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Type Audio Midi Interfaces Product Description 18x8 USB 2.0 audio interface with four Focusrite preamps. With four award-winning Focusrite preamps, the 18i8 is designed for producers and recording artist that demand a significant number of inputs to track multiple sources at the same time. The 18i8 boasts 18 separate inputs and 8 independent outputs, all housed in a rugged aluminum exterior with input controls and signal halos to keep incoming signals honest. Focusrite: Over 25 years of audio excellence Focusrite was commissioned to make its first ‘no-holds-barred’ microphone preamps by Sir George Martin for his Air Studio facility in London. Over the following 25 years Focusrite has designed some of the finest mic preamps in the music industry, and in recent years has developed a series of best-selling audio interfaces for people who really care about sound. 18 separate inputs At the heart of 18i8 is a set of four Focusrite mic preamps with up to 60dB gain, designed specifically for Focusrite’s computer audio interfaces. The first two offer Mic/Line/Instrument on universal XLR/TRS connectors while 3 and 4 offer Mic/Line capability on universal XLRs – all four on the front panel with pads and 48V phantom power. Four more line inputs are provided on TRS connectors. An ADAT optical digital connector provides eight additional digital inputs that can also be used with external mic preamps like Focusrite's OctoPre Mk II to increase the number of mic inputs the 18i8 can handle to 12. A stereo S/PDIF coaxial input is also included.8 independent outputsOn the output side, there are two TRS monitor outputs, stereo S/PDIF coax, and two independent stereo headphone outputs, each with their own volume knob so artist and engineer can control their own personal monitoring. All analogue inputs and outputs have their own connectors, so no breakout cables are required, and all feature Focusrite precision 24-bit, 96kHz sampling A/D and D/A conversion to get the most accurate signal possible into and out of recording applications on Windows®, Mac® and now iOS® apps. Tough and innovative hardware Scarlett 18i8 is housed in a compact red unibody metal case to withstand the rigours of the road – and the studio. Input level controls feature signal halos – LED rings around the level control that give a simple and immediate go/no-go level indication: green means there is a recordable signal while red indicates overload. A large main monitor knob with mute button means that main monitor levels are always at your fingertips. Included software Included in the package is the Scarlett MixControl low-latency DSP-based software mixer and router, with intuitive one-click presets and a latency of under 1.4 ms. You’ll also find the Scarlett plug-in suite for VST, AU and RTAS, offering EQ, gate, compression and reverb, plus Ableton Live Lite, the Novation Bass Station soft synth and a Loopmasters sample pack. Features 18 Inputs and 8 outputs Four award-winning Focusrite mic pres with 25-years of design experience All of the analogue and digital inputs you need for home multi-track recording Two independent headphone outputs each with a level control Rugged metal unibody chassis High quality 24bit 96KHz audio interface for Mac, PC and iPad Unique gain halos for safeguarding your levels Scarlett MixControl ultra-low-latency DSP mixer and router Main monitor control with mute function Includes Ableton Live Lite, the Scarlett Plug-in Suite, the Novation Bass Station soft synth and Loopmasters sample content Specifications Scarlett 18i8 Audio Interface Specifications: System Requirements Mac OS X 10.7 OS x 10.8 PC Windows 7 (all versions) Windows 8 (all versions apart from RT) IN 2 Mic/line/inst Combi XLR Including 2 instrument inputs 2 Mic/line Combi XLR Not including instrument inputs 4 Line analogue ¼” TRS jack On rear panel 2 S/PDIF RCA phono N/A 8 ADAT Optical Lightpipe 4 channels via 96kHz SMUX 16 MIDI 5 pin DIN connector Provides 16 channels of MIDI OUT 4 Line ¼” TRS Jack On rear panel 4 (2 stereo) Headphone outputs ¼” TRS Jack 2 dedicated level dials 2 S/PDIF RCA phono N/A 16 MIDI 5 pin DIN connector Provides 16 channels of MIDI

Type Audio Midi Interfaces 18x8 USB 2.0 audio interface with four Focusrite preamps. With four award-winning Focusrite preamps, the 18i8 is designed for producers and recording artist that demand a significant number of inputs to track multiple sources at the same time. The 18i8 boasts 18 separate inputs and 8 independent outputs, all housed in a rugged aluminum exterior with input controls and signal halos to keep incoming signals honest. Focusrite: Over 25 years of audio excellence Focusrite was commissioned to make its first ‘no-holds-barred’ microphone preamps by Sir George Martin for his Air Studio facility in London. Over the following 25 years Focusrite has designed some of the finest mic preamps in the music industry, and in recent years has developed a series of best-selling audio interfaces for people who really care about sound. 18 separate inputs At the heart of 18i8 is a set of four Focusrite mic preamps with up to 60dB gain, designed specifically for Focusrite’s computer audio interfaces. The first two offer Mic/Line/Instrument on universal XLR/TRS connectors while 3 and 4 offer Mic/Line capability on universal XLRs – all four on the front panel with pads and 48V phantom power. Four more line inputs are provided on TRS connectors. An ADAT optical digital connector provides eight additional digital inputs that can also be used with external mic preamps like Focusrite's OctoPre Mk II to increase the number of mic inputs the 18i8 can handle to 12. A stereo S/PDIF coaxial input is also included.8 independent outputsOn the output side, there are two TRS monitor outputs, stereo S/PDIF coax, and two independent stereo headphone outputs, each with their own volume knob so artist and engineer can control their own personal monitoring. All analogue inputs and outputs have their own connectors, so no breakout cables are required, and all feature Focusrite precision 24-bit, 96kHz sampling A/D and D/A conversion to get the most accurate signal possible into and out of recording applications on Windows®, Mac® and now iOS® apps. Tough and innovative hardware Scarlett 18i8 is housed in a compact red unibody metal case to withstand the rigours of the road – and the studio. Input level controls feature signal halos – LED rings around the level control that give a simple and immediate go/no-go level indication: green means there is a recordable signal while red indicates overload. A large main monitor knob with mute button means that main monitor levels are always at your fingertips. Included software Included in the package is the Scarlett MixControl low-latency DSP-based software mixer and router, with intuitive one-click presets and a latency of under 1.4 ms. You’ll also find the Scarlett plug-in suite for VST, AU and RTAS, offering EQ, gate, compression and reverb, plus Ableton Live Lite, the Novation Bass Station soft synth and a Loopmasters sample pack. Features 18 Inputs and 8 outputs Four award-winning Focusrite mic pres with 25-years of design experience All of the analogue and digital inputs you need for home multi-track recording Two independent headphone outputs each with a level control Rugged metal unibody chassis High quality 24bit 96KHz audio interface for Mac, PC and iPad Unique gain halos for safeguarding your levels Scarlett MixControl ultra-low-latency DSP mixer and router Main monitor control with mute function Includes Ableton Live Lite, the Scarlett Plug-in Suite, the Novation Bass Station soft synth and Loopmasters sample content Specifications Scarlett 18i8 Audio Interface Specifications: System Requirements Mac OS X 10.7 OS x 10.8 PC Windows 7 (all versions) Windows 8 (all versions apart from RT) IN 2 Mic/line/inst Combi XLR Including 2 instrument inputs 2 Mic/line Combi XLR Not including instrument inputs 4 Line analogue ¼” TRS jack On rear panel 2 S/PDIF RCA phono N/A 8 ADAT Optical Lightpipe 4 channels via 96kHz SMUX 16 MIDI 5 pin DIN connector Provides 16 channels of MIDI OUT 4 Line ¼” TRS Jack On rear panel 4 (2 stereo) Headphone outputs ¼” TRS Jack 2 dedicated level dials 2 S/PDIF RCA phono N/A 16 MIDI 5 pin DIN connector Provides 16 channels of MIDI

18x8 USB 2.0 audio interface with four Focusrite preamps. With four award-winning Focusrite preamps, the 18i8 is designed for producers and recording artist that demand a significant number of inputs to track multiple sources at the same time. The 18i8 boasts 18 separate inputs and 8 independent outputs, all housed in a rugged aluminum exterior with input controls and signal halos to keep incoming signals honest. Focusrite: Over 25 years of audio excellence Focusrite was commissioned to make its first ‘no-holds-barred’ microphone preamps by Sir George Martin for his Air Studio facility in London. Over the following 25 years Focusrite has designed some of the finest mic preamps in the music industry, and in recent years has developed a series of best-selling audio interfaces for people who really care about sound. 18 separate inputs At the heart of 18i8 is a set of four Focusrite mic preamps with up to 60dB gain, designed specifically for Focusrite’s computer audio interfaces. The first two offer Mic/Line/Instrument on universal XLR/TRS connectors while 3 and 4 offer Mic/Line capability on universal XLRs – all four on the front panel with pads and 48V phantom power. Four more line inputs are provided on TRS connectors. An ADAT optical digital connector provides eight additional digital inputs that can also be used with external mic preamps like Focusrite's OctoPre Mk II to increase the number of mic inputs the 18i8 can handle to 12. A stereo S/PDIF coaxial input is also included.8 independent outputsOn the output side, there are two TRS monitor outputs, stereo S/PDIF coax, and two independent stereo headphone outputs, each with their own volume knob so artist and engineer can control their own personal monitoring. All analogue inputs and outputs have their own connectors, so no breakout cables are required, and all feature Focusrite precision 24-bit, 96kHz sampling A/D and D/A conversion to get the most accurate signal possible into and out of recording applications on Windows®, Mac® and now iOS® apps. Tough and innovative hardware Features 18 Inputs and 8 outputs Four award-winning Focusrite mic pres with 25-years of design experience All of the analogue and digital inputs you need for home multi-track recording Two independent headphone outputs each with a level control Rugged metal unibody chassis High quality 24bit 96KHz audio interface for Mac, PC and iPad Unique gain halos for safeguarding your levels Scarlett MixControl ultra-low-latency DSP mixer and router Main monitor control with mute function Includes Ableton Live Lite, the Scarlett Plug-in Suite, the Novation Bass Station soft synth and Loopmasters sample content Specifications Scarlett 18i8 Audio Interface Specifications: System Requirements Mac OS X 10.7 OS x 10.8 PC Windows 7 (all versions) Windows 8 (all versions apart from RT) IN 2 Mic/line/inst Combi XLR Including 2 instrument inputs 2 Mic/line Combi XLR Not including instrument inputs 4 Line analogue ¼” TRS jack On rear panel 2 S/PDIF RCA phono N/A 8 ADAT Optical Lightpipe 4 channels via 96kHz SMUX 16 MIDI 5 pin DIN connector Provides 16 channels of MIDI OUT 4 Line ¼” TRS Jack On rear panel 4 (2 stereo) Headphone outputs ¼” TRS Jack 2 dedicated level dials 2 S/PDIF RCA phono N/A 16 MIDI 5 pin DIN connector Provides 16 channels of MIDI Shop No. 345-D, 3rd Floor Star City Shopping Mall, Opp,Bambino Cinema Abdullah Haroon Road Saddar Karachi Pakistan

