Bar lo cast

Yamaha yta 120w amp PRICE DROP Nippon Gakki Co Japan. Two channels each with HI/LO INPUT. Spring Reverb and Tremolo foot switchable (i dont have the footswitch but any one will do i think). Very powerful speaker, cast iron cone. Weight about kg.  Seriously loud solid state amp. The reverb has a humm which should be easy enough to fix by anyone with the knowhow. A small tear in the front tolex.  Takes effects very well.  Im not using this and its taking up space i want for a 100 watt i have coming in.  Open to offers and swops for musical equipment.

Seller Type: A Professional / Business Condition: New Product Description The Shure SM58 has been the "go-to" microphone for musicians, producers, and sound engineers around the world for more than 40 years running. No other mic in your arsenal can match its legendary reputation for great sound and rugged dependability. With a Shure SM58 on the stage, you can forget about the microphone and concentrate on your performance. Features: - Tailored, brightened midrange response that flatters most voices and gives your vocals an extra boost, helping them cut through the mix - Built-in spherical filter that helps minimize "pop" sounds - Unidirectional cardioid pickup pattern helps minimize feedback - Legendary Shure build quality Engineered for Great-Sounding Vocals The Shure SM58 features specially tuned mid-range response for boosted presence in your vocal tracks. While some mics let vocals get lost in the mix, the Shure SM58 cuts through instruments and positions the singer right out in front. Your music will gain the crisp focus that separates the professionals from the hobbyists. Special Technology for Quiet Operation Shure's unique spherical filter brings smoothness and clarity to both lead and backing vocals. On the SM58, wind and breath sounds are minimized, cutting down on ambient noise that can ruin recorded tracks and possibly damage live sound equipment. A tried-and-true internal shock mount also cleans up your performance by reducing handling noise. Those loud creaks and pops that result from pulling the mic out of its clip or adjusting its position can be completely avoided with the SM58. Plus, floor vibrations won't enter the signal stream when the Shure SM58 is mounted on a stand. Clean tracks always sit better in the mix, giving them their own space and texture. You'll be surprised at what pops out of your performance once the unwanted noise is gone. Unidirectional Cardioid Pickup Pattern Live sound stages and recording studios both rely on good microphone isolation for quality results. If one audio source bleeds over into another, it's hard to know what to fix and how to fix it. Fortunately, Shure SM58s have a unidirectional, cardioid pickup pattern for outstanding aiming control. Since sounds outside the pickup pattern are automatically rejected, you can position the mic to only "hear" your intended audio source. In the studio, you'll have clean, separated tracks for faster editing. On stage, you can be sure your input levels are strong without worrying about feedback. Either way, your project just got a whole lot easier. Shure includes a 180-degree rotating mic clip to help you get perfect mic placement, every time, with the SM58. Legendary Durability The SM58's tank-like durability has reached mythic status in the music world. Veteran rockers love to tell the tale of how they hammered the stage together with their Shure SM58, then sang through the whole gig without missing a beat. You'll be a part of the legend when you grasp the perfectly balanced die-cast metal handle and raise the rigid steel mesh grille up to your lips. It's hard not to feel the weight of all that music history when you realize your favorite artists hefted that same handle, delivering their lyrics through that same mesh grille. The Drop Test Nostalgic sentiment is nice, but how about some cold, hard evidence? The Shure SM58 met and conquered Shure's famous "drop