Frequency response

Frequency range: 2.4GHz Charging voltage: DC4.8~5.4v Transmission distance: 20 meters without barriers Human obstacle distance: about 7 meters Microphone: digital microphone Working hours: 10H Signal to noise ratio: 64 dBm Start-up current: 1.5~6mA Charging interface: TYPE-C Transmission: 9MS Standby current 4.3~5.5mA Sensitivity (microphone): -26dB Battery capacity: button battery 90mAH Antenna type: ceramic antenna Charging current: 65mA Frequency response range: 20-20KHZ Lavalier microphone can be used with smartphones. Plug and Play-Automatic Pairing: Wireless microphones for Mobile Phone is Professional and unique. They will automatically connect, no need to download APP and Bluetooth. Our equipment includes a transmitter and a receiver (the maximum working range is 65ft), just plug the receiver into the device and turn on the microphone power to start recording. Say goodbye to messy cables, make your live streaming more relaxed and enjoyable Portable and Durable: Clip on microphone built-in 90MA battery, the Mobile Phone microphone can record continuously for up to 10 hours, no external battery is needed, Unexpectedly exquisite and compact, simple shape,The design with a lapel clip is more convenient to wear Smart Noise Reduction 48KHz: Recording microphone built-in noise reduction chip, provide professional full frequency audio 48KHz stereo CD quality, strong anti-interference ability, effective recognition of the original sound, in noisy environment can still record the details of each sound Real-Time Radio-No: Built-in omnidirectional microphone, wireless microphone system stable signal and quick response, get rid of the trouble of frequent rerecording. 1. 9ms ultra-low latency,20 m barrier-free reception, it can use outdoor live broadcast and take a small video. 2. It doesn't need APP, plug-and-play, one-click connection, easy to wear. 3. Intelligent noise reduction, long endurance of 10 hours, easy to cope with all kinds of noisy environment, worry-free shooting, meet your needs for a day. 4. 360 full pointing pick up, record every detail of the sound. 5. Small and convenient, it compatible with

Frequency range: 2.4GHz Charging voltage: DC4.8~5.4v Transmission distance: 20 meters without barriers Human obstacle distance: about 7 meters Microphone: digital microphone Working hours: 10H Signal to noise ratio: 64 dBm Start-up current: 1.5~6mA Charging interface: TYPE-C Transmission: 9MS Standby current 4.3~5.5mA Sensitivity (microphone): -26dB Battery capacity: button battery 90mAH Antenna type: ceramic antenna Charging current: 65mA Frequency response range: 20-20KHZ

Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.08% Input sensitivity: 400mV (line) Signal to noise ratio: 85dB (line) Channel separation: 40dB (line) Output: 2V (Pre out) Digital inputs: optical, coaxial

1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 1. Drive: 15mm 2. Impedance: 40 ohms 3. Bluetooth version: Bluetooth v5.0 + EDR 5. Power level: Level II 6. Output power: 50 MW 7. Bluetooth distance: 10 m barrier 8. Frequency response: 20Hz 20000 9. Working voltage range: 3.0 V-4.2 V. 10. Microphone sensitivity: -42dB 11. With A2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 2DP / AVRCP high quality stereo audio transmission and remote control protocol 12. Powerful noise cancellation circuit (active noise reduction) 13. Talk time is about 2.5-3.5 hours (lower the voice, you can get a longer time) 14. Music time is about 2.5-3.5 hours (lower the voice, you can get a longer time)

