Emi power line noise

These are high-quality line noise filters with a metal cover. Voltage rated: 250 V Current: 2 A Operation Frequency: 50 Hz Current: 2 Ampere, 10 Ampere, other amperes are provided upon customer’s demand Condition: used, imported, different imported brands from different countries Other similar products are also available on our website with delivery to any city of Pakistan. Visit our website for updated price and pictures. Views: 2

Output Power (W): 753.6 Size (L x W x H) inches: 11 X 5 X 2.5 Ripple & Noise (mV p-p): 120 Load Regulation (±): 0.5% Line Regulation (±): 0.2% Efficiency: 90% Agency Approvals: UL/CUL/CE/TUV/CB Universal AC input / Full range Built-in active Power Factor Correction (PFC) function, PF Views: 3

Output Power (W): 753.6 Size (L x W x H) inches: 11 X 5 X 2.5 Ripple & Noise (mV p-p): 120 Load Regulation (±): 0.5% Line Regulation (±): 0.2% Efficiency: 90% Agency Approvals: UL/CUL/CE/TUV/CB Universal AC input / Full range Built-in active Power Factor Correction (PFC) function, PF Views: 1

Delivers ultra HD picture quality at resolutions up to 3840 x 2160 (4K x 2K) @ 60 Hz Supports latest HDMI standards, including 4: 4: 4 subsampling for HDR Televisions Fiber optic strands transmit audio/video over longer distances than standard copper Dispels EMI/RFI line noise that can disrupt a/V signal and affect equipment performance Plug-and-play cable draws power from connected device for easy, immediate installation

Power output: 35 watts per channel into 8Ω (stereo) Frequency response: 5Hz to 100kHz Total harmonic distortion: 0.08% Input sensitivity: 2.8mV (MM), 200mV (line) Signal to noise ratio: 85dB (MM), 106dB (line) Output: 200mV (line) Dimensions: 420 x 114 x 307mm Weight: 4.7kg Accessories: power cord

Power output: 45 watts per channel into 8Ω (stereo) Frequency response: 0.5Hz to 167kHz Total harmonic distortion: 0.1% Damping factor: 58 Input sensitivity: 2.2mV (MM), 135mV (line) Signal to noise ratio: 80dB (MM), 83.7dB (line) Channel separation: 58dB (MM), 67dB (line) Dimensions: 443 x 103 x 351mm Weight: 5.5kg Note (tested on JBL- Tower Speakers)

Power output: 70 watts per channel into 8Ω (stereo) Surround output: 70W (front), 30W (rear) Frequency response: 10Hz to 100kHz Total harmonic distortion: 0.03% Damping factor: 50 Input sensitivity: 2.5mV (MM), 200mV (line) Signal to noise ratio: 76dB (MM), 92dB (line) Output: 150mV (line) Video Connections: composite, SVHS Weight: Approx. 17 kg Made in JAPAN Only Rs. 11,000/- Please don't sms. Only CALL if interested. Thank You!

Power output: 50 watts per channel into 8Ω (stereo) 220 Volts Frequency response: 5Hz to 80kHz Total harmonic distortion: 0.03% Input sensitivity: 2.8mV (MM), 180mV (line) Signal to noise ratio: 67dB (MM), 95dB (line) Channel separation: 65dB (line) Speaker load impedance: 4Ω to 6Ω Dimensions: 285 x 131 x 319mm Weight: 7kg

Power output: 45 watts per channel into 8? (stereo) Frequency response: 0.5Hz to 167kHz Total harmonic distortion: 0.1% Damping factor: 58 Input sensitivity: 2.2mV (MM), 135mV (line) Signal to noise ratio: 80dB (MM), 83.7dB (line) Channel separation: 58dB (MM), 67dB (line) Dimensions: 443 x 103 x 351mm Weight: 5.5kg Note (tested on JBL-4800 Tower Speakers) Views: 308

Power output: 35 watts per channel into 8? (stereo) Frequency response: 5Hz to 100kHz Total harmonic distortion: 0.08% Input sensitivity: 2.8mV (MM), 200mV (line) Signal to noise ratio: 85dB (MM), 106dB (line) Output: 200mV (line) Dimensions: 420 x 114 x 307mm Weight: 4.7kg Year: 2000 Remote Control is missing. Condition 9/10.