18x8 USB 2.0 audio interface with four Focusrite preamps. With four award-winning Focusrite preamps, the 18i8 is designed for producers and recording artist that demand a significant number of inputs to track multiple sources at the same time. The 18i8 boasts 18 separate inputs and 8 independent outputs, all housed in a rugged aluminum exterior with input controls and signal halos to keep incoming signals honest. 18 separate inputs At the heart of 18i8 is a set of four Focusrite mic preamps with up to 60dB gain, designed specifically for Focusrite's computer audio interfaces. The first two offer Mic/Line/Instrument on universal XLR/TRS connectors while 3 and 4 offer Mic/Line capability on universal XLRs - all four on the front panel with pads and 48V phantom power. Four more line inputs are provided on TRS connectors. An ADAT optical digital connector provides eight additional digital inputs that can also be used with external mic preamps like Focusrite's OctoPre Mk II to increase the number of mic inputs the 18i8 can handle to 12. A stereo S/PDIF coaxial input is also included. 8 independent outputs On the output side, there are two TRS monitor outputs, stereo S/PDIF coax, and two independent stereo headphone outputs, each with their own volume knob so artist and engineer can control their own personal monitoring. All analogue inputs and outputs have their own connectors, so no breakout cables are required, and all feature Focusrite precision 24-bit, 96kHz sampling A/D and D/A conversion to get the most accurate signal possible into and out of recording applications on Windows, Mac and now iOS apps. Tough and innovative hardware Scarlett 18i8 is housed in a compact red unibody metal case to withstand the rigours of the road - and the studio. Input level controls feature signal halos - LED rings around the level control that give a simple and immediate go/no-go level indication: green means there is a recordable signal while red indicates overload. A large main monitor knob with mute button means that main monitor levels are always at your fingertips. Included software Included in the package is the Scarlett MixControl low-latency DSP-based software mixer and router, with intuitive one-click presets and a latency of under 1.4 ms. You'll also find the Scarlett plug-in suite for VST, AU and RTAS, offering EQ, gate, compression and reverb, plus Ableton Live Lite, the Novation Bass Station soft synth and a Loopmasters sample pack. Includes the Focusrite Red 2 and Red 3 Plug-In Suite (AAX/AU/VST) upon registration of interface. Accurately modeled on the classic Red 2 EQ and Red 3 Compressor, the Red plug-ins let you exploit the sound of the hardware originals, conveniently from within Pro Tools (10 and above) and other audio software. FEATURES 18 Inputs and 8 outputs Four award-winning Focusrite mic pres with 25-years of design experience All of the analogue and digital inputs you need for home multi-track recording Two independent headphone outputs each with a level control Rugged metal unibody chassis High quality 24bit 96KHz audio interface for Mac, PC and iPad Unique gain halos for safeguarding your levels Scarlett MixControl ultra-low-latency DSP mixer and router Main monitor control with mute function Includes Ableton Live Lite, the Scarlett Plug-in Suite, the Novation Bass Station soft synth and Loopmasters sample content SPECIFICATIONS Scarlett 18i8 Audio Interface System Requirements Mac OS X 10.7 OS x 10.8 PC Windows 7 (all versions) Windows 8 (all versions apart from RT) IN 2 Mic/line/inst Combi XLR Including 2 instrument inputs 2 Mic/line Combi XLR Not including instrument inputs 4 Line analogue ¼" TRS jack On rear panel 2 S/PDIF RCA phono N/A 8 ADAT Optical Lightpipe 4 channels via 96kHz SMUX 16 MIDI 5 pin DIN connector Provides 16 channels of MIDI OUT 4 Line ¼" TRS Jack On rear panel 4 (2 stereo) Headphone outputs ¼" TRS Jack 2 dedicated level dials 2 S/PDIF RCA phono N/A 16 MIDI 5 pin DIN connector Provides 16 channels of MIDI

Type Audio Midi Interfaces Product Description Robust 2 in, 4 out USB powered recording interface. The Focusrite Scarlett 2i4 is a robust 2 in / 4 out USB recording interface that combines affordability, cross-platform operation, a comprehensive feature set and the best audio performance in its class. It’s a perfect match for both the musician and the digital DJ – and it comes in an elegant, road-ready anodized aluminum unibody case.Scarlett 2i4 is a great tool for any musician, with its two award-winning Focusrite microphone/line/instrument preamps accessed via universal front-panel XLR/TRS sockets, combined with professional 24-bit, 96kHz conversion, plus class-leading analogue and digital design from input to output to ensure pristine audio quality throughout the signal path.With its 48V phantom power capability, Scarlett 2i4 is perfect for recording guitar, vocal, or even stereo piano, with high-quality condenser mics. You will love the direct monitoring mode, which removes the latencies associated with listening back to the input signal through the DAW. You can record into the DAW in real time, whilst hearing a zero latency monitor feed from their input sources, controlled by a single knob for easy blending between direct monitoring and DAW playback. In common with other interfaces in the Scarlett series, input level controls feature a novel LED “signal halo” around the knob that indicates signal presence (green) and input overload (red), while a large-diameter silver volume knob gives you full and accurate control over monitor levels at all times, so whether you are mixing your music, or listening back to the track, the levels will always be in your control.Alongside the two Focusrite preamps are four RCA phono outputs, two of which are also available on balanced TRS sockets. These, coupled with the high-level headphone output and flexible monitoring capability make Scarlett 2i4 ideal for digital DJs. Send outputs 1 & 2 to the main PA and use 3 & 4 for cueing, or send all four to a mixer. The converter performance ensures that the quality of the audio streamed from the computer is sonically superb. An A/B source switch for monitoring either of two stereo output pairs via the high-level headphone output provide everything that’s required from a DJ interface.MIDI input and output are included in Scarlett 2i4, allowing capture of performances with MIDI keyboards and controllers and the ability to play parts out to instruments and sound modules, recording their audio via 2i4’s TRS inputs.Scarlett 2i4 comes complete with an excellent package of software tools to help you get your music down straight away. The latest version of the Focusrite Scarlett Plug-in Suite includes Compressor, Reverb, Gate and EQ in the form of VST/AU/RTAS plug-ins. Focusrite’s established Xcite+ bundle is also included, which features Ableton Live Lite (for all your production, performance and compositional needs), Novation’s Bass Station soft synth and over 1GB of royalty-free samples from Loopmasters.Scarlett 2i4 delivers high quality, 24-bit 96kHz audio to and from both Macintosh and Windows computers with USB 2.0 capability – and it’s bus powered so you only need to plug in the included USB cable to start making music. Features Dual mic/line/hi-Z instrument inputs on universal XLR/TRS front-panel connectors Precision, quality conversion at up to 24-bit, 96kHz sampling Better than 105dB dynamic range on record and playback Operates solely on bus power Front-panel inputs and headphone out Switchable Phantom Power Switchable 10 dB pad on all inputs Rear panel balanced TRS outputs (1 & 2) and phono (1–4) Headphone monitor switched to hear either pair of outputs Mixer knob for direct monitoring, mixes between source and outputs 1 & 2 Large monitor level control MIDI in and out Anodized aluminum unibody chassis Scarlett 2i4 USB Audio Interface Specifications: Mic Frequency Response 20Hz - 20kHz +/- 0.1 dB THD+N Equivalent Input Noise (EIN) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3.5dBu Line Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N Noise -90 dBu (22 Hz/22KHz bandpass filter) Signal to Noise Ratio > 100dB Gain Range -10dB to +35dB (-20dB to +25dB when pad is engaged) Max Input Level +26dBu (at 1% THD+N) Instrument Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N % (‘A’ weighted measured with 16dB input gain, -1dBFS at output and 22Hz/22kHz bandpass filter) Noise -87dBu (22Hz/22kHz bandpass filter) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3dBu (+13dBu pad in) Analogue Output Performance Nominal Output Level 0dBFS = +10dBu, balanced 0dBFS = +5.5bBu, unbalanced Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N Output Impedance Power Output into mW Digital Performance Clock sources Internal clock only A-D Dynamic Range 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB D-A Dynamic Range 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz Crosstalk Input to Input Better than 90dB Output to Output Better than 90dB Input to Output Better than 85dB Input Metering Ring LED lit Green Signal present (-24 dBFS) Ring LED lit Red Signal overload (0dBFS), peak held for approximately 1 second Weight and Dimensions Height 48 mm Width 210 mm Depth 140 mm Weight 890 g

Type Studio Monitors Product Description A versatile 2-way stereo speaker system for home studio of personal monitoring. The BEHRINGER MS16 is a compact 2-way stereo speaker system for home studio or multimedia applications and instrument or vocal monitoring. 2 high-power amplifiers drive the 4'' woofers and the high-resolution tweeters. The front-mounted volume control and individual bass and treble controls make accurate sound adjustments a breeze. 2 stereo line inputs (RCA and 1/8'' TRS) allow simultaneous use of 2 stereo sources, so you can play back CDs, MDs or MP3s and use an electric guitar/keyboard at the same time. In addition, the 1/4'' TRS microphone input lets you mix vocals with a stereo track. Magnetic shielding and compact size make these speakers perfect for placement near video monitors or computer displays. Features Compact stereo speaker system ideally suited for home studios, multimedia applications, keyboard and vocal monitoring etc. Powerful 4" woofers and high-resolution tweeters powered by 2 - 8 watt amplifiers Dedicated volume, bass and treble controls for more flexibility Stereo RCA inputs for soundcards, keyboards etc. that can be used simultaneously with second stereo source (e.g. CD/MD player) through 1/8" TRS stereo input Separately adjustable 1/4" TRS microphone input mixable with stereo inputs for playback and vocal monitoring applications 1/8" TRS headphone connector with auto-mute loudspeaker function

Type Monitor Speaker Feeling Jazz by Yamaha - The Musical Instruments Studio Contact: - Free Home Delivery:) We are Authorized Dealer of Yamaha musical instruments and Audio Video Products. We sell only Original Products With Company Warranty @ lowest prices with compare to Market. A versatile 2-way stereo speaker system for home studio of personal monitoring. The BEHRINGER MS16 is a compact 2-way stereo speaker system for home studio or multimedia applications and instrument or vocal monitoring. 2 high-power amplifiers drive the 4'' woofers and the high-resolution tweeters. The front-mounted volume control and individual bass and treble controls make accurate sound adjustments a breeze. 2 stereo line inputs (RCA and 1/8'' TRS) allow simultaneous use of 2 stereo sources, so you can play back CDs, MDs or MP3s and use an electric guitar/keyboard at the same time. In addition, the 1/4'' TRS microphone input lets you mix vocals with a stereo track. Magnetic shielding and compact size make these speakers perfect for placement near video monitors or computer displays. Features Compact stereo speaker system ideally suited for home studios, multimedia applications, keyboard and vocal monitoring etc. Powerful 4" woofers and high-resolution tweeters powered by 2 - 8 watt amplifiers Dedicated volume, bass and treble controls for more flexibility Stereo RCA inputs for soundcards, keyboards etc. that can be used simultaneously with second stereo source (e.g. CD/MD player) through 1/8" TRS stereo input Separately adjustable 1/4" TRS microphone input mixable with stereo inputs for playback and vocal monitoring applications 1/8" TRS headphone connector with auto-mute loudspeaker function

Super-compact, desktop-sized passive volume attenuator The super-compact SM Pro Audio Nano Patch + desktop-sized passive volume attenuator, enters the market as one of the smallest around. Building on the success of the original M-Patch and M-Patch 2 passive attenuators, Nano Patch + is perfect for working with stereo signals from soundcards, CD players, pre-amps, and mixers. Nano Patch + facilitates precise level adjustments to analog audio source material. Pro Audio features on the Nano Patch + include balanced combo XLR/TRS input jacks and TRS outputs, mute switch, and a good sized rotary volume encoder. Nano Patch + is simply one of the most affordable improvements you can make to your studio. The Nano Patch + really comes into its own when connected between your computer audio interface/soundcard master outputs and a pair of active (powered) monitor speakers. One of the benefits of passive volume attenuation is that you no longer have to control volumes with your software's master volume fader. Reducing levels from your software only reduces the audio bit depth. It is better to keep your software masters at unity and attenuate the audio to your active monitors with a passive controller like the Nano Patch +. This way you can maintain maximum audio resolution and reduce the amplitude of your monitoring volume with the confidence that the sonic integrity of your audio is not compromised. No active circuitry, buffers, transistors, batteries, or power supply of any kind can interfere with the main passive output of the Nano Patch +. It simply delivers attenuated signal. Pure. Simple. Transparent. The SM Pro Audio attenuator's rotary control (the same pot as used in our M-Patch 2) allows precise level adjustments within 1dB from 0 to -40dB. In addition, the Nano Patch + features completely balanced operation with its combo XLR/TRS input jacks, and TRS outputs. A simple problem solver, use the Nano Patch + anywhere you need to trim gain; ie, reduce the volume of analog audio signals. For example, you could use a Nano Patch + to trim the output of a microphone preamp. With its high-quality potentiometer, the SM Pro Nano Patch + attenuator passes signal more accurately, and sounds better than most built-in volume controls. The possibilities are endless. FEATURES Super compact 2-channel analog passive volume control Mute button Completely transparent operation No power required 2 x combo inputs, 2 x TRS outputs Metal housing

