: 132dB (at 1kHz

Focal 705v Bookshelf Speakers Description Chorus 705 V is the ideal bookshelf loudspeaker for installation in rooms of modest dimensions (approximately 15m2). With a responsive and lively bass, it represents the foundations of a great system, especially when paired with the SW 700 V subwoofer. Technical specifications Type 2-way bass-reflex bookshelf speaker, wall mounting Finish Light Walnut, Wengé, Black Ash, Havana Drivers 5"(14cm) Polyglass mid-bass 1"(25mm) TNV Al/Mg inverted dome tweeter Frequency response (+or-3dB) 65Hz - 28kHz Low frequency point 57Hz Sensitivity (2,83 V/1 m) 89dB Nominal impedance 8 Ohms Minimum impedance 3 Ohms Crossover frequency Hz Recommended amplifier power W Dimensions (HxWxD) x x 9-3/4" Net weight 12.5Ibs (5.7kg)

Rugged Stage Mic with Rode's Lifetime Warranty! RODE's M1 dynamic microphone is ruggedly built with a die-cast body and a sturdy dynamic capsule - designed to thrive through night after night of stage abuse. This handheld microphone also offers an excellent balance of weight and ergonomics, so it's comfortable for vocalists to hold and perform with onstage. What's more, the RODE M1 carries with an impressive lifetime warranty from RODE - a testament to the microphone's solid build construction. When you want studio-quality sound onstage, look no further than the RODE M1 dynamic handheld microphone. RODE Microphones was one of the earliest established manufacturers of professional and affordable recording-quality condenser microphones. Committed to offering the highest quality microphones possible for the dollar, RODE has developed a solid reputation among professional and project studios the world over for just that. In fact, their NT2-A won a series of accolades including "World's Best Studio Microphone" at the prestigious Frankfurt Musikmesse. With corporate headquarters and all manufacturing based in Australia, we continue to see some of the highest quality, affordable microphones in existence from RODE Microphones. RODE M1 Dynamic Microphone Features at a Glance: Live dynamic vocal microphone High output neodymium capsule Cardioid pickup pattern Internal pop-filter to reduce plosives Low handling noise 75Hz-18kHz frequency range 320-ohm output impedance Gold plated XLR connectors Feedback rejecting pick-up pattern Heavy duty metal body Lifetime Warranty SPECIFICATIONS M1 Dynamic Microphone Acoustic Principle: Dynamic Directional Pattern: Cardioid Frequency range: 75Hz-18kHz Output impedance: 320 Sensitivity: -56dB ±2dB re 1V/Pa (1.6mV94dB) 1kHz Weight: 0.8 lb. (360g) Dimensions: 2" W x " H x 2" D

Features: • Top quality back electret condenser transducer • High sensitivity and low self noise • Built-in pre-amplifier circuitry for unrivalled sound performance • Wide frequency response range • LED power indicato Applications: Recording, broadcasting, on-stage performance Specifications: • Transducer Principle: Back Electret Condenser • Directivity Characteristic: Cardioid • Frequency Response: 30Hz-20kHz • Sensitivity: -38dB±2dB (0dB=1V/Pa at 1kHz) • Output Impedance: % (at 1kHz) • Load Impedance: ≥Ω • Equivalent Noise Level: ≤22dB A (IEC ) • Max. Input SPL: 140dB (THD ≤1.0％ at 1kHz) • Power Requirements: 48V DC Phantom Power • Body Dimensions: Ø54 x 128mm • Net Weight: 371g

The Tube MP Studio V3 features ART's new V3 (Variable Valve Voicing) Technology. V3 provides optimized reference points to begin the recording process. The V3 presets were created and fine-tuned by some of the industry's top studio and live-sound engineers, along with ART's accomplished engineering department. V3 allows you to select between a multitude of preamp settings designed for guitars (electric and acoustic), keyboards, bass guitars, drums, vocals and more. V3 gives you incredible presets for every instrument you record, so all your recordings will sound professional. Need to tweak the presets? Go right ahead -- hone your perfect tone! That's the power of V3. V3 also incorporates ART's OPL (Output Protection Limiter), which precisely and accurately controls and maintains the output peak signal. The OPL circuitry is crucial in protecting the next link in a signal chain - such as a hard-disk recording system or a sound card. While it's primary application is to be used with a microphone, the Tube MP Studio V3 can also function as a direct box - impedance matching, amplifying and improving the sound of any instrument plugged into it. The design of the Tube MP Studio V3 allows it to add warmth and fatness to a signal while maintaining low-noise. The Tube MP Studio V3 features all the tone and functionality of its predecessor, the Tube MP. Phase Reverse, +48v phantom power, clip LED and a +20dB switch are all included, as well as an analog VU meter for visual tracking of the signal. Whether you're working with a computer, hard-disk, or digital multitrack recorder, the Tube MP Studio V3's design delivers professional recording studio results at a fraction of the cost of comparable equipment. The Tube MP Studio V3 offers superior performance and sound quality to the "on-board" preamps found in today's low-cost mixers and multi-trackers. Professional quality sound combined with professional features - a hand-selected 12AX7a Tube, Phantom Power and Phase Reverse - are what make the Tube MP Studio V3 an outstanding microphone preamp. FEATURES V3 presets provide fine-tuned presets designed by top studio and live-sound engineers allowing you to quickly optimize your recordings Features ART's Output Protection Limiter, which precisely and accurately controls and maintains the output peak signal In addition to preamplification, the Tube MP Studio can be used as an exceptional direct box for impedance matching, amplifying, and improving the sound of any instrument plugged into it Dynamic range: 100dB Frequency response: 10Hz-20kHz