Brand: Accessories & Gadgets Price: 260000 Seller Type: An Individual Condition: Used Product Description: The Midas Venice 320 Analog Mixing Console sets a new standard in compact mixing consoles. Venice is Midas' first truly compact console built in direct response to customer demand. And the Venice 320 does exactly what was asked in that it provides a high quality alternative in a huge number of applications where previously Midas was not an option. These range from smaller conference or live band applications, to effects returns or additional inputs in a large multi-console application, or as part of a small complete mobile system. It also provides the perfect feature set for live acts who need to mix their own FOH and monitor sound from on-stage, and is compact and light enough to fit on even the most cramped performance area. Midas has paid attention to the details that set their consoles apart taking care to provide high quality mic preamps and a stable, responsive EQ section, just as they do on their larger consoles. The simple but intuitive outputs make the overall configuration of the console extremely quick and easy to use. Legendary Midas Sound The overall sonic performance of any console can only be as good as the incoming signal interfaces, namely the microphone pre-amplifier. Midas consoles always incorporate the very best microphone pre-amps available. Venice uses an updated version of the ground-breaking Midas XL3 microphone preamp, which uses Midas own "long-tailed pair" circuitry. This means that the Venice preamp has ample headroom and gain range to accept both microphone and line-level signals without any pad or range switching. Frequency response and distortion (a 'hot' issue) To retain the natural qualities of many different sorts of input signals, a console must be able to handle incoming signals across a very wide frequency range with lowest possible distortion. The maximum input capability of Venice is +22dBu, enabling the console to deal with even the hottest line signals within a 15Hz- to 100kHz- frequency range. High-value EMI suppression filters shelter the signal-path from unwanted external noise, one of the fundamental Midas design specialities. Venice EQ Pure Performance Leading audio professionals all over the world confirm: it's not the number of pots that make an EQ section, it's the audible result, the ability to accurately control and fine-tune audio signals in the most musical way possible. Great EQ also provides the creative processing power to create personalized soundscapes without any unwanted side-effects. For instance, this means that the HF and LF filters won't interfere with the mid-band frequencies: All filters keep their gain regardless of frequency settings, and +/-15dB on a gain potentiometer means exactly what it says. The Venice EQ is what thousands of Midas owners and users expect from Midas products: pure performance. Highest Quality Components The world-class audio performance expected of a Midas can only be achieved by using first-class components with minimized tolerances. There is no other way to do it: The operational benefit is that two identical signals will sound equal regardless of which channel they are fed into. Midas Venice -first-class electromechanical parts throughout: Pots, knobs, switches, connectors and faders. These components work hard throughout the long life of the console, and are constantly exposed to heat, moisture, cold, dust and heavy mechanical usage. Venice uses only pots and faders with metal shafts from Alps and connectors from Neutrik, ensuring low maintenance and first class reliability. Clear and Straightforward Layout All console manufacturers have their own philosophy of control surface design and layout. While Venice can certainly be used for recording, Midas's "dedicated to live production" approach means the design layout of Venice is optimized for quick and easy control. Every function is exactly placed where it should be, easy to find, operate and read even at low light levels (though connectors for two desk lamps ar