Type Audio Midi Interfaces Product Description A 24-bit/96khz FireWire interface with pristine audio quality and reliable synchronization. The Focusrite Saffire Pro 40, a multichannel FireWire audio interface designed with today's project studio in mind, and delivers the sound quality of much more expensive interfaces.Focusrite's unparalleled preamp legacy forms the foundation of the Saffire Pro 40 interface, with eight award-winning Focusrite preamps. These are combined with the latest in FireWire interfacing technology to deliver seamless integration, excellent routing flexibility and future-proof, rock-solid driver stability.With the Saffire PRO 40 interface, sonic integrity reigns supreme. The eight Focusite preamps ensure low noise and distortion, while quality digital conversion and JetPLL jitter elimination technology ensure pristine audio quality as your audio flows between the analogue and digital domains.Alongside the eight Focusrite preamps are a host of I/O options; 10 analog outputs, ADAT I/O, stereo SPDIF I/O, and 2 virtual "loopback" inputs for routing digital audio between software applications. Every channel features phantom power, with the first two channels also featuring -9dB pads for additional headroom. Front panel 5-LED metering for each analog input offers accurate viewing of levels.Saffire PRO 40 comes with the Focusrite plug-in suite. Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins provide a significant upgrade from standard sequencer effects, bringing a touch of class to your session. Focusrite's established Xcite+ bundle is also included. The bundle includes Ableton Live Lite, Novation's Bass Station soft synth and over 1 gigabyte of royalty-free samples.Saffire PRO 40 Control, the zero-latency 18 x 16 DSP Mixer/Router software provided with Saffire PRO 40, sets a new standard at this price point for audio interface control. It features unparalleled output routing and monitoring, as well as intuitive one-click solutions, a clear and concise mixing layout and large on-screen metering for inputs, outputs and submixes.Two independent headphone buses are provided, each with their own level controls available on the front panel. A dedicated stereo monitor mix output features pads for improved sound quality when connected to active monitor speakers. An 'anti-thump' circuit protects your monitor speakers from spikes when booting up or shutting down. Front panel controls include a main monitor dial with dim and mute switches, all of which fully integrate with customizable software to cover every possible monitoring need, providing a set of controls for any setup from basic stereo to full 7.1 surround.Focusrite’s popular Saffire Firewire interfaces are fully compatible with Thunderbolt ports on Mac computers. All you need to connect the two is a FireWire cable (included with all new Saffire interfaces later this year) and the Thunderbolt to FireWire 800 adapter (not included). Simply plug this into the Thunderbolt port on your computer and connect the FireWire interface – it’s as simple as that. Saffire interfaces are 100% compatible with Thunderbolt using this adaptor. Features 8 award-winning Focusrite preamps 24-bit/96kHz FireWire Interface with JetPLL jitter elimination technology; pristine audio quality, and reliable synchronization Total I/O count of 20 inputs and 20 outputs, including a unique loopback facility for routing audio between software applications via Saffire PRO 40 Control The Focusrite Plug-in Suite 2 separate headphone buses Saffire PRO 40 Control zero-latency 18 x 16 DSP mixer/router can route any input signal or DAW output, or a mix of both, to any of the 20 outputs Saffire Pro 40 FireWire Interface Specifications: SYSTEM REQUIREMENTS WINDOWS: Operating System Microsoft Windows XP SP2 (32 bit and 64 bit) and Windows Vista (32 bit and 64 bit) CPU/Clock 900MHz AMD or Pentium. (1.5 GHz or higher recommended) Memory (RAM) 512 MB (more recommended) APPLE MAC: Operating System OSX (10.4 and 10.5) CPU/Clock PowerPC G4/Dual 1 GHZ or faster or any Intel-based Mac Memory (RAM) 512 MB (more recommended) PERFORMANCE SPECIFICATIONS Microphone Inputs: Frequency Response: 20Hz - 20kHz °0.1 dB THD+N: % (measured at 1kHz with a 20Hz/22kHz bandpass filter) Noise: EIN > 125dB (128dB analogue to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter) Line Inputs: Frequency Response: 20Hz - 20kHz °0.1dB THD+N: Noise: -90dBu (22Hz/22kHz bandpass filter) Instrument Inputs: Frequency Response: 20Hz - 20kHz °0.1dB THD+N: % (measured with 0dBu input and 20Hz/22kHz bandpass filter) Noise: -87dBu (20Hz/22kHz bandpass filter) Conversion performance: Dynamic Range= 110dB (A-weighted) Clock jitter= 250 picoseconds THD+N AMPL= -109dBFS (A-weighted) Front and Rear Connectivity: Analogue Channel Inputs (Inputs 1-8) 2 Mic/Line/Inst Combo XLR (Inputs 1 and 2) 6 Mic/Line Combo XLR (Inputs 3-8) Automatic switching of Mic / Line (e.g. inserting a jack switches from Mic to either Line or Instrument) Digital Channel Inputs (Inputs kHz Stereo S/PDIF input on RCA 8 ADAT inputs on Optical Connector, reduces to 4 inputs at kHz Optical input can be switched to S/PDIF 3/4 in software preferences (ADATs disabled) Analogue Audio Outputs (Outputs " TRS Jack (Outputs monitor mix outputs on 1/4" TRS Jack (Outputs 1 and 2) Stereo headphones mix 1 on 1/4" TRS (also routed to outputs 7 & 8) Stereo Headphones mix 2 on 1/4" TRS (also routed to outputs 9 & 10) Digital Channel Outputs (Outputs kHz Stereo S/PDIF output on RCA 8 ADAT outputs on Optical Connector, reduces to 4 outputs at kHz Optical output can be switched to S/PDIF 3/4 in software preferences (ADATs disabled) Other I/O: 2 6-pin FireWire sockets 2 Standard 5-pin DIN MIDI connectors: In and Out IEC mains power input connector Weight and Dims: 3kg / 6.6 Ib. 350mm / 13.8" (W) x 45mm / 1.8" (H) x 235mm /9.3" (D)

A FireWire interface with authentic preamp emulations, seamless software integration, and excellent routing flexibility. Liquid Saffire 56 is Focusrite's flagship 2U multichannel FireWire audio interface. Liquid technology combines with Saffire PRO FireWire interfacing to deliver a host of authentic preamp flavors, seamless software integration, excellent routing flexibility and future-proof, rock-solid driver stability. Features Two Liquid preamps Six high-quality award-winning Focusrite preamps high-quality 24-bit/192kHz Firewire interface Total I/O count of 28 inputs and 28 outputs Two separate headphone busses Saffire Mix Control zero-latency DSP mixer/router Liquid Saffire 56 Specifications: System Requirements Windows: Operating System: Microsoft Windows XP and Windows Vista CPU/Clock: Athlon 900MHz or higher (1.5 GHz or higher recommended) Memory (RAM):512 MB (more recommended) Apple Mac: Operating System: Mac OS X 10.4.x or later CPU/Clock: PowerPC G4/Dual 1 GHZ or faster or any Intel-based Mac Memory (RAM): 512 MB (more recommended) Performance Specifications: Microphone Inputs: Frequency Response: 20Hz - 20kHz +/- 0.1 dB THD+N: % (measured at 1kHz with a 20Hz/22kHz band-pass filter) Noise: EIN > 125dB (128dB analog to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz band-pass filter) Line Inputs: Frequency Response: 20Hz - 20kHz +/- 0.1dB THD+N: Noise: -90dBu (22Hz/22kHz band-pass filter) Instrument Inputs: Frequency Response: 20Hz - 20kHz +/- 0.1dB THD+N: Noise: -90dBu (22Hz/22kHz band-pass filter) Instrument Inputs: Frequency Response: 20Hz - 20kHz +/- 0.1dB THD+N: % (measured with 0dBu input and 20Hz/22kHz band-pass filter) Noise: -87dBu (20Hz/22kHz band-pass filter) Conversion performance: Dynamic Range = 110dB (A-weighted) Clock jitter THD+N AMPL = -109dBFS A-weighted Front and Rear Connectivity: Analog channel inputs (inputs 1-8) XLR Mic inputs 1-8 on rear panel 1/4" TRS line inputs 1-8 on rear panel Instrument inputs on channels 3 and 4 (separate front-panel 1/4" TRS). Notes: Individual switchable high-pass filter on all inputs. Phase switch on inputs 3, 5 and 7. Input pad on inputs 3 and 4 = -10dB. Analog Outputs: Line level 10 x 1/4" TRS Jack Notes: Outputs Monitor 1 and 2 have anti-thump protection circuitry. Digital I/O: SPDIF input and output (RCA phono) on rear panel, (24-bit, kHz), output transformer isolated. Optional AES output mode with professional channel status and voltage levels on SPDIF output (isolated and balanced). [Currently not implemented, a future update will include this feature]. 2 x ADAT in/out 16 channels (kHz), 8 channels S-MUX (kHz), 4 channels S-MUXII (kHz) ADAT input and output 2 can be re-configured to be optical SPDIF input/output via control panel. BNC Word clock input and output (75 ohms) MIDI I/O: 1 in/1 out (16 channels) on rear panel Headphone Monitoring: 2 x 1/4" TRS jack on front panel (mirrors outputs 7-8 and 9-10). NOTE: These are high-power headphone drivers. Other I/O: 2 x 6-pin FireWire sockets 2 standard 5-pin DIN MIDI connectors: In and out IEC mains power input connector Weight: 5kg/11 Ib. Dimensions: 350mm / 13.8" (W) x 90mm / 3.6" (H) x 235mm /9.3" (D) Shop No. 345-D, 3rd Floor Star City Shopping Mall, Opp,Bambino Cinema Abdullah Haroon Road Saddar Karachi Pakistan

M-Audio BX5 D3 5" 2-Way 100W Powered Studio Monitor (Single) Product Highlights 5" Kevlar Woofer 1" Silk Dome Tweeter 100W Bi-Amped Power 52 Hz to 35 kHz Frequency Response Class A/B Amplifiers Custom Waveguide Volume and Low-End Controls Rear Bass Port XLR and 1/4" TRS Inputs Includes Acoustic Foam Pad M-Audio BX5 D3 Overview The BX5 D3 from M-Audio is a 2-way, 100W powered studio monitor designed to offer a wide frequency response and easy configuration for mixers, DJs, producers, and recordists in small control rooms, personal studios, and mobile rigs. The monitor produces a frequency response of 52 Hz to 35 kHz, thanks to two Class A/B amplifiers feeding a 5” Kevlar woofer and 1” silk dome tweeter. A rear-mounted bass port delivers extended bass response, while the tweeter’s custom waveguide yields a wide sweet spot and minimized high-frequency scatter. Volume and low-frequency controls are provided so you can tune the monitor to cooperate with the sound of the room. Place the monitor on the supplied acoustic foam pad to decouple it from your table or stands, which aids in reducing unwanted bass vibrations. The BX5 D3 can interface with a variety of equipment, via balanced XLR and balanced/unbalanced 1/4” TRS input jacks. Setup is simple, due to the front-mounted LED, which appears brighter when you are at the ideal angle. Drivers A magnetically-shielded 5" military-grade Kevlar woofer provides durability and detailed transient response whilst negating unwanted "cone breakup." It has a high-temperature voice coil and damped rubber surround. The magnetically-shielded 1" silk dome tweeter delivers high frequencies up to 35 kHz with minimal resonance. Enclosure The rear-mounted bass port yields extended bass response while reducing audible air turbulence that can occur at high sound pressure levels. The tweeter sits in a custom waveguide designed to lessen scatter and yield a wide sweet spot. The process of aligning the monitor's position is simplified, due to the front-mounted LED, which shines brightly when you're located at the ideal angle. Amplifiers The BX5 D3 has two Class A/B amplifiers, a 60W low-frequency amp and a 40W high-frequency amp. A crossover at 2.5 kHz ensures that the correct frequencies are fed to each driver. Controls In addition to adjustable volume, there is a low-frequency "Acoustic Space" control. Based upon the sound of your room, you may wish to tweak the bass response to achieve a certain frequency balance. Connectivity The BX5 D3 can accept a balanced line-level input at its XLR 3-pin connector. Route balanced or unbalanced signals into the monitor via the 1/4" TRS jack. M-Audio BX5 D3 Specs Type 2-way Inputs 1 x XLR 3-pin female (balanced) 1 x 1/4" TRS (balanced/unbalanced) Drivers 1 x 5" / 127 mm Kevlar woofer 1 x 1" / 25 mm silk dome tweeter Amplifier Class A/B Power Output Low Frequency Amp: 60 W High Frequency Amp: 40 W Magnetically Shielded Yes Frequency Response 52 Hz to 35 kHz Crossover Frequency 2.5 kHz Input Sensitivity -10 dBU Input Impedance 10 kOhms (balanced) 20 kOhms (unbalanced) Maximum SPL 110 dB (measured with full-bandwidth pink noise) Power 100 to 120 V, 50/60 Hz 220 to 240 V, 50/60 Hz Consumption 100 W Polarity Positive signal at "Plus" input produces outward low-frequency cone displacement Electrical Protection RF interference Output current limiting Over temperature Turn on/off transient Subsonic filter External mains fuse Fuse 100 to 120 V ~ T1.6AL 250 V 220 to 240 V ~ T1AL 250 V Cabinet Vinyl-laminated, high-acoustic-efficiency MDF Dimensions (W x D x H) 6.9 x 7.8 x 10.0" / 176 x 197 x 254 mm Weight 12.3 lb / 5.6 kg Packaging Info Package Weight 16.0 lb Box Dimensions (LxWxH) 14.9 x 11.6 x 11.0" Views: 467