SPECIFICATIONS Speaker Compliment Two 8" Woofers per cabinet Four 3" Tweeters per cabinet Nominal Impedance 8Ω Power Requirements 20 watts minimum 150 watts maximum Major Port Frequency 35HZ Subport Frequency Broad band tuning centered at 240HZ Dual Frequency™ Crossover Woofer transition frequency: 2.5kHZ Tweeter transition frequency: 1.5kHZ Shipping Weight 46 LB per speaker Speaker Weight 36 LB per speaker Speaker Dimensions 29.5" H X 14" W X 13" D SPEAKER CONFIGURATION WOOFER: Two high-efficiency 8" woofers designed for the sub-port enclosure. Each woofer has a long excursion voice coil and suspension, plus a 14 Oz. magnet, providing high output capability. Uniform response of the woofer is over 2.5KHz with use of the Dual Frequency™ crossover network. One woofer is directed forward while the second woofer is directed upward, which helps create a balance of reflected and direct energy in the listening room. TWEETER: Four 3" wide-range high sensitivity tweeters per enclosure provide flat power radiation beyond 15KHz. The response extends down to 1.5KHz for use with the Dual Frequency crossover network. Two tweeters in each speaker enclosure are directed outward so that most of the sound energy is reflected off the back and side walls. One tweeter is positioned so that the sound energy is directed towards the center of the room and the final tweeter is positioned to reflect sound off the back wall between the speakers and into the room, providing a strong center stereo image by filling the "hole in the middle". DUAL FREQUENCY CROSSOVER NETWORK: Located in the top woofer cup, the crossover network consists of two capacitors, two resistors, and two tweeter protection lamps. The Dual Frequency crossover network is designed to offer performance advantages by deliberately operating both the woofers and tweeters simultaneously over a significant part of the frequency range. Crossover network to have separate transition frequencies for the woofers and tweeters. By using separate frequencies, an overlap in response of almost one octave is achieved, providing smoother frequency response in the crossover region. Careful design of all components in the crossover network matches woofer and tweeter response, eliminating phase cancellation and assuring accurate frequency and transient response.

M-Audio BX5 D3 5" 2-Way 100W Powered Studio Monitor (Single) Product Highlights 5" Kevlar Woofer 1" Silk Dome Tweeter 100W Bi-Amped Power 52 Hz to 35 kHz Frequency Response Class A/B Amplifiers Custom Waveguide Volume and Low-End Controls Rear Bass Port XLR and 1/4" TRS Inputs Includes Acoustic Foam Pad M-Audio BX5 D3 Overview The BX5 D3 from M-Audio is a 2-way, 100W powered studio monitor designed to offer a wide frequency response and easy configuration for mixers, DJs, producers, and recordists in small control rooms, personal studios, and mobile rigs. The monitor produces a frequency response of 52 Hz to 35 kHz, thanks to two Class A/B amplifiers feeding a 5” Kevlar woofer and 1” silk dome tweeter. A rear-mounted bass port delivers extended bass response, while the tweeter’s custom waveguide yields a wide sweet spot and minimized high-frequency scatter. Volume and low-frequency controls are provided so you can tune the monitor to cooperate with the sound of the room. Place the monitor on the supplied acoustic foam pad to decouple it from your table or stands, which aids in reducing unwanted bass vibrations. The BX5 D3 can interface with a variety of equipment, via balanced XLR and balanced/unbalanced 1/4” TRS input jacks. Setup is simple, due to the front-mounted LED, which appears brighter when you are at the ideal angle. Drivers A magnetically-shielded 5" military-grade Kevlar woofer provides durability and detailed transient response whilst negating unwanted "cone breakup." It has a high-temperature voice coil and damped rubber surround. The magnetically-shielded 1" silk dome tweeter delivers high frequencies up to 35 kHz with minimal resonance. Enclosure The rear-mounted bass port yields extended bass response while reducing audible air turbulence that can occur at high sound pressure levels. The tweeter sits in a custom waveguide designed to lessen scatter and yield a wide sweet spot. The process of aligning the monitor's position is simplified, due to the front-mounted LED, which shines brightly when you're located at the ideal angle. Amplifiers The BX5 D3 has two Class A/B amplifiers, a 60W low-frequency amp and a 40W high-frequency amp. A crossover at 2.5 kHz ensures that the correct frequencies are fed to each driver. Controls In addition to adjustable volume, there is a low-frequency "Acoustic Space" control. Based upon the sound of your room, you may wish to tweak the bass response to achieve a certain frequency balance. Connectivity The BX5 D3 can accept a balanced line-level input at its XLR 3-pin connector. Route balanced or unbalanced signals into the monitor via the 1/4" TRS jack. M-Audio BX5 D3 Specs Type 2-way Inputs 1 x XLR 3-pin female (balanced) 1 x 1/4" TRS (balanced/unbalanced) Drivers 1 x 5" / 127 mm Kevlar woofer 1 x 1" / 25 mm silk dome tweeter Amplifier Class A/B Power Output Low Frequency Amp: 60 W High Frequency Amp: 40 W Magnetically Shielded Yes Frequency Response 52 Hz to 35 kHz Crossover Frequency 2.5 kHz Input Sensitivity -10 dBU Input Impedance 10 kOhms (balanced) 20 kOhms (unbalanced) Maximum SPL 110 dB (measured with full-bandwidth pink noise) Power 100 to 120 V, 50/60 Hz 220 to 240 V, 50/60 Hz Consumption 100 W Polarity Positive signal at "Plus" input produces outward low-frequency cone displacement Electrical Protection RF interference Output current limiting Over temperature Turn on/off transient Subsonic filter External mains fuse Fuse 100 to 120 V ~ T1.6AL 250 V 220 to 240 V ~ T1AL 250 V Cabinet Vinyl-laminated, high-acoustic-efficiency MDF Dimensions (W x D x H) 6.9 x 7.8 x 10.0" / 176 x 197 x 254 mm Weight 12.3 lb / 5.6 kg Packaging Info Package Weight 16.0 lb Box Dimensions (LxWxH) 14.9 x 11.6 x 11.0" Views: 467