Overview Vocal Studio Pro is the all-in-one solution for your computer-recording projects. Lay down vocals on your latest tune. Narrate your next podcast. Add a voice-over to your multimedia production. Vocal Studio Pro does it all. The unique combination of high-performance hardware and easy-to-use software makes it possible. Simply plug the microphone into the interface, connect the interface to the computer, put on the headphones, and you're ready. Completing this powerful package are two complementary software selections: Avid® Pro Tools® Express and Ignite by AIR, the all-new music creation software. Together, they deliver a comprehensive path for transforming the ideas in your head into musical works and ideas you can share with the world. Package Contents: M-Audio M-Track Interface M-Audio large diaphragm vocal microphone M-Audio studio headphones Avid Pro Tools Express with iLok USB key Ignite by Air (Download) Mic clip XLR microphone cable USB cable User Guides Safety & Warranty Manual Achieve Accurate Audio Recordings Breathe new life into your recordings with this large-capsule M-Audio microphone. Combining low-noise electronics and high sensitivity, this microphone ensures recordings that are faithful to the original source and free from distortion or unwanted coloration of the sound. The rugged metal body and capsule offers protection and reliability. Expandable Interface M-Track opens the door to enhanced computer-based music making. In addition to providing a superb sounding XLR connection—complete with phantom power—for your M-Audio microphone, M-Track offers the right connections for any audio source or instrument—even an electric guitar! Insert jacks allow you to incorporate your favorite effects. The low-profile design delivers professional control in a portable package. Pro Tools Express Compose, record, edit, and mix using the tools the professionals use. Pro Tools Express starts with 16 simultaneous stereo or mono audio tracks. Add in the popular Boom, Xpand!2, and Structure Free player virtual instruments from AIR Music Technology-all included. Finish off with dozens of high-powered effect plug-ins, including the in-demand AIR effects. Plus, Pro Tools Express offers session file compatibility with the entire Pro Tools family, so you can take your tracks to the finest studios around the world. Pro Tools Express includes an iLok 2 USB key-a Ignite Ignite provides a refreshingly original and musician-centric way to quickly capture, combine, and arrange your musical ideas. The intuitive graphic interface encourages you to experiment and explore new directions. Smart MIDI Chord and Phrase Players empower your ideas and bring them to life through over 275 superior instruments sounds created by AIR Music Technology. When you're ready to collaborate with other musicians or take your ideas to the next level, you can share them through SoundCloud, or export your WAV, MP3 and MIDI files and import them into Pro Tools-or any DAW software. Best of all, Ignite offers seamless integration with your M-Audio keyboard controller, with no set-up chores to perform. Avid, the Avid logo and Pro Tools are trademarks or registered trademarks of Avid Technology, Inc. in the U.S. and other countries Features M-Audio Large Capsule Condenser Microphone Top quality back electret condenser transducer High sensitivity and low self noise Built-in pre-amplifier circuitry for unrivalled sound performance Wide frequency response range LED power indicator Transducer Principle: Back Electret Condenser Directivity Characteristic: Cardioid Frequency Response: 30Hz-20kHz Sensitivity: -38dB±2dB (0dB=1V/Pa at 1kHz) Output Impedance: % (at 1kHz) Load Impedance: ≥Ω Equivalent Noise Level: ≤22dB A (IEC ) Max. Input SPL: 140dB (THD ≤1.0ï¼… at 1kHz) Power Requirements: 48V DC Phantom Power Body Dimensions: Ø54 x 128mm Net Weight: 371g