Product Description Robust 2 in, 4 out USB powered recording interface. The Focusrite Scarlett 2i4 is a robust 2 in / 4 out USB recording interface that combines affordability, cross-platform operation, a comprehensive feature set and the best audio performance in its class. It’s a perfect match for both the musician and the digital DJ – and it comes in an elegant, road-ready anodized aluminum unibody case.Scarlett 2i4 is a great tool for any musician, with its two award-winning Focusrite microphone/line/instrument preamps accessed via universal front-panel XLR/TRS sockets, combined with professional 24-bit, 96kHz conversion, plus class-leading analogue and digital design from input to output to ensure pristine audio quality throughout the signal path.With its 48V phantom power capability, Scarlett 2i4 is perfect for recording guitar, vocal, or even stereo piano, with high-quality condenser mics. You will love the direct monitoring mode, which removes the latencies associated with listening back to the input signal through the DAW. Features Dual mic/line/hi-Z instrument inputs on universal XLR/TRS front-panel connectors Precision, quality conversion at up to 24-bit, 96kHz sampling Better than 105dB dynamic range on record and playback Operates solely on bus power Front-panel inputs and headphone out Switchable Phantom Power Switchable 10 dB pad on all inputs Rear panel balanced TRS outputs (1 & 2) and phono (1–4) Headphone monitor switched to hear either pair of outputs Mixer knob for direct monitoring, mixes between source and outputs 1 & 2 Large monitor level control MIDI in and out Anodized aluminum unibody chassis Scarlett 2i4 USB Audio Interface Specifications: Mic Frequency Response 20Hz - 20kHz +/- 0.1 dB THD+N Equivalent Input Noise (EIN) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3.5dBu Line Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N Noise -90 dBu (22 Hz/22KHz bandpass filter) Signal to Noise Ratio > 100dB Gain Range -10dB to +35dB (-20dB to +25dB when pad is engaged) Max Input Level +26dBu (at 1% THD+N) Instrument Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N % (‘A’ weighted measured with 16dB input gain, -1dBFS at output and 22Hz/22kHz bandpass filter) Noise -87dBu (22Hz/22kHz bandpass filter) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3dBu (+13dBu pad in) Analogue Output Performance Nominal Output Level 0dBFS = +10dBu, balanced 0dBFS = +5.5bBu, unbalanced Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N Output Impedance Power Output into mW Digital Performance Clock sources Internal clock only A-D Dynamic Range 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB D-A Dynamic Range 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz Crosstalk Input to Input Better than 90dB Output to Output Better than 90dB Input to Output Better than 85dB Input Metering Ring LED lit Green Signal present (-24 dBFS) Ring LED lit Red Signal overload (0dBFS), peak held for approximately 1 second Weight and Dimensions Height 48 mm Width 210 mm Depth 140 mm Weight 890 g Shop No. 345-D, 3rd Floor Star City Shopping Mall, Opp,Bambino Cinema Abdullah Haroon Road Saddar Karachi Pakistan

Top-notch sound for your desktop system. The compact Studiophile AV 40 powered reference monitors deliver the same proven M-Audio technology favored by producers, recording engineers and musicians around the world. The combination of 4" polypropylene-coated drivers and 3/4" ferrofluid-cooled silk dome tweeters provides punchy lows, crisp highs and a balanced, uncolored response. Custom cabinets with dense wood construction deliver more accurate bass response than you could ever get from plastic multimedia speakers. And for the highest possible fidelity, the Studiophile AV 40 monitors also feature OptImage III wave-guide technology and a 20 watt-per-channel internal amplifier that utilizes Class A/B architecture. The Studiophile AV 40 monitor speakers are the perfect solution for traveling musicians or anyone who wants top-notch sound from their desktop multimedia system. Professional Components—Professional Results The Studiophile AV 40 monitors are designed with the same quality materials and internal electronics that are used in all of M-Audio's acclaimed professional monitors. You'll find features like audiophile-grade Class A/B amplifier architecture and balanced 1/4" TRS inputs in addition to RCAs. It all adds up to a big sound that belies the speakers' small size. With the Studiophile AV 40s, you don't have to give up professional-grade fidelity to enjoy the ease and mobility of a compact monitoring system. Magnetically Shielded for Desktop Use Unchecked, all speakers emit electromagnetic waves that can wreak havoc with your computer's video monitor or a nearby TV. The Studiophile AV 40 monitors are magnetically shielded so that all of your electronic equipment can coexist on your desktop without interference. Features 4" polypropylene-coated woofers 3/4" ferrofluid-cooled silk dome tweeters OptImage III tweeter wave guides for superior imaging 20-watt-per-channel amplifier with Class A/B architecture magnetic shielding 1/4" TRS balanced and RCA unbalanced inputs 1/8" headphone output 1/8" stereo auxiliary input front-panel volume control rear-panel on/off control bass boost control MDF cabinet with bass reflex port design Studiophile AV 40 Powered Reference Speaker System – Pair Specifications: Type: two-way desktop reference monitor Low-frequency Driver: 4" diameter, magnetically shielded and curved cone with high-temperature voice coil High-frequency Driver: 3/4" diameter, magnetically shielded silk dome tweeter Frequency Response: 85Hz - 20kHz Crossover Frequency: 2.7kHz RMS SPL: dB at 1 meter Signal-to-Noise Ratio: > 90dB (typical, A-weighted) Input Connectors: left and right RCA line input, left and right 1/4" TRS input and 1/8" aux input Polarity: positive signal at " " input produces outward low-frequency cone displacement Dynamic Power: 20 watts continuous, per channel into 4 ohms Input Impedance: 10 kOhms unbalanced, 20 kOhms balanced Input Sensitivity: 100 mV pink noise input produces 90dBA output SPL at 1 meter with volume control at maximum Protection: RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter Indicator: Blue power LED ring around volume knob on front panel Power Requirements: V/~Hz, V/~Hz; powered via detachable 2-conductor line cord Cabinet: vinyl-laminated MDF Dimensions: 8.75" (H) x 6" (W) x 7.25" (D) Weight: 14lb./6.34 kg Shop No. 345-D, 3rd Floor Star City Shopping Mall, Opp,Bambino Cinema Abdullah Haroon Road Saddar Karachi Pakistan

Scarlett 18i8 USB 2.0 audio interface with four Focusrite mic pres The new Focusrite Scarlett 18i8 18-in/8-out interface extends the Scarlett range of USB 2.0 interfaces from Focusrite, each of which offers a series of high-quality inputs and outputs for different recording requirements. With four Focusrite mic pres, Scarlett 18i8 is designed for producers and recording artists or bands who require the ability to record a significant number of sources at the same time including multiple mics/instruments, with expansion capability enabling it to handle multiple studio recording requirements. Scarlett 18i8 works on Mac, PC and iPad (Apple Camera Connection Kit required for iPad). Focusrite: Over 25 years of audio excellence Focusrite was commissioned to make its first ‘no-holds-barred’ microphone preamps by Sir George Martin for his Air Studio facility in London. Over the following 25 years Focusrite has designed some of the finest mic preamps in the music industry, and in recent years has developed a series of best-selling audio interfaces for people who really care about sound. 18 separate inputs At the heart of 18i8 is a set of four Focusrite mic preamps with up to 60dB gain, designed specifically for Focusrite’s computer audio interfaces. The first two offer Mic/Line/Instrument on universal XLR/TRS connectors while 3 and 4 offer Mic/Line capability on universal XLRs – all four on the front panel with pads and 48V phantom power. Four more line inputs are provided on TRS connectors. An ADAT optical digital connector provides eight additional digital inputs that can also be used with external mic preamps like Focusrite's OctoPre Mk II to increase the number of mic inputs the 18i8 can handle to 12. A stereo S/PDIF coaxial input is also included. 8 independent outputs On the output side, there are two TRS monitor outputs, stereo S/PDIF coax, and two independent stereo headphone outputs, each with their own volume knob so artist and engineer can control their own personal monitoring. All analogue inputs and outputs have their own connectors, so no breakout cables are required, and all feature Focusrite precision 24-bit, 96kHz sampling A/D and D/A conversion to get the most accurate signal possible into and out of recording applications on Windows®, Mac® and now iOS® apps. Tough and innovative hardware Scarlett 18i8 is housed in a compact red unibody metal case to withstand the rigours of the road – and the studio. Input level controls feature signal halos – LED rings around the level control that give a simple and immediate go/no-go level indication: green means there is a recordable signal while red indicates overload. A large main monitor knob with mute button means that main monitor levels are always at your fingertips. Included software Included in the package is the Scarlett MixControl low-latency DSP-based software mixer and router, with intuitive one-click presets and a latency of under 1.4 ms. You’ll also find the Scarlett plug-in suite for VST, AU and RTAS, offering EQ, gate, compression and reverb, plus Ableton Live Lite, the Novation Bass Station soft synth and a Loopmasters sample pack. Features: USB 2.0 audio interface - 4 Focusrite XLR mic preamps with pads and 48V phantom power - 18 inputs and 8 outputs, including extra line inputs, ADAT and S/PDIF I/O, and MIDI I/O - 96 kHz/24-bit conversion for pristine audio quality - Main monitor control with mute function - Input level controls illuminate in red or green to indicate the quality of your audio signal - Scarlett MixControl low-latency DSP mixer and router - 2 headphone outputs with separate level controls - Includes Xcite+ Pack: Ableton Live Lite, Novation Bass Station software synth, and 1 GB of Loopmasters samples - Ships with Scarlett VST/AU/RTAS plug-in suite - Works with Mac, PC, and iPad - Rugged metal unibody chassis