Type Audio Interfaces Recording Package Product Description A complete professional recording package for musicians. Focusrite has been a force behind some of the most high-end recording systems used in the world's top studios, and now they've comprised an entire studio bundle for your Mac or PC. The Scarlett Studio bundle includes a Scarlett 2i2 USB audio interface, Scarlett CM25 studio condenser mic, and a pair of Scarlett HP60 reference headphones. Scarlett 2i2 Audio Interface The audio interface is the key to making professional recording. At the heart of Scarlett Studio is the Scarlett 2i2. This interface connects to your Mac or PC via the USB port and provides 2-inputs and 2-outputs to your music software. Scarlett 2i2 delivers the superb quality and legendary Focusrite sound that audio industry professionals have relied on for decades. Plug your instrument – bass, guitar, keyboard, synth, you name it – and the included studio microphone straight into the front panel and 2i2 brings them into your computer at the highest possible quality. You can record, edit and mix until you have just the sound you want, with the best possible playback quality so you can hear exactly what you’re doing. Studio-quality microphone and headphones Scarlett Studio really does give you everything you need to start recording. There’s a studio condenser microphone, the CM25, that’s specially designed to catch the life and soul of your vocals and acoustic instruments. Clean, smooth and sensitive, it captures every nuance. If you can hear it, you can record it. There’s even a high-quality, low-noise microphone cable included, to connect the CM25 to the Scarlett 2i2. The included HP60 studio monitor headphones tell it like it is. Accuracy is number one when it comes to monitoring. Unlike many headphones that flatter the sound, making it sound better than it really is, the HP60s give you a clear and accurate impression of exactly how your music sounds, so you can get it just the way you want it. And when you play it back elsewhere, it’ll sound great. Professional recording software Scarlett Studio includes all the software you need to get you going straight away. Cubase LE 6 is powerful music production software for recording and mixing. Focusrite Scarlett plug-ins are a set of essential tools for polishing your mix, like compression to tighten up that bass or keep your vocals smooth and even; equalisers to bring out the character in your sound, gating to help remove noises, and reverb to give your music the space it needs. The Novation Bass Station is a software synthesizer that you can use to add additional bass or melody sounds to your music. Because it is a synth you can create totally new sounds that no one has ever heard before, or recreate classic sounds. There is also a sample pack from Loopmasters to add drum loops or sound effects to your track. Features Studio-quality recording package for your Mac or PC Focusrite recording technology Includes a Scarlett 2i2 audio interface, CM25 studio condenser, HP60 reference headphones, and mic cable Scarlett Studio Scarlett 2i2 2 in / 2 out USB audio interface 96 KHz, 24-bit conversion 2 Focusrite microphone preamplifiers Red anodised aluminium unibody chassis Unique LED 'halo' indicators to keep levels honest Scarlett Studio CM25 microphone Large-diaphragm condenser microphone 3 m red cable included Mic stand adaptor Scarlett Studio HP60 Headphones Reference quality headphones Extended frequency response Adjustable fit Closed back design to prevent audio spill when recording Scarlett Studio Specifications: System Requirements Mac OS X 10.7 Lion or OS X 10.8 Mountain Lion Windows 7 (all versions) Windows 8 (excluding Windows RT) Analog Input Performance Mic Frequency Response 20Hz - 20kHz +/- 0.1 dB THD+N Equivalent Input Noise (EIN) Gain Range +10dB to +55dB Max Input Level -3dBu Line Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N Noise -90 dBu (22 Hz/22KHz bandpass filter) Signal to Noise Ratio > 100dB Gain Range -10dB to +35dB Max Input Level +20dBu Instrument Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N % (measured with -8dBu input and 22Hz/22kHz bandpass filter) Noise -87dBu (22Hz/22kHz bandpass filter) Gain Range +10dB to +55dB Max Input Level -3dBu Analogue Output Performance Nominal Output Level 0dBFS = 10dBu, balanced Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N Output Impedance Power Output into mW Power Output into mW Digital Performance Clock sources Internal clock only A-D Dynamic Range 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB D-A Dynamic Range 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz Crosstalk Input to Input Better than 90dB Output to Output Better than 90dB Input to Output Better than 85dB Input Metering Ring LED lit Green Signal present (-24 dBFS) Ring LED lit Red Signal overload (0dBFS), peak held for approximately 1 second Weight and Dimensions Height 45 mm / 1 ¾ “ Width 175 mm / 7” Depth 100 mm / 4” Weight 580 g / 1.3 lb