Type Audio Midi Interfaces Product Description Robust 2 in, 4 out USB powered recording interface. The Focusrite Scarlett 2i4 is a robust 2 in / 4 out USB recording interface that combines affordability, cross-platform operation, a comprehensive feature set and the best audio performance in its class. It’s a perfect match for both the musician and the digital DJ – and it comes in an elegant, road-ready anodized aluminum unibody case.Scarlett 2i4 is a great tool for any musician, with its two award-winning Focusrite microphone/line/instrument preamps accessed via universal front-panel XLR/TRS sockets, combined with professional 24-bit, 96kHz conversion, plus class-leading analogue and digital design from input to output to ensure pristine audio quality throughout the signal path.With its 48V phantom power capability, Scarlett 2i4 is perfect for recording guitar, vocal, or even stereo piano, with high-quality condenser mics. You will love the direct monitoring mode, which removes the latencies associated with listening back to the input signal through the DAW. You can record into the DAW in real time, whilst hearing a zero latency monitor feed from their input sources, controlled by a single knob for easy blending between direct monitoring and DAW playback. In common with other interfaces in the Scarlett series, input level controls feature a novel LED “signal halo” around the knob that indicates signal presence (green) and input overload (red), while a large-diameter silver volume knob gives you full and accurate control over monitor levels at all times, so whether you are mixing your music, or listening back to the track, the levels will always be in your control.Alongside the two Focusrite preamps are four RCA phono outputs, two of which are also available on balanced TRS sockets. These, coupled with the high-level headphone output and flexible monitoring capability make Scarlett 2i4 ideal for digital DJs. Send outputs 1 & 2 to the main PA and use 3 & 4 for cueing, or send all four to a mixer. The converter performance ensures that the quality of the audio streamed from the computer is sonically superb. An A/B source switch for monitoring either of two stereo output pairs via the high-level headphone output provide everything that’s required from a DJ interface.MIDI input and output are included in Scarlett 2i4, allowing capture of performances with MIDI keyboards and controllers and the ability to play parts out to instruments and sound modules, recording their audio via 2i4’s TRS inputs.Scarlett 2i4 comes complete with an excellent package of software tools to help you get your music down straight away. The latest version of the Focusrite Scarlett Plug-in Suite includes Compressor, Reverb, Gate and EQ in the form of VST/AU/RTAS plug-ins. Focusrite’s established Xcite+ bundle is also included, which features Ableton Live Lite (for all your production, performance and compositional needs), Novation’s Bass Station soft synth and over 1GB of royalty-free samples from Loopmasters.Scarlett 2i4 delivers high quality, 24-bit 96kHz audio to and from both Macintosh and Windows computers with USB 2.0 capability – and it’s bus powered so you only need to plug in the included USB cable to start making music. Features Dual mic/line/hi-Z instrument inputs on universal XLR/TRS front-panel connectors Precision, quality conversion at up to 24-bit, 96kHz sampling Better than 105dB dynamic range on record and playback Operates solely on bus power Front-panel inputs and headphone out Switchable Phantom Power Switchable 10 dB pad on all inputs Rear panel balanced TRS outputs (1 & 2) and phono (1–4) Headphone monitor switched to hear either pair of outputs Mixer knob for direct monitoring, mixes between source and outputs 1 & 2 Large monitor level control MIDI in and out Anodized aluminum unibody chassis Scarlett 2i4 USB Audio Interface Specifications: Mic Frequency Response 20Hz - 20kHz +/- 0.1 dB THD+N Equivalent Input Noise (EIN) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3.5dBu Line Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N Noise -90 dBu (22 Hz/22KHz bandpass filter) Signal to Noise Ratio > 100dB Gain Range -10dB to +35dB (-20dB to +25dB when pad is engaged) Max Input Level +26dBu (at 1% THD+N) Instrument Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N % (‘A’ weighted measured with 16dB input gain, -1dBFS at output and 22Hz/22kHz bandpass filter) Noise -87dBu (22Hz/22kHz bandpass filter) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3dBu (+13dBu pad in) Analogue Output Performance Nominal Output Level 0dBFS = +10dBu, balanced 0dBFS = +5.5bBu, unbalanced Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N Output Impedance Power Output into mW Digital Performance Clock sources Internal clock only A-D Dynamic Range 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB D-A Dynamic Range 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz Crosstalk Input to Input Better than 90dB Output to Output Better than 90dB Input to Output Better than 85dB Input Metering Ring LED lit Green Signal present (-24 dBFS) Ring LED lit Red Signal overload (0dBFS), peak held for approximately 1 second Weight and Dimensions Height 48 mm Width 210 mm Depth 140 mm Weight 890 g