Product Description Robust 2 in, 4 out USB powered recording interface. The Focusrite Scarlett 2i4 is a robust 2 in / 4 out USB recording interface that combines affordability, cross-platform operation, a comprehensive feature set and the best audio performance in its class. It’s a perfect match for both the musician and the digital DJ – and it comes in an elegant, road-ready anodized aluminum unibody case.Scarlett 2i4 is a great tool for any musician, with its two award-winning Focusrite microphone/line/instrument preamps accessed via universal front-panel XLR/TRS sockets, combined with professional 24-bit, 96kHz conversion, plus class-leading analogue and digital design from input to output to ensure pristine audio quality throughout the signal path.With its 48V phantom power capability, Scarlett 2i4 is perfect for recording guitar, vocal, or even stereo piano, with high-quality condenser mics. You will love the direct monitoring mode, which removes the latencies associated with listening back to the input signal through the DAW. Features Dual mic/line/hi-Z instrument inputs on universal XLR/TRS front-panel connectors Precision, quality conversion at up to 24-bit, 96kHz sampling Better than 105dB dynamic range on record and playback Operates solely on bus power Front-panel inputs and headphone out Switchable Phantom Power Switchable 10 dB pad on all inputs Rear panel balanced TRS outputs (1 & 2) and phono (1–4) Headphone monitor switched to hear either pair of outputs Mixer knob for direct monitoring, mixes between source and outputs 1 & 2 Large monitor level control MIDI in and out Anodized aluminum unibody chassis Scarlett 2i4 USB Audio Interface Specifications: Mic Frequency Response 20Hz - 20kHz +/- 0.1 dB THD+N Equivalent Input Noise (EIN) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3.5dBu Line Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N Noise -90 dBu (22 Hz/22KHz bandpass filter) Signal to Noise Ratio > 100dB Gain Range -10dB to +35dB (-20dB to +25dB when pad is engaged) Max Input Level +26dBu (at 1% THD+N) Instrument Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N % (‘A’ weighted measured with 16dB input gain, -1dBFS at output and 22Hz/22kHz bandpass filter) Noise -87dBu (22Hz/22kHz bandpass filter) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3dBu (+13dBu pad in) Analogue Output Performance Nominal Output Level 0dBFS = +10dBu, balanced 0dBFS = +5.5bBu, unbalanced Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N Output Impedance Power Output into 32O 24mW Digital Performance Clock sources Internal clock only A-D Dynamic Range 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB D-A Dynamic Range 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz Crosstalk Input to Input Better than 90dB Output to Output Better than 90dB Input to Output Better than 85dB Input Metering Ring LED lit Green Signal present (-24 dBFS) Ring LED lit Red Signal overload (0dBFS), peak held for approximately 1 second Weight and Dimensions Height 48 mm Width 210 mm Depth 140 mm Weight 890 g

Top-notch sound for your desktop system. The compact Studiophile AV 40 powered reference monitors deliver the same proven M-Audio technology favored by producers, recording engineers and musicians around the world. The combination of 4" polypropylene-coated drivers and 3/4" ferrofluid-cooled silk dome tweeters provides punchy lows, crisp highs and a balanced, uncolored response. Custom cabinets with dense wood construction deliver more accurate bass response than you could ever get from plastic multimedia speakers. And for the highest possible fidelity, the Studiophile AV 40 monitors also feature OptImage III wave-guide technology and a 20 watt-per-channel internal amplifier that utilizes Class A/B architecture. The Studiophile AV 40 monitor speakers are the perfect solution for traveling musicians or anyone who wants top-notch sound from their desktop multimedia system. Professional Components—Professional Results The Studiophile AV 40 monitors are designed with the same quality materials and internal electronics that are used in all of M-Audio's acclaimed professional monitors. You'll find features like audiophile-grade Class A/B amplifier architecture and balanced 1/4" TRS inputs in addition to RCAs. It all adds up to a big sound that belies the speakers' small size. With the Studiophile AV 40s, you don't have to give up professional-grade fidelity to enjoy the ease and mobility of a compact monitoring system. Magnetically Shielded for Desktop Use Unchecked, all speakers emit electromagnetic waves that can wreak havoc with your computer's video monitor or a nearby TV. The Studiophile AV 40 monitors are magnetically shielded so that all of your electronic equipment can coexist on your desktop without interference. Features 4" polypropylene-coated woofers 3/4" ferrofluid-cooled silk dome tweeters OptImage III tweeter wave guides for superior imaging 20-watt-per-channel amplifier with Class A/B architecture magnetic shielding 1/4" TRS balanced and RCA unbalanced inputs 1/8" headphone output 1/8" stereo auxiliary input front-panel volume control rear-panel on/off control bass boost control MDF cabinet with bass reflex port design Studiophile AV 40 Powered Reference Speaker System – Pair Specifications: Type: two-way desktop reference monitor Low-frequency Driver: 4" diameter, magnetically shielded and curved cone with high-temperature voice coil High-frequency Driver: 3/4" diameter, magnetically shielded silk dome tweeter Frequency Response: 85Hz - 20kHz Crossover Frequency: 2.7kHz RMS SPL: dB at 1 meter Signal-to-Noise Ratio: > 90dB (typical, A-weighted) Input Connectors: left and right RCA line input, left and right 1/4" TRS input and 1/8" aux input Polarity: positive signal at " " input produces outward low-frequency cone displacement Dynamic Power: 20 watts continuous, per channel into 4 ohms Input Impedance: 10 kOhms unbalanced, 20 kOhms balanced Input Sensitivity: 100 mV pink noise input produces 90dBA output SPL at 1 meter with volume control at maximum Protection: RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter Indicator: Blue power LED ring around volume knob on front panel Power Requirements: V/~Hz, V/~Hz; powered via detachable 2-conductor line cord Cabinet: vinyl-laminated MDF Dimensions: 8.75" (H) x 6" (W) x 7.25" (D) Weight: 14lb./6.34 kg

Do-it-all FireWire Interface Whether you're a recording engineer or performer, the Focusrite Saffire PRO 26 gives you the sound quality and features you need. Rocking four award-winning Focusrite preamps and cutting-edge conversion, this 24-bit/96kHz, bus-powered 18 x 8 Firewire interface also gives you powerful Saffire Mix Control software and 5-segment LED metering. The PRO 26 can also be connected to a Thunderbolt-enabled computer using a simple adapter. With its professional audio quality, flexible routing, and rock-solid reliability, the Focusrite Saffire PRO 26 is your ideal audio interface for both studio and stage. Focusrite Saffire PRO 26 Firewire Audio Interface at a Glance: Acclaimed Focusrite preamps onboard Onboard DSP mixer gives you tons of flexibility Legendary Focusrite sound, features, and build quality Acclaimed Focusrite preamps onboard Without a doubt, Focusrite has a reputation for creating some of the industry's best-ever preamplifiers; at Sweetwater, we're huge fans. And with the Focusrite Saffire PRO 26, you get to tap into that legacy, at an unbelievably affordable per-preamp value. The Saffire PRO 26 has not one or two, but four Focusrite preamps, giving you that signature Focusrite transparency and clarity, and a solid cornerstone for your sound. Onboard DSP mixer gives you tons of flexibility The Saffire PRO 26 isn't just a premium FireWire interface. It's an in-the-box recording solution! Saffire Mix Control software runs on your host computer and makes the Saffire PRO 26 is just as powerful in live situations as it is in the recording studio. Whether you're tracking, mixing, or monitoring, the PRO 26's ultra-low-latency 26 x 8 DSP mixer gives you the flexible monitoring and output routing you need for custom monitor mixes, as well as intuitive one-click presets to help get your sessions set up fast. Legendary Focusrite sound, features, and build quality Boasting over four decades of experience in analog audio design, Focusrite has produced some of the industry's most iconic consoles, preamps, channel strips, and audio interfaces. In the Saffire PRO 26, user-friendly features and tour-tough build quality join forces with impeccable Focusrite sonics to give you a high-value audio interface that will enhance both your workflow and your end product, with minimal damage to your wallet. Focusrite Saffire PRO 26 Firewire Audio Interface Features: Comprehensive I/O, with 18 inputs and eight outputs Precision 24-bit/96kHz conversion and pristine analogue audio Compatible with Thunderbolt ports via FireWire-to-Thunderbolt adaptor (not included) Four XLR/TRS line inputs; two optional front panel Instrument inputs Four award-winning Focusrite preamps with 48V Phantom power Two additional rear panel TRS line inputs Eight channels of ADAT digital input provide connectivity for external multi-channel preamps Two channels of S/PDIF inputs enable connections to additional digital-equipped outboard Stereo 'loopback' lets you route two channels from software applications directly into your DAW Six rear-panel TRS line-level outputs for multi-channel playback and mixing Two channels of digital S/PDIF outputs; MIDI I/O 5-segment LED metering; solid build quality in a portable chassis Dual headphone outputs with level controls; multiple monitor mixes Firewire bus-powered; AC power supply included Included software: Ableton Live Lite, Novation BassStation, and 1GB of Loopmasters sample content Includes Focusrite's professional Midnight and Scarlett plug-in suites

Professional Components—Professional Results The Studiophile AV 40 monitors are designed with the same quality materials and internal electronics that are used in all of M-Audio's acclaimed professional monitors. You'll find features like audiophile-grade Class A/B amplifier architecture and balanced 1/4" TRS inputs in addition to RCAs. It all adds up to a big sound that belies the speakers' small size. With the Studiophile AV 40s, you don't have to give up professional-grade fidelity to enjoy the ease and mobility of a compact monitoring system. Magnetically Shielded for Desktop Use Unchecked, all speakers emit electromagnetic waves that can wreak havoc with your computer's video monitor or a nearby TV. The Studiophile AV 40 monitors are magnetically shielded so that all of your electronic equipment can coexist on your desktop without interference. Features 4" polypropylene-coated woofers 3/4" ferrofluid-cooled silk dome tweeters OptImage III tweeter wave guides for superior imaging 20-watt-per-channel amplifier with Class A/B architecture magnetic shielding 1/4" TRS balanced and RCA unbalanced inputs 1/8" headphone output 1/8" stereo auxiliary input front-panel volume control rear-panel on/off control bass boost control MDF cabinet with bass reflex port design Studiophile AV 40 Powered Reference Speaker System – Pair Specifications: Type: two-way desktop reference monitor Low-frequency Driver: 4" diameter, magnetically shielded and curved cone with high-temperature voice coil High-frequency Driver: 3/4" diameter, magnetically shielded silk dome tweeter Frequency Response: 85Hz - 20kHz Crossover Frequency: 2.7kHz RMS SPL: 101.5dB at 1 meter Signal-to-Noise Ratio: > 90dB (typical, A-weighted) Input Connectors: left and right RCA line input, left and right 1/4" TRS input and 1/8" aux input Polarity: positive signal at " " input produces outward low-frequency cone displacement Dynamic Power: 20 watts continuous, per channel into 4 ohms Input Impedance: 10 kOhms unbalanced, 20 kOhms balanced Input Sensitivity: 100 mV pink noise input produces 90dBA output SPL at 1 meter with volume control at maximum Protection: RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter Indicator: Blue power LED ring around volume knob on front panel Power Requirements: 100-120V/~50/60Hz, 220-240V/~50/60Hz; powered via detachable 2-conductor line cord Cabinet: vinyl-laminated MDF Dimensions: 8.75" (H) x 6" (W) x 7.25" (D) Weight: 14lb./6.34 kg Condition 10/10

Top-notch sound for your desktop system. The compact Studiophile AV 40 powered reference monitors deliver the same proven M-Audio technology favored by producers, recording engineers and musicians around the world. The combination of 4" polypropylene-coated drivers and 3/4" ferrofluid-cooled silk dome tweeters provides punchy lows, crisp highs and a balanced, uncolored response. Custom cabinets with dense wood construction deliver more accurate bass response than you could ever get from plastic multimedia speakers. And for the highest possible fidelity, the Studiophile AV 40 monitors also feature OptImage III wave-guide technology and a 20 watt-per-channel internal amplifier that utilizes Class A/B architecture. The Studiophile AV 40 monitor speakers are the perfect solution for traveling musicians or anyone who wants top-notch sound from their desktop multimedia system. Professional Components—Professional Results The Studiophile AV 40 monitors are designed with the same quality materials and internal electronics that are used in all of M-Audio's acclaimed professional monitors. You'll find features like audiophile-grade Class A/B amplifier architecture and balanced 1/4" TRS inputs in addition to RCAs. It all adds up to a big sound that belies the speakers' small size. With the Studiophile AV 40s, you don't have to give up professional-grade fidelity to enjoy the ease and mobility of a compact monitoring system. Magnetically Shielded for Desktop Use Unchecked, all speakers emit electromagnetic waves that can wreak havoc with your computer's video monitor or a nearby TV. The Studiophile AV 40 monitors are magnetically shielded so that all of your electronic equipment can coexist on your desktop without interference. Features 4" polypropylene-coated woofers 3/4" ferrofluid-cooled silk dome tweeters OptImage III tweeter wave guides for superior imaging 20-watt-per-channel amplifier with Class A/B architecture magnetic shielding 1/4" TRS balanced and RCA unbalanced inputs 1/8" headphone output 1/8" stereo auxiliary input front-panel volume control rear-panel on/off control bass boost control MDF cabinet with bass reflex port design Studiophile AV 40 Powered Reference Speaker System – Pair Specifications: Type: two-way desktop reference monitor Low-frequency Driver: 4" diameter, magnetically shielded and curved cone with high-temperature voice coil High-frequency Driver: 3/4" diameter, magnetically shielded silk dome tweeter Frequency Response: 85Hz - 20kHz Crossover Frequency: 2.7kHz RMS SPL: 101.5dB at 1 meter Signal-to-Noise Ratio: > 90dB (typical, A-weighted) Input Connectors: left and right RCA line input, left and right 1/4" TRS input and 1/8" aux input Polarity: positive signal at " " input produces outward low-frequency cone displacement Dynamic Power: 20 watts continuous, per channel into 4 ohms Input Impedance: 10 kOhms unbalanced, 20 kOhms balanced Input Sensitivity: 100 mV pink noise input produces 90dBA output SPL at 1 meter with volume control at maximum Protection: RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter Indicator: Blue power LED ring around volume knob on front panel Power Requirements: 100-120V/~50/60Hz, 220-240V/~50/60Hz; powered via detachable 2-conductor line cord Cabinet: vinyl-laminated MDF Dimensions: 8.75" (H) x 6" (W) x 7.25" (D) Weight: 14lb./6.34 kg