A complete professional recording package for musicians. Focusrite has been a force behind some of the most high-end recording systems used in the world's top studios, and now they've comprised an entire studio bundle for your Mac or PC. The Scarlett Studio bundle includes a Scarlett 2i2 USB audio interface, Scarlett CM25 studio condenser mic, and a pair of Scarlett HP60 reference headphones. Scarlett 2i2 Audio Interface The audio interface is the key to making professional recording. At the heart of Scarlett Studio is the Scarlett 2i2. This interface connects to your Mac or PC via the USB port and provides 2-inputs and 2-outputs to your music software. Scarlett 2i2 delivers the superb quality and legendary Focusrite sound that audio industry professionals have relied on for decades. Plug your instrument – bass, guitar, keyboard, synth, you name it – and the included studio microphone straight into the front panel and 2i2 brings them into your computer at the highest possible quality. You can record, edit and mix until you have just the sound you want, with the best possible playback quality so you can hear exactly what you’re doing. Features Studio-quality recording package for your Mac or PC Focusrite recording technology Includes a Scarlett 2i2 audio interface, CM25 studio condenser, HP60 reference headphones, and mic cable Scarlett Studio Scarlett 2i2 2 in / 2 out USB audio interface 96 KHz, 24-bit conversion 2 Focusrite microphone preamplifiers Red anodised aluminium unibody chassis Unique LED 'halo' indicators to keep levels honest Scarlett Studio CM25 microphone Large-diaphragm condenser microphone 3 m red cable included Mic stand adaptor Scarlett Studio HP60 Headphones Reference quality headphones Extended frequency response Adjustable fit Closed back design to prevent audio spill when recording Scarlett Studio Specifications: System Requirements Mac OS X 10.7 Lion or OS X 10.8 Mountain Lion Windows 7 (all versions) Windows 8 (excluding Windows RT) Analog Input Performance Mic Frequency Response 20Hz - 20kHz +/- 0.1 dB THD+N Equivalent Input Noise (EIN) Gain Range +10dB to +55dB Max Input Level -3dBu Line Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N Noise -90 dBu (22 Hz/22KHz bandpass filter) Signal to Noise Ratio > 100dB Gain Range -10dB to +35dB Max Input Level +20dBu Instrument Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N % (measured with -8dBu input and 22Hz/22kHz bandpass filter) Noise -87dBu (22Hz/22kHz bandpass filter) Gain Range +10dB to +55dB Max Input Level -3dBu Analogue Output Performance Nominal Output Level 0dBFS = 10dBu, balanced Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N Output Impedance Power Output into mW Power Output into mW Digital Performance Clock sources Internal clock only A-D Dynamic Range 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB D-A Dynamic Range 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz Crosstalk Input to Input Better than 90dB Output to Output Better than 90dB Input to Output Better than 85dB Input Metering Ring LED lit Green Signal present (-24 dBFS) Ring LED lit Red Signal overload (0dBFS), peak held for approximately 1 second Weight and Dimensions Height 45 mm / 1 ¾ “ Width 175 mm / 7” Depth 100 mm / 4” Weight 580 g / 1.3 lb Shop No. 345-D, 3rd Floor Star City Shopping Mall, Opp,Bambino Cinema Abdullah Haroon Road Saddar Karachi Pakistan