Type Audio Midi Interfaces Product Description A 24-bit/96khz FireWire interface with pristine audio quality and reliable synchronization. The Focusrite Saffire Pro 40, a multichannel FireWire audio interface designed with today's project studio in mind, and delivers the sound quality of much more expensive interfaces.Focusrite's unparalleled preamp legacy forms the foundation of the Saffire Pro 40 interface, with eight award-winning Focusrite preamps. These are combined with the latest in FireWire interfacing technology to deliver seamless integration, excellent routing flexibility and future-proof, rock-solid driver stability.With the Saffire PRO 40 interface, sonic integrity reigns supreme. The eight Focusite preamps ensure low noise and distortion, while quality digital conversion and JetPLL jitter elimination technology ensure pristine audio quality as your audio flows between the analogue and digital domains.Alongside the eight Focusrite preamps are a host of I/O options; 10 analog outputs, ADAT I/O, stereo SPDIF I/O, and 2 virtual "loopback" inputs for routing digital audio between software applications. Every channel features phantom power, with the first two channels also featuring -9dB pads for additional headroom. Front panel 5-LED metering for each analog input offers accurate viewing of levels.Saffire PRO 40 comes with the Focusrite plug-in suite. Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins provide a significant upgrade from standard sequencer effects, bringing a touch of class to your session. Focusrite's established Xcite+ bundle is also included. The bundle includes Ableton Live Lite, Novation's Bass Station soft synth and over 1 gigabyte of royalty-free samples.Saffire PRO 40 Control, the zero-latency 18 x 16 DSP Mixer/Router software provided with Saffire PRO 40, sets a new standard at this price point for audio interface control. It features unparalleled output routing and monitoring, as well as intuitive one-click solutions, a clear and concise mixing layout and large on-screen metering for inputs, outputs and submixes.Two independent headphone buses are provided, each with their own level controls available on the front panel. A dedicated stereo monitor mix output features pads for improved sound quality when connected to active monitor speakers. An 'anti-thump' circuit protects your monitor speakers from spikes when booting up or shutting down. Front panel controls include a main monitor dial with dim and mute switches, all of which fully integrate with customizable software to cover every possible monitoring need, providing a set of controls for any setup from basic stereo to full 7.1 surround.Focusrite’s popular Saffire Firewire interfaces are fully compatible with Thunderbolt ports on Mac computers. All you need to connect the two is a FireWire cable (included with all new Saffire interfaces later this year) and the Thunderbolt to FireWire 800 adapter (not included). Simply plug this into the Thunderbolt port on your computer and connect the FireWire interface – it’s as simple as that. Saffire interfaces are 100% compatible with Thunderbolt using this adaptor. Features 8 award-winning Focusrite preamps 24-bit/96kHz FireWire Interface with JetPLL jitter elimination technology; pristine audio quality, and reliable synchronization Total I/O count of 20 inputs and 20 outputs, including a unique loopback facility for routing audio between software applications via Saffire PRO 40 Control The Focusrite Plug-in Suite 2 separate headphone buses Saffire PRO 40 Control zero-latency 18 x 16 DSP mixer/router can route any input signal or DAW output, or a mix of both, to any of the 20 outputs Saffire Pro 40 FireWire Interface Specifications: SYSTEM REQUIREMENTS WINDOWS: Operating System Microsoft Windows XP SP2 (32 bit and 64 bit) and Windows Vista (32 bit and 64 bit) CPU/Clock 900MHz AMD or Pentium. (1.5 GHz or higher recommended) Memory (RAM) 512 MB (more recommended) APPLE MAC: Operating System OSX (10.4 and 10.5) CPU/Clock PowerPC G4/Dual 1 GHZ or faster or any Intel-based Mac Memory (RAM) 512 MB (more recommended) PERFORMANCE SPECIFICATIONS Microphone Inputs: Frequency Response: 20Hz - 20kHz °0.1 dB THD+N: % (measured at 1kHz with a 20Hz/22kHz bandpass filter) Noise: EIN > 125dB (128dB analogue to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter) Line Inputs: Frequency Response: 20Hz - 20kHz °0.1dB THD+N: Noise: -90dBu (22Hz/22kHz bandpass filter) Instrument Inputs: Frequency Response: 20Hz - 20kHz °0.1dB THD+N: % (measured with 0dBu input and 20Hz/22kHz bandpass filter) Noise: -87dBu (20Hz/22kHz bandpass filter) Conversion performance: Dynamic Range= 110dB (A-weighted) Clock jitter= 250 picoseconds THD+N AMPL= -109dBFS (A-weighted) Front and Rear Connectivity: Analogue Channel Inputs (Inputs 1-8) 2 Mic/Line/Inst Combo XLR (Inputs 1 and 2) 6 Mic/Line Combo XLR (Inputs 3-8) Automatic switching of Mic / Line (e.g. inserting a jack switches from Mic to either Line or Instrument) Digital Channel Inputs (Inputs kHz Stereo S/PDIF input on RCA 8 ADAT inputs on Optical Connector, reduces to 4 inputs at kHz Optical input can be switched to S/PDIF 3/4 in software preferences (ADATs disabled) Analogue Audio Outputs (Outputs " TRS Jack (Outputs monitor mix outputs on 1/4" TRS Jack (Outputs 1 and 2) Stereo headphones mix 1 on 1/4" TRS (also routed to outputs 7 & 8) Stereo Headphones mix 2 on 1/4" TRS (also routed to outputs 9 & 10) Digital Channel Outputs (Outputs kHz Stereo S/PDIF output on RCA 8 ADAT outputs on Optical Connector, reduces to 4 outputs at kHz Optical output can be switched to S/PDIF 3/4 in software preferences (ADATs disabled) Other I/O: 2 6-pin FireWire sockets 2 Standard 5-pin DIN MIDI connectors: In and Out IEC mains power input connector Weight and Dims: 3kg / 6.6 Ib. 350mm / 13.8" (W) x 45mm / 1.8" (H) x 235mm /9.3" (D)