for home delivery visit www.proaudio.com.pk The Traveler-mk3 from MOTU can function as both a FireWire audio interface or stand-alone mixer, and is primarily engineered for high-end mobile recording applications. Equally suited to any other audio situation, the unit delivers 4 high quality microphone inputs, and can be powered from either a computer's FireWire bus or via optional battery packs. It also features internal DSP-driven mixing and effects processing. As an interface or stand-alone mixer, the Traveler-mk3 provides 28 separate inputs and 30 separate outputs, including 4 combo microphone/instrument analog inputs equipped with pre-amps, individual 48V phantom power switches and Digital Precision Trim controls adjustable from the front panel or CueMix FX software. DSP effects include a 60-second reverb, 7-band parametric EQ and various flavors of compression/limiting.Sturdy lightweight construction — ready to travel with you anywhere. Compact size (14.75 × 9 inches) — fits easily into a napsack, briefcase or computer bag and sits perfectly under any laptop. Powered by computer* — no additional power supply necessary for complete recording freedom. Optional battery power — standard field battery pack (sold separately) can be used for extended remote recording sessions and stand-alone operation as a complete digital mixer. 28 inputs / 30 outputs (at 44.1/48 kHz) — there’s no channel sharing in the Traveler-mk3. Mic inputs, TRS analog, AES/EBU, RCA S/PDIF and phones are all handled as separate channels. Four combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with transparent preamps, phantom power, pad and plenty of gain. Clip protection — Mic/guitar input limiter prevents digital clipping and distortion from overloaded signal levels up to +12 dB over zero. Individual 48V phantom power on each mic input — mix and match microphones. Four 24-bit 192kHz analog inputs and eight analog outputs on balanced/unbalanced 1/4″ TRS jacks. Digital Precision Trim™ — adjust input gain in 1dB increments on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs). Fine-tune the balance of your analog inputs. Save and recall multiple trim setups. High-resolution recording — The Traveler-mk3 can operate all analog I/O at sample rates up to 192kHz. Flexible optical I/O — 16 channels of ADAT lightpipe, 8 channels of SMUX (96 kHz) or two pairs of stereo TOSLink. Mix and match formats between the two banks. CueMix FX™ — flexible 28 input/16 bus mixer with on-board DSP effects, including classic reverb with sends/returns, plus modeled EQ and vintage compression on every input and output. Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear with no latency. Advanced audio signal analysis — CueMix FX software provides real-time FFT and spectrogram “waterfall” displays for visual analysis of individual signals and entire mixes. Front-panel control — access your entire mix, or any Traveler-mk3 setting, directly from the front panel. Stand-alone operation — program your mixes at the studio and then bring the Traveler-mk3 to your gig — no computer needed. Just plug in the included DC power adapter. Tweak settings using the back-lit LCD. Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software. Expandable — add additional interfaces for more I/O as your needs grow. Compatible with the 8pre mic input expander — connect the 8pre via optical for 8 more mic inputs at sample rates up to 96 kHz fully integrated into the Traveler-mk3’s CueMix FX mixing environment. Eight 24-bit 192kHz outputs on balanced/u

Behringer MS16 2-Way Active Nearfield Monitors (Pair) Product Features: Compact stereo speaker system ideally suited for home studios, multimedia applications, keyboard and vocal monitoring, etc. Powerful 4" woofers and high-resolution tweeters powered by two 8-Watt amplifiers Dedicated Volume, Bass and Treble controls for more flexibility Stereo RCA inputs for sound cards, keyboards, etc. that can be used simultaneously with second stereo source (e. g. CD/MD player) through 1/8" TRS stereo input Separately adjustable 1/4" TRS microphone input mixable with stereo inputs for playback and vocal monitoring applications 1/8" TRS headphone connector with auto-mute loudspeaker function Magnetically shielded for placement near computer monitors High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany Looking for a fast, affordable way to upgrade your computer sound system? Maybe you’d like a great-sounding alternative to the built-in speakers on your portable synth/keyboard? Or, maybe you’d like to turn your computer into your own personal karaoke system. The BEHRINGER MS16 Two-Way Active Personal Monitor System can tackle these tasks and more, and is the ideal way to upgrade your sound system. Sound Quality Sporting 4.0" woofers and 1.5" high-resolution tweeters, MS16 monitor speakers bring high-quality audio within the reach of anyone with a computer workstation. Whether you’re a musician tracking your latest masterpieces, or just someone who listens to your favorite songs at work, MS16 loudspeakers will make them sound much better. They also make excellent add-on speakers for electronic keyboards. Front-mounted volume and individual bass and treble controls make accurate sound adjustments a breeze. Built-in Mixer The MS16 takes audio to an even higher level with its multiple input options. The built-in mixer features 1/8" stereo inputs for connecting CD/MD/MP3 players, dual RCA jacks for tape decks and stereo keyboard modules, and even a 1/4" jack for a dynamic microphone or electric guitar. This adds up to a system that lets you sing or play guitar along with a variety of prerecorded tracks. And you can wail away to your heart’s content in total privacy (at least on the guitar or keyboard), thanks to MS16’s powerful headphone jack. Speaking of Power… Two high-powered amplifiers feed a total of 16-Watts of super-clean power to the internal speakers, providing an ultra-wide frequency response from 80 Hz to 20 kHz. You Deserve Great Sound You spend a great deal of your time in front of your computer and music is your passion. BEHRINGER MS16 active loudspeakers will bring a new level of enjoyment to your daily listening experience. Check the MS16 out at your local BEHRINGER dealer today and find out what you’ve been missing

Description M-Audio Mikro Track 2 Digital Recorder Quality audio capture for field recording made easier. Description: What are the main things plaguing professional field recording? Wild levels, poor mics, and limited storage. The redesigned MicroTrack II solves all that with an extended input gain range for capturing quiet sounds, an analog input limiter to tame unexpected bursts of sound, 48V phantom power for pro condenser mics, seamless recording of files beyond 2GB, and other enhancements. The MicroTrack II delivers one of the highest quality mobile recording experiences available today. Simply record WAV, BWF, and MP3 files to CompactFlash or Microdrives through balanced line inputs or built-in microphone preamps--then drag and drop recordings to your computer via high-speed USB 2.0 for immediate editing or Web posting. MicroTrack II is perfect for a wide variety of applications including field recording, capturing live shows, songwriting, education, and more. Features 2-channel WAV, BWF, and MP3 recording and playback for pro recording, capturing live shows, songwriting, training, education, worship, and more Upgraded features include extended input gain range, analog input limiter, and seamless recording of files beyond 2GB in size for enhanced performance Battery-operated Storage via CompactFlash or Microdrives (sold separately) for mobility and convenience Drag-and-drop file transfer to PC and Mac via high-speed USB 2.0 mini-connector to upload and share your content in minutes Easily add markers to BWF files Professional balanced 1⁄4" TRS inputs capable of mic or line-level signals Separate left and right input level controls with signal and peak indicators dual microphone preamps with 48V phantom power for studio microphones 1/8" TRS input with 5V power for use with stereo electret microphone (microphone included) S/PDIF coaxial input for digital transfers Monitoring via RCA line outputs or 1/8" stereo headphone output Monitor S/PDIF input via headphones while recording Customizable folders for organizing files Dedicated buttons for navigation, record, hold, pause, delete, menu, and power Built-in CompactFlash speed test ensures optimal card performance Large LCD with backlight dimmer Output level control Hibernation mode Powered via USB, built-in rechargeable lithium-ion battery, or included power supply Includes electret T-shaped microphone, software for editing and file format conversion, carrying pouch, 1/8" stereo extension cable with lapel clip, power supply, and USB cable Package contents: MicroTrack II mobile digital recorder Printed Quick Start Guide CD-ROM with documentation and editing software 1m USB cable (USB A to Mini B) 1m 1/8" headphone extension cable with lapel clip T-shaped electret microphone Earbuds Protective carrying case with mic pouch Power supply unit with USB connector For More Detail Plz Visit bigshop.pk Plz like face book page https://www.facebook.com/bigshoppk123 Order Now!! OO OO OO OOO229O OOO OO OO OO Enjoy Online Shopping & Free Delivery Anywhere in pakistan.

Type Audio Midi Interfaces Product Description A 24-bit USB recording interface. The compact Alesis iO2 EXPRESS audio-recording interface is ideal for home studios and portable recording setups. The 2-channel USB interface for Mac and PC-based systems enables you to record at up to 24-bit resolution for input into virtually all DAW, recording, and performance software. The Alesis i02 EXPRESS recording interface is small enough to comfortably fit into your mobile recording rig, laptop bag, or backpack, yet it contains high-quality components and circuitry suitable for the studio. Flexible recording and playback The i02 EXPRESS interface's discrete-design preamplifiers and true 48-volt phantom power ensure that you capture microphones' complete signal. High quality analog-to-digital and digital-to-analog converters ensure that every detail of your session or performance gets recorded – and played back on your monitoring system. It's class compliant, so you can use the plug-and-play Alesis iO2 EXPRESS with virtually any computer. The iO2 EXPRESS is USB bus powered so you won't need to carry a bulky power supply, and its performance is optimized for minimal laptop battery drain so you'll be able to track long sessions and gigs remotely. Complete iO The iO2 EXPRESS has 2 input channels. Each channel has an XLR microphone input, a 1/4" TRS insert for external effects units, and a 1/4" TS jack that works with line-level sources and can accommodate direct connection of guitars. The Alesis iO2 EXPRESS sends and receives 2 audio channels on a single USB cable for simple, universal interface. You can monitor your sessions on any studio monitoring or other loudspeaker system via dual 1/4" balanced outputs. For remote tracking and alternative playback, the iO2 EXPRESS has a 1/4" TRS headphone output. The iO2 EXPRESS features traditional MIDI In and Out jacks for playing and controlling software with keyboard and pad controllers, workstations, and other MIDI-compatible instruments. Level management Each channel has a gain trim control, and there's a master level control for optimal gain staging. When monitoring on headphones, you'll appreciate the dedicated volume control. You can also visually monitor levels and operation using the tricolor, stereo metering tree and lighted status indicators. Complete the package The Alesis iO2 EXPRESS comes complete with a copy of Steinberg Cubase LE digital audio workstation (DAW) software. Cubase is one of the most popular DAWs in the world thanks to its intuitive approach to composing, recording, editing, and mixing. In addition to the included software, the Alesis iO2 EXPRESS is compatible with virtually all audio and MIDI software. Features 2-channel computer audio recording interface Record up to 24-bit/48kHz audio into virtually any software Monitor sessions with balanced studio monitor and headphone outputs High-quality A/D and D/A converters, discrete-design preamps, 48V phantom power Inputs for microphones, line-level sources, and instruments including guitars Tricolor stereo level meter and lighted status indicators for visual monitoring MIDI Input and Output jacks for playing and controlling software instruments USB bus powered – no external power supply needed Includes: iO2 EXPRESS interface USB cable iO2 Express Audio Interface Specifications: SYSTEM REQUIREMENTS Mac: OS X 10.2+ Windows: XP, Vista, or 7 USB port FREQUENCY RESPONSE MIC/LINE IN to USB OUT: ±0.1dB MIC/LINE IN to MAIN OUT (through ADC/DAC) ±0.35dB SIGNAL-TO-NOISE RATIO (SNR) MIC/LINE IN (balanced) to INSERT OUT: 110dB A-weighted, input impedance at XLR or 1/4" jack = 600 ohms GUITAR IN (unbalanced) to INSERT OUT: 99dB A-weighted, input impedance at 1/4" jack = 600 ohms MIC/LINE IN (balanced) to USB OUT: 99dB A-weighted, input impedance at MIC or LINE jack = 600 ohms GUITAR IN (unbalanced) to USB OUT: 94dB A-weighted, input impedance at 1/4" jack = 600 ohms MIC/LINE IN (balanced) to MAIN OUT (through ADC/DAC): 97dB A-weighted, input impedance at MIC or LINE jack = 600 ohms MIC/LINE IN (balanced) to MAIN OUT (through direct monitor): 95dB A-weighted, input impedance at MIC or LINE jack = 600 ohms TOTAL HARMONIC DISTORTION + NOISE (THD+N) MIC/LINE IN (balanced) to INSERT OUT: GUITAR IN (unbalanced) to INSERT OUT: % Input Gain = minimum, 1KHz input signal, INSERT OUT = 5.3dBV MIC/LINE IN (balanced) to USB OUT: % Input Gain = minimum, 1KHz input signal, USB OUT = -0.3dBFS GUITAR IN (unbalanced) to USB OUT: % Input Gain = minimum, 1KHz input signal, USB OUT = -0.7dBFS MIC/LINE IN (balanced) to MAIN OUT (through ADC/DAC): % Input Gain = minimum, 1KHz input signal, MAIN OUT = 5.6dBV MIC/LINE IN (balanced) to MAIN OUT (through direct monitor): % Input Gain = minimum, 1KHz input signal, MAIN OUT = 5.6dBV