A complete professional recording package for musicians. Focusrite has been a force behind some of the most high-end recording systems used in the world's top studios, and now they've comprised an entire studio bundle for your Mac or PC. The Scarlett Studio bundle includes a Scarlett 2i2 USB audio interface, Scarlett CM25 studio condenser mic, and a pair of Scarlett HP60 reference headphones. Scarlett 2i2 Audio Interface The audio interface is the key to making professional recording. At the heart of Scarlett Studio is the Scarlett 2i2. This interface connects to your Mac or PC via the USB port and provides 2-inputs and 2-outputs to your music software. Scarlett 2i2 delivers the superb quality and legendary Focusrite sound that audio industry professionals have relied on for decades. Plug your instrument – bass, guitar, keyboard, synth, you name it – and the included studio microphone straight into the front panel and 2i2 brings them into your computer at the highest possible quality. You can record, edit and mix until you have just the sound you want, with the best possible playback quality so you can hear exactly what you’re doing. Features Studio-quality recording package for your Mac or PC Focusrite recording technology Includes a Scarlett 2i2 audio interface, CM25 studio condenser, HP60 reference headphones, and mic cable Scarlett Studio Scarlett 2i2 2 in / 2 out USB audio interface 96 KHz, 24-bit conversion 2 Focusrite microphone preamplifiers Red anodised aluminium unibody chassis Unique LED 'halo' indicators to keep levels honest Scarlett Studio CM25 microphone Large-diaphragm condenser microphone 3 m red cable included Mic stand adaptor Scarlett Studio HP60 Headphones Reference quality headphones Extended frequency response Adjustable fit Closed back design to prevent audio spill when recording Scarlett Studio Specifications: System Requirements Mac OS X 10.7 Lion or OS X 10.8 Mountain Lion Windows 7 (all versions) Windows 8 (excluding Windows RT) Analog Input Performance Mic Frequency Response 20Hz - 20kHz +/- 0.1 dB THD+N Equivalent Input Noise (EIN) Gain Range +10dB to +55dB Max Input Level -3dBu Line Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N Noise -90 dBu (22 Hz/22KHz bandpass filter) Signal to Noise Ratio > 100dB Gain Range -10dB to +35dB Max Input Level +20dBu Instrument Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N % (measured with -8dBu input and 22Hz/22kHz bandpass filter) Noise -87dBu (22Hz/22kHz bandpass filter) Gain Range +10dB to +55dB Max Input Level -3dBu Analogue Output Performance Nominal Output Level 0dBFS = 10dBu, balanced Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N Output Impedance Power Output into mW Power Output into mW Digital Performance Clock sources Internal clock only A-D Dynamic