test," falling ten times from a height of ten feet with no drop in performance! You know what happens at the live show. The energy is high, people are jumping around, and your mic stand is bound to get bumped. It's nice to know you can pick it up, dust it off, and get right back into the moment. Nothing will kill the vibe faster than telling the crowd to hang on a minute while you swap out equipment. With an SM58, you never have to stop! Affordable Quality Shure knows their audience, and they priced the SM58 accordingly. At this musician-friendly price, you can outfit the whole stage without breaking your tour (or studio) budget. Use the savings to try and find other gear that performs as well as the Shure SM58, if you can. - Type: Dynamic (moving coil) - Frequency Response: 50 to Hz - Polar Pattern: Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency Output Level (at Hz) - Open Circuit Voltage: -74.5 dB* (0.19 mV) - Power Level: -56.0 dB** - Impedance: Rated impedance is actual) for connection to microphone inputs rated low impedance - Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 - Connector: 3-pin professional audio connector (male XLR type) - Case: Dark gray, enamel-painted, die cast metal; matte-finished, silver colored, spherical steel mesh grille - Overall Dimensions: 51 x 162 x 23mm (2 x 6-3/8 x in.) - Swivel Adapter: Positive-action, break-resistant, adjustable through 180 degrees, with standard 5/8 in.-27 thread - Net Weight: 298 g (10.5 oz.) *0 dB = 1 v/ bar **0 dB = 1 mw/10 bar

Body material * Magnesium Alloy chassis, high grade plastic exterior Sensor * • 23.5 x 15.6 mm CMOS sensor 'Exmor' • RGB Color Filter Array • Built-in fixed low-pass filter • million total pixels • million effective pixels • On-chip Column A/D Conversion & NR Image sizes * • x (L RAW) • x (L) • x (M) • x (S) • x (L) x (S) 16:9 File qualities / formats * • RAW (.ARW 2.0) • Compressed or uncompressed RAW option • RAW + JPEG Fine • JPEG Extra Fine • JPEG Fine • JPEG Standard Dust reduction • Static-resistant anti-dust coating • CCD-shift dust reduction mechanism Lenses • Sony Alpha lenses (also compatible with Minolta A-type bayonet mount lenses) FOV crop 1.5x Super SteadyShot • CCD-Shift 'Super SteadyShot' system • Five level LED shake indicator in viewfinder • Claimed equivalent to 2.5 – 4 steps in shutter speed * Auto Focus * • TTL CCD line sensors (11-points, 10 lines with center dual cross sensor) • EV 0 to 18 (ISO 100) detection range • Predictive focus control for moving subjects AF area selection • Wide AF area • Spot AF area (center) • Focus area selection (any of 11) Focus modes • Single-shot AF • Direct Manual Focus • Continuous AF • Automatic AF • Manual focus AF assist illuminator * • Yes (built-in LED lamp) • Range approx 1m - 7m Eye-start AF Yes, selectable from menu (optionally with grip sensor trigger*) Shooting modes • Auto • Programmed AE (with shift) • Aperture priority AE • Shutter priority AE • Manual • MR (memory recall) / Custom • Scene modes (below) Scene modes • Portrait • Landscape • Macro • Sports Action • Sunset • Night view/portrait Sensitivity • Auto () - upper/lower limit selectable * • ISO 100 • ISO 200 • ISO 400 • ISO 800 • ISO • Up to ISO (expanded range) * Metering modes • Multi-segment (40 segment Honeycomb pattern) • Center-weighted • Spot Metering range • EV 0 to 20 (Multi-segment / Center-weighted) * • EV 2 to 20 (Spot metering) * (at ISO 100 with F1.4 lens) AE Lock • AEL button (customizable) • Half-press shutter release AE Bracketing • Single or continuous bracketing • 3 or 5 frames • or 0.7 EV steps * Exposure compen. • -3.0 to +3.0 EV * • 0.3 or 0.5 EV steps * Shutter Electronically-controlled, vertical-traverse, focal-plane Shutter Shutter Speed * • 30 to sec • Bulb Flash X-sync * • sec • sec (with Super SteadyShot on) Aperture values Depends on lens, 0.3 EV steps DOF preview Yes, dedicated button White balance • Auto • Daylight • Shade • Cloudy • Tungsten • Fluorescent • Flash • Color temperature ( K) • Manual (Custom) - 3 memories * White balance fine tuning • Auto (none) • Preset WB: -3 to +3 • Fluorescent WB: -2 to +4 • Color temperature WB: G9 to M9 (Magenta to Green) White balance bracketing • 3 frames • Hi or Lo steps Dynamic range optimizer • Off • Standard • Advanced Auto * • Advanced • DRO advanced bracketing (3 frames, High/Low selectable) * Color space • sRGB • Adobe RGB Color modes • Standard • Vivid • Neutral * • Clear * • Deep * • Light * • Portrait • Landscape • Sunset • Night view • Autumn Leaves * • B&W • Sepia * • Adobe RGB Image parameters * • Contrast (-3 to +3) • Saturation (-3 to +3) • Sharpness (-3 to +3) • Zone Matching (-1 to +2 steps) • Brightness (-3 to +3 steps) (Available in all color modes) Noise reduction * • Long exposure for exposures longer than 1 second • High ISO NR High/Normal/Low at ISO or higher • User controllable: On / Off Viewfinder * • Eye-level fixed optical glass pentaprism • Spherical Acute Matte focusing screen (interchangeable) • Magnification approx. 0.9x • 95% frame coverage • Dioptric adjustment (-3 to +1.0) • Eye-relief 25 mm from eyepiece, 21 mm from frame • Eyepiece cup removable • Viewfinder info bar LCD monitor * • 3.0 " 'Xtra Fine' TFT LCD • pixels (640 x 480 x 3 (RGB)) • 270 ppi • Anti-reflective coating Flash • Built-in pop-up flash (manual release) • Metering: ADI, Pre-flash TTL, Manual flash control • Guide number 12 (ISO 100/m) • Angle of coverage 24 mm (35 mm equiv.) • Flash sync sec, sec (SteadyShot on) * Flash modes • Auto • Fill Flash • Rear Sync • Slow sync • Manual Flash • Red-eye Reduction (pre-flash) • Wireless/Remote Off-camera Flash • High Speed Sync. Flash compensation * -3.0 to +3.0 EV in 0.3 or 0.5 EV steps External flash (optional) • Sony HVL-F56M (guide no. 56) • Sony HVL-F36M (guide no. 36) • Macro Twin Flash Kit HVL-MT24AM • Ring Light HVL-RLAM • Off camera flash shoe FA-CS1 AM Drive modes • Single-frame • Continuous (H/L selectable) * • Self-timer (10 or 2 sec) • Continuous bracket • Single-frame bracket • White balance bracket • DRO bracket * Continuous shooting * • H: Approx 5fps max • L: Approx 3fps max • RAW: Up to 18 frames • cRAW (compressed): Up to 25 frames • RAW+JPEG: Up to 12 frames • JPEG (XFINE): Up to 16 frames • JPEG (STD/FINE): Unlimited (to card capacity) Self-timer • 10 sec • 2 sec • Mirror up function (optional)* Orientation sensor Yes, for shooting, playback and control panel display Connectivity * • USB 2.0 Hi-Speed (mass storage, Multi-LUN or PTP) • Video out (NTSC or PAL) • HDMI type C mini jack • DC-IN • Remote terminal • PC control (with supplied software) Remote control * • Wired: with optional RM-S1AM or RM-L1AM • Wireless: with included remote control Video out • AV (Selectable NTSC or PAL) • HDMI ( x i, x 720p, 720 x 580p, 720 x 576p) • 'PhotoTV' HD settings applied with BRAVIA. Storage * • Compact Flash Type I/II • Memory Stick Duo / Pro Duo • Supports FAT12 / FAT16 / FAT32 Power * • NP-FM500H Lithium-Ion rechargeable battery ( mAh) • Battery charger included • Optional AC adapter • Batter life Approx 650 shots (CIPA standard) Vertical grip * • Vertical Grip VG-C70AM • One or Two NP-FM500H batteries with auto switchover for power (additional battery is optional). Dimensions x x 79.7 mm (5.6 x 4.25 x 3.25 in) Weight (body) • No battery: 690 g (1.5 lb) • With battery: 768 g (1.7 lb) Condition: - No Warranty

Car Licence Pate with Led Light in Pakistan Description A complete Carmotorcycle license plate frame with white super bright L.E.D.s that give a clean look to your Carmotorcycles license plate. This uniquely crafted license plate frame features a vertical light bar with 6 super bright white L.E.D.s. Frame dimensions 7-316 length x 4-14 width Mounting holes, center to center 5-34 x 2-1316 Fits Standard 7-316 x 4-14 License Plates Easy Installation Mounting hardware included. Some slight trimming of license plate may be required. Die cast frames available in Chrome.