Product Description Robust 2 in, 4 out USB powered recording interface. The Focusrite Scarlett 2i4 is a robust 2 in / 4 out USB recording interface that combines affordability, cross-platform operation, a comprehensive feature set and the best audio performance in its class. It’s a perfect match for both the musician and the digital DJ – and it comes in an elegant, road-ready anodized aluminum unibody case.Scarlett 2i4 is a great tool for any musician, with its two award-winning Focusrite microphone/line/instrument preamps accessed via universal front-panel XLR/TRS sockets, combined with professional 24-bit, 96kHz conversion, plus class-leading analogue and digital design from input to output to ensure pristine audio quality throughout the signal path.With its 48V phantom power capability, Scarlett 2i4 is perfect for recording guitar, vocal, or even stereo piano, with high-quality condenser mics. You will love the direct monitoring mode, which removes the latencies associated with listening back to the input signal through the DAW. Features Dual mic/line/hi-Z instrument inputs on universal XLR/TRS front-panel connectors Precision, quality conversion at up to 24-bit, 96kHz sampling Better than 105dB dynamic range on record and playback Operates solely on bus power Front-panel inputs and headphone out Switchable Phantom Power Switchable 10 dB pad on all inputs Rear panel balanced TRS outputs (1 & 2) and phono (1–4) Headphone monitor switched to hear either pair of outputs Mixer knob for direct monitoring, mixes between source and outputs 1 & 2 Large monitor level control MIDI in and out Anodized aluminum unibody chassis Scarlett 2i4 USB Audio Interface Specifications: Mic Frequency Response 20Hz - 20kHz +/- 0.1 dB THD+N Equivalent Input Noise (EIN) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3.5dBu Line Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N Noise -90 dBu (22 Hz/22KHz bandpass filter) Signal to Noise Ratio > 100dB Gain Range -10dB to +35dB (-20dB to +25dB when pad is engaged) Max Input Level +26dBu (at 1% THD+N) Instrument Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N % (‘A’ weighted measured with 16dB input gain, -1dBFS at output and 22Hz/22kHz bandpass filter) Noise -87dBu (22Hz/22kHz bandpass filter) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3dBu (+13dBu pad in) Analogue Output Performance Nominal Output Level 0dBFS = +10dBu, balanced 0dBFS = +5.5bBu, unbalanced Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N Output Impedance Power Output into mW Digital Performance Clock sources Internal clock only A-D Dynamic Range 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB D-A Dynamic Range 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz Crosstalk Input to Input Better than 90dB Output to Output Better than 90dB Input to Output Better than 85dB Input Metering Ring LED lit Green Signal present (-24 dBFS) Ring LED lit Red Signal overload (0dBFS), peak held for approximately 1 second Weight and Dimensions Height 48 mm Width 210 mm Depth 140 mm Weight 890 g Shop No. 345-D, 3rd Floor Star City Shopping Mall, Opp,Bambino Cinema Abdullah Haroon Road Saddar Karachi Pakistan