Type Audio Midi Interfaces Product Description The Focusrite Scarlett 6i6 is a 6 in/6 out audio interface that connects to your PC, Mac or iPad via USB 2.0. It has two award winning Focusrite microphone preamplifiers, which deliver superb quality recordings from microphones and instruments, straight into your computer or iPad (Apple Camera Connection Kit required with iPad). Focusrite: Over 25 years of audio excellence Focusrite was commissioned to make its first no-holds-barred microphone preamps by Sir George Martin for his Air Studio facility in London. Over the following 25 years Focusrite designed some of the finest mic preamps in the music industry, and in recent years has developed a series of best-selling audio interfaces for people who really care about sound. Perfect for Producers and Bands Scarlett 6i6 is perfect for producers, recording artists or small bands. Featuring two award-winning Focusrite mic preamps and a stereo line input, 6i6 is great for recording vocals, guitar and a stage piano simultaneously. With the four balanced outputs, connect up to two sets of stereo monitors, and use the S/PDIF I/O for connecting digital sources. There are also two built-in headphone outputs with separate volume controls so multiple recording artists can listen to the mixes they need to get the best take. The inputs and outputs feature precision 24 bit A-D, D-A conversion at up to 96KHz in order to get the most accurate signal possible into and out of your computer.Hardware FeaturesThe outer case is a tough aluminium extrusion, which protects the components inside. There is a large main monitor control knob as well as two dedicated gain knobs for each mic input, each with two colour gain halos which light up green to indicate that sound is detected, and red if the level is too high. Both mic inputs can be switched between instrument, line and microphone, and a pad can switched-in to cope with high-level inputs.Included SoftwareScarlett 6i6 works with Mac, PC and iPad (using an Apple camera Connection Kit - available separately from Apple). It comes with a bundle of included software. Scarlett MixControl is a software control panel for routing the inputs and outputs, and accessing additional features on the hardware. It also comes with Ableton Live Lite: revolutionary production and performance software that can be used to record and playback audio in a totally unique way. The Scarlett Plug-in Suite is also included, supplying EQ, compression and reverb to professionalise your mixes. Features: Two award-winning Focusrite mic preamps: The best sounding interface in its class. Focusrite's 25-year underpins this new interface with two award-winning preamps High quality 24bit 96KHz audio interface for Mac, PC and iPad: 6i6 features professional conversion technology guaranteeing pristine audio quality and reliable synchronization on Mac, PC and iPad (or any iOS device) 6 inputs and 6 outputs: All of the analogue and digital inputs you need for home multi-track recording. No need for breakout cables - every analogue input & output has a dedicated socket Two headphone outputs with seperate level controls: With two headphone mixes the engineer and the artist can both listen to the mix levels they need Rugged metal unibody chassis: Whether you are in the studio or on the road your Scarlett 6i6 will not only look great, but also withstand the impacts sustained by a mobile recording rig Unique gain halos for safeguarding your levels: Unique gain halo indicators make it clear when you have a good signal for recording. When the halos are green you have a good level, and when they turn red it means you need to turn the gain down. Large main monitor control: A large main monitor control knob keeps your volume level right at your fingertips Scarlett MixControl ultra-low-latency DSP mixer and router: Scarlet MixControl Provides a 6 x 6 DSP mixer with flexible routing capabilities Two award-winning Focusrite mic preamps The best sounding interface in its class. Focusrite's 25-year underpins this new interface with two award-winning preamps High quality 24bit 96KHz audio interface for Mac, PC and iPad 6i6 features professional conversion technology guaranteeing pristine audio quality and reliable synchronization on Mac, PC and iPad (or any iOS device) 6 inputs and 6 outputs All of the analogue and digital inputs you need for home multi-track recording. No need for breakout cables - every analogue input & output has a dedicated socket Two headphone outputs with seperate level controls With two headphone mixes the engineer and the artist can both listen to the mix levels they need Rugged metal unibody chassis Whether you are in the studio or on the road your Scarlett 6i6 will not only look great, but also withstand the impacts sustained by a mobile recording rig Unique gain halos for safeguarding your levels Unique gain halo indicators make it clear when you have a good signal for recording. When the halos are green you have a good level, and when they turn red it means you need to turn the gain down. Large main monitor control A large main monitor control knob keeps your volume level right at your fingertips Scarlett MixControl ultra-low-latency DSP mixer and router Scarlet MixControl Provides a 6 x 6 DSP mixer with flexible routing capabilities, intuitive one-click presets, and lower than 1.4 ms latency Powerful software bundle Scarlett 6i6 comes with Ableton Live Lite, the Scarlett Plug-in Suite, the Novation Bass Station soft-synth and Loopmasters sample content Inputs and outputs In:Count -- Format -- Connector -- Details2 -- Mic/line/inst -- Combi XLR -- Including 2 instrument inputs2 -- Line 1/4" TRS Jack -- On rear panel2 -- S/PDIF -- RCA phono -- N/A16 -- MIDI -- 5 pin DIN connector -- Provides 16 channels of MIDI Out:4 -- Line 1/4" TRS Jack -- On rear panel (mirrored by 2 separate headphone outputs)2 -- S/PDIF -- RCA phono16 -- MIDI -- 5 pin DIN connector -- Provides 16 channels of MIDI System Requirements Mac: OS X 10.7 OS x 10.8 PC: Windows 7 (all versions) Windows 8 (all versions apart from RT)

JBL LSR305 active studio monitors are a great solution for any serious audio engineer or music producer. They're great for mixing music in your DAW software, editing video, or any other task that requires precise, accurate, detailed sound. JBL designed the LSR305 with advanced features from their flagship M2 Master Reference Monitor, and has even earned the acclaim of renowned engineer Frank Filipetti. An innovative Image Control Waveguide creates a well-defined and incredibly dimensional stereo image. Ask anyone at Sweetwater: from surprisingly rich lows to smooth highs, you'll find it easy to make great-sounding productions with JBL LSR305 active studio monitors. JBL LSR305 Active Studio Monitor at a Glance: Incredible stereo imaging thanks to an innovative waveguide Ported design means more accuracy at low volume levels Wide sweet spot equals a better studio experience Incredible stereo imaging thanks to an innovative waveguide JBL borrowed innovative elements from their flagship M2 Master Reference Monitors to give the LSR305 incredible sound. The "Image Control Waveguide" design is one such feature, and helps the LSR308 have a deep sound stage as well as great detail. Said another way, not only can you clearly hear everything in your mix, you can also easily place it closer or further back in the mix too. Ported design means more accuracy at low volume levels Checking your mix at low volume levels is a great way to check your overall balance, but many monitors will suffer in the bass regions when dealing with low monitoring levels. The JBL LSR305 uses JBL's patented "Slip Stream" low-frequency port for accurate bass response at low playback levels. The double-flared port shape also reduces the turbulence that some ported designs cause, meaning that bass response remains pure when you turn the LSR305 back up. Wide sweet spot equals a better studio experience Hey, we're engineers, musicians, and producers too - we know you don't spend every second of your studio time in the perfect mixing position. JBL LSR305 monitors have a wide sweet spot, which means there's less variation in what you hear when you're not in the perfect position. Especially if you have clients in the room, you want consistent sound throughout your studio, and you'll like what you hear from the LSR305. JBL LSR305 Active Studio Monitor Features: Bi-amped active studio monitors with 5" LF driver and 1" HF driver Exceptionally wide frequency range for more accurate mixes Image Control Waveguide creates a detailed and dimensional stereo image HF and LF trim controls let you fine-tune the speakers to your room's acoustics XLR and TRS balanced inputs give you low-noise performance with your studio gear Sold individually Specifications: Frequency Range: 43 Hz-24 kHz Max Peak SPL: 108 dB SPL C-Weighted Max Peak Input: +23 dBu LF Driver Size: 127 mm (5") HF Driver Size: 25 mm (1") LF Driver Power Amp: 41 W Class D HF Driver Power Amp: 41 W Class D LF Trim Control: +2 dB, 0, -2 dB HF Trim Control: +2 dB, 0, -2 dB Input Types: 1 x XLR, 1 x TRS Balanced AC Input Voltage: VAC +/- Hz Dimensions (H x W x D): 298 mm x 238 mm x 251 mm ( in x 9.37 in x 9.88 in) Weight: 4.6 kg ( lbs)

Compact and Powerful Audio Interface The compact M-Audio M-Track Quad USB interface is the perfect foundation for your home studio. This complete recording solution gives you XLR inputs for microphones, TRS inputs for instruments, and MIDI I/O for keyboards and controllers. The durable aluminum housing is perfect for sessions on the go. And zero-latency audio monitoring makes recording your next big hit easier than ever. The M-Track Quad also includes Pro Tools Express and Ignite by AIR software. Expand your music making capabilities with the M-Audio M-Track Quad USB audio interface. M-Audio M-Track Quad USB Audio Interface at a Glance: Fully featured audio interface for your studio Get your digital and MIDI gear into your DAW Incorporate your favorite outboard effects Fully featured audio interface for your studio A perfect center for your home or portable studio, the M-Audio M-Track Quad is a fully featured USB audio interface for all of your recording needs. Four XLR inputs feature solid-state preamps and 48V of phantom power for your condenser microphones. Each track sports a 1/4" TRS input that's switchable for line or instrument inputs. Add to that MIDI I/O and a 3-port USB hub, and you're ready for anything. Get your MIDI gear into your DAW A complete recording solution, the M-Audio M-Track Quad has MIDI I/O for up to 16 channels of MIDI data and timing information. You don't need another device to get your keyboard into the mix, the M-Track Quad does it all. This compact interface offers a 3-port USB hub for connecting other devices to your computer. Incorporate your favorite outboard effects Plug in your favorite outboard effects via the M-Audio M-Track Quad's channel inserts. Use your go-to reverb unit for lush vocals or go wild and experiment with different effects units and pedals. Some of the coolest sounds on albums were experiments with effects. The M-Track Quad gives you the power to record and experiment in a single easy-to-use unit. M-Audio M-Track Quad USB Audio Interface Features: 4 x 4 interface with USB and MIDI connectivity Phantom power and guitar-level switching Insert jacks for easy incorporation with outboard gear Zero-latency audio monitoring MIDI I/O for up to 16 channels of MIDI 24-bit/96kHz digital audio processing Pro Tools Express and Ignite by AIR software included