Product Description Robust 2 in, 4 out USB powered recording interface. The Focusrite Scarlett 2i4 is a robust 2 in / 4 out USB recording interface that combines affordability, cross-platform operation, a comprehensive feature set and the best audio performance in its class. It’s a perfect match for both the musician and the digital DJ – and it comes in an elegant, road-ready anodized aluminum unibody case.Scarlett 2i4 is a great tool for any musician, with its two award-winning Focusrite microphone/line/instrument preamps accessed via universal front-panel XLR/TRS sockets, combined with professional 24-bit, 96kHz conversion, plus class-leading analogue and digital design from input to output to ensure pristine audio quality throughout the signal path.With its 48V phantom power capability, Scarlett 2i4 is perfect for recording guitar, vocal, or even stereo piano, with high-quality condenser mics. You will love the direct monitoring mode, which removes the latencies associated with listening back to the input signal through the DAW. Features Dual mic/line/hi-Z instrument inputs on universal XLR/TRS front-panel connectors Precision, quality conversion at up to 24-bit, 96kHz sampling Better than 105dB dynamic range on record and playback Operates solely on bus power Front-panel inputs and headphone out Switchable Phantom Power Switchable 10 dB pad on all inputs Rear panel balanced TRS outputs (1 & 2) and phono (1–4) Headphone monitor switched to hear either pair of outputs Mixer knob for direct monitoring, mixes between source and outputs 1 & 2 Large monitor level control MIDI in and out Anodized aluminum unibody chassis Scarlett 2i4 USB Audio Interface Specifications: Mic Frequency Response 20Hz - 20kHz +/- 0.1 dB THD+N Equivalent Input Noise (EIN) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3.5dBu Line Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N Noise -90 dBu (22 Hz/22KHz bandpass filter) Signal to Noise Ratio > 100dB Gain Range -10dB to +35dB (-20dB to +25dB when pad is engaged) Max Input Level +26dBu (at 1% THD+N) Instrument Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N % (‘A’ weighted measured with 16dB input gain, -1dBFS at output and 22Hz/22kHz bandpass filter) Noise -87dBu (22Hz/22kHz bandpass filter) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3dBu (+13dBu pad in) Analogue Output Performance Nominal Output Level 0dBFS = +10dBu, balanced 0dBFS = +5.5bBu, unbalanced Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N Output Impedance Power Output into 32O 24mW Digital Performance Clock sources Internal clock only A-D Dynamic Range 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB D-A Dynamic Range 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz Crosstalk Input to Input Better than 90dB Output to Output Better than 90dB Input to Output Better than 85dB Input Metering Ring LED lit Green Signal present (-24 dBFS) Ring LED lit Red Signal overload (0dBFS), peak held for approximately 1 second Weight and Dimensions Height 48 mm Width 210 mm Depth 140 mm Weight 890 g