Description M-Audio Mikro Track 2 Digital Recorder Quality audio capture for field recording made easier. Description: What are the main things plaguing professional field recording? Wild levels, poor mics, and limited storage. The redesigned MicroTrack II solves all that with an extended input gain range for capturing quiet sounds, an analog input limiter to tame unexpected bursts of sound, 48V phantom power for pro condenser mics, seamless recording of files beyond 2GB, and other enhancements. The MicroTrack II delivers one of the highest quality mobile recording experiences available today. Simply record WAV, BWF, and MP3 files to CompactFlash or Microdrives through balanced line inputs or built-in microphone preamps--then drag and drop recordings to your computer via high-speed USB 2.0 for immediate editing or Web posting. MicroTrack II is perfect for a wide variety of applications including field recording, capturing live shows, songwriting, education, and more. Features 2-channel WAV, BWF, and MP3 recording and playback for pro recording, capturing live shows, songwriting, training, education, worship, and more Upgraded features include extended input gain range, analog input limiter, and seamless recording of files beyond 2GB in size for enhanced performance Battery-operated Storage via CompactFlash or Microdrives (sold separately) for mobility and convenience Drag-and-drop file transfer to PC and Mac via high-speed USB 2.0 mini-connector to upload and share your content in minutes Easily add markers to BWF files Professional balanced 1⁄4" TRS inputs capable of mic or line-level signals Separate left and right input level controls with signal and peak indicators dual microphone preamps with 48V phantom power for studio microphones 1/8" TRS input with 5V power for use with stereo electret microphone (microphone included) S/PDIF coaxial input for digital transfers Monitoring via RCA line outputs or 1/8" stereo headphone output Monitor S/PDIF input via headphones while recording Customizable folders for organizing files Dedicated buttons for navigation, record, hold, pause, delete, menu, and power Built-in CompactFlash speed test ensures optimal card performance Large LCD with backlight dimmer Output level control Hibernation mode Powered via USB, built-in rechargeable lithium-ion battery, or included power supply Includes electret T-shaped microphone, software for editing and file format conversion, carrying pouch, 1/8" stereo extension cable with lapel clip, power supply, and USB cable Package contents: MicroTrack II mobile digital recorder Printed Quick Start Guide CD-ROM with documentation and editing software 1m USB cable (USB A to Mini B) 1m 1/8" headphone extension cable with lapel clip T-shaped electret microphone Earbuds Protective carrying case with mic pouch Power supply unit with USB connector You are looking now latest M-Audio Mikro Track 2 Digital Recorder price in pakistan market including in all major cities of Pakistan,M-Audio Mikro Track 2 Digital Recorder Price in Karachi, M-Audio Mikro Track 2 Digital Recorder price in Lahore,M-Audio Mikro Track 2 Digital Recorder in Islamabad, Sialkot, Faisalabad, Peshawar, Quetta, Multan, Rawalpindi and many more cities.Cash on Delivery Available Anywhere in Pakistan.For Order: Call , , , ,

Make Great-sounding Recordings! The Focusrite Scarlett Solo Studio Bundle provides you with everything you need to make great-sounding recordings. You get an audio interface with a vibrant Focusrite mic preamp, ultra-clean instrument DI, and two line outputs to connect to speakers. On top of that, you get a Scarlett Studio CM25 condenser microphone and a pair of HP60 headphones. Focusrite didn't stop at stellar sound quality and flexible routing with the Scarlett Solo - you also get the Scarlett VST/AU/RTAS plug-in suite featuring Focusrite's acclaimed Scarlett compression, reverb, gating, and EQ. And if that wasn't enough, you also get a copy of Cubase LE 6 to power your studio Focusrite Scarlett Solo Studio Pack at a Glance: Award-winning Focusrite preamps capture great audio Go ahead - plug right in Keep an eye on your levels with front-panel indicators Award-winning Focusrite preamps capture great audio The Focusrite Scarlett Solo is equipped with a vibrant Focusrite preamp. For over 25 years, Focusrite's award-winning pres have proven their mettle in pro studios around the world. Focusrite ports their considerable design savvy into the transparent, low-noise, low-distortion preamp in the Scarlett Solo. This is the same technology found in Focusrite's flagship products, giving you gobs of available headroom to accommodate your dynamic, condenser, and ribbon mics on any source, no matter how boisterous. Of course, you also get phantom power for your mics that require it. Go ahead - plug right in The front panel of Focusrite's Scarlett Solo also sports a 1/4" DI, letting you connect both line and instrument-level signals. This makes it ideal for recording the output of a synth or stage piano, while flicking a switch gives you an input tailored to your guitar. Keep an eye on your levels with front-panel indicators Your mom always said to watch your levels. Well, perhaps she didn't, but you know you should - and the Focusrite Scarlett Solo makes it easy. The Solo's innovative halo indicators always let you know when you've got a healthy signal level for recording. If the halo is Red, your signal is clipping, and you should back down your gain. The halo will momentarily turn amber as the level returns to a happy level - at which point it will turn green. Simple and intuitive, isn't it? Focusrite Scarlett Solo Studio Pack Features: Great-sounding Focusrite front-end for studios that don't need a lot of channels Includes everything you need to record - USB interface, Cubase LE 6 software, CM25 condenser mic, HP60 headphones, and 10' Mic Cable Up to 24-bit/96kHz AD/DA for superb sound quality Direct monitor control on front panel lets you monitor without any latency USB bus powered for true portable operation Included Scarlett plug-in bundle gives you all the processors you need to create world-class mixes Specifications Scarlett Studio HP60 Headphones Reference quality headphones Extended frequency response Adjustable fit Closed back design to prevent audio spill when recording Mini-jack to 1/4" jack adapter included Scarlett Studio CM25 microphone Large-diaphragm condenser microphone 3 m red cable included Mic stand adaptor 2 in / 2 out USB audio interface 96 KHz, 24-bit conversion 1 Focusrite microphone preamplifier Red anodised aluminium unibody chassis Front panel 1 mic input – high quality XLR 1 line/instrument input – high quality ¼” TRS Jack 1 Line/Instrument switches 2 Gain knobs 2 Gain halo signal indicators 48V Phantom power switch Direct monitor switch Large monitor / headphone level dial USB Connection LED indicator Headphone output - ¼” TRS Jack Rear panel 2 monitor outputs – RCA Phono USB 2.0 Port Kensington Lock slot Included software Included Software Cubase LE Focusrite Scarlett plug-in suite Novation Bass Station plug-in – VST / AU 1GB of Loopmasters samples

6x6 USB 2.0 audio interface with four Focusrite preamps. The Scarlett 6i6 from Focusrite features two of their award-winning preamps that are poised and ready to deliver exceptional quality recordings from multiple sources straight to your computer or iPad (Apple Camera Connection Kit required). The 6i6 has six inputs and six outputs, housed in a tough aluminum enclosure with monitor control and gain knobs to keep your signals in check. Focusrite: Over 25 years of audio excellence Focusrite was commissioned to make its first ‘no-holds-barred' microphone preamps by Sir George Martin for his Air Studio facility in London. Over the following 25 years Focusrite designed some of the finest mic preamps in the music industry, and in recent years has developed a series of best-selling audio interfaces for people who really care about sound. Perfect for producers and bands Scarlett 6i6 is perfect for producers, recording artists or small bands. Featuring two award-winning Focusrite mic preamps and a stereo line input, 6i6 is great for recording vocals, guitar and a stage piano simultaneously. With the four balanced outputs, connect up to two sets of stereo monitors, and use the S/PDIF I/O for connecting digital sources. There are also two built-in headphone outputs with separate volume controls so multiple recording artists can listen to the mixes they need to get the best take. The inputs and outputs feature precision 24 bit A-D, D-A conversion at up to 96KHz in order to get the most accurate signal possible into and out of your computer. Hardware features The outer case is a tough aluminium extrusion, which protects the components inside. There is a large main monitor control knob as well as two dedicated gain knobs for each mic input, each with two colour ‘gain halos' which light up green to indicate that sound is detected, and red if the level is too high. Both mic inputs can be switched between instrument, line and microphone, and a pad can switched-in to cope with high-level inputs. Included software Scarlett 6i6 works with Mac, PC and iPad (using an Apple camera Connection Kit - available separately from Apple). It comes with a bundle of included software. Scarlett MixControl is a software control panel for routing the inputs and outputs, and accessing additional features on the hardware. It also comes with Ableton Live Lite: revolutionary production and performance software that can be used to record and playback audio in a totally unique way. The Scarlett Plug-in Suite is also included, supplying EQ, compression and reverb to professionalise your mixes. Note: Includes the Focusrite Red 2 and Red 3 Plug-In Suite (AAX/AU/VST) upon registration of interface. Accurately modeled on the classic Red 2 EQ and Red 3 Compressor, the Red plug-ins let you exploit the sound of the hardware originals, conveniently from within Pro Tools (10 and above) and other audio software. FEATURES Two award-winning Focusrite mic preamps High quality 24bit 96KHz audio interface for Mac, PC and iPad 6 Inputs and 6 outputs Two headphone outputs with separate level controls Rugged metal unibody chassis Unique gain halos for safeguarding your levels Large main monitor control Scarlett MixControl ultra-low-latency DSP mixer and router Powerful software bundle Includes Ableton Live Lite, the Scarlett Plug-in Suite, the Novation Bass Station soft synth and Loopmasters sample content Order now and get quality mic pres and lightning fast connections. SPECIFICATIONS Scarlett 6i6 Audio Interface System Requirements Mac: OS X 10.7 OS x 10.8 PC: Windows 7 (all versions) Windows 8 (all versions apart from RT) IN 2 Mic/line/inst Combi XLR Including 2 instrument inputs 2 Line ¼" TRS Jack On rear panel 2 S/PDIF RCA phono N/A 16 MIDI 5 pin DIN connector Provides 16 channels of MIDI OUT 4 Line ¼" TRS Jack On rear panel (mirrored by 2 separate headphone outputs) 2 S/PDIF RCA phono N/A 16 MIDI 5 pin DIN connector Provides 16 channels of MIDI

M-Audio M-Track Two-Channel USB Audio Interface Overview Open The Door To Computer-Based Music Making The M-Track interface from M-Audio® transforms your computer into a digital recording studio with plug-and-play simplicity. A single USB cable provides both power and a data connection to and from your laptop or desktop computer. M-Track offers the right connections for any instrument, from an electric guitar to a professional condenser mic—phantom power is provided. With an all-metal chassis, and low-profile form factor, M-Track delivers professional control in a robust portable package. For software, M-Track includes both Ableton™ Live Lite and a select Waves Audio plugin bundle to get things started. Specifications All specifications are measured at 20 kHz bandwidth. Specifications are subject to change without notice Mic Inputs 1–2 (balanced XLR) Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB) Dynamic Range: 104 dB (A-weighted) Signal-to-Noise Ratio: 104 dB (1 kHz, +1.4 dBu, A-weighted) THD+N: 0.003% (1 kHz, +2 dBu input, -0.8 dBFS) Preamp EIN: -133 dBu (max gain, 40 Ω source, A-weighted) -126 dBu (max gain, 150 Ω source, unweighted) Sensitivity: -53 dBu Gain Range: 55 dB Line Inputs 1–2 (balanced 1/4" [6.35 mm] TRS) Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB) THD+N: 0.004% (1 kHz, -1 dBFS) Sensitivity: -43 dBu Gain Range: 55 dB Inst Input 2 (unbalanced 1/4" [6.35 mm] TS) Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB) THD+N: 0.022% (1 kHz, -1 dBFS) Sensitivity: -47 dBu Input Impedance: 1 MΩ Gain Range: 55 dB Main Outputs, L and R (impedance-balanced 1/4" [6.35 mm] TRS) Frequency Response: 20 Hz – 20 kHz (+/-0.3 dB) Dynamic Range / Signal-to-Noise Ratio: 102 dB (A-weighted) THD+N: 0.008% (1 kHz, -1 dBFS) Max Output Level: +2.86 dBu Power: USB-bus-powered Size (H x W x D): 2.07 x 9.4 x 4.85 inches (52.58 x 238.76 x 123.19 mm) Weight: 2.29 lbs (1.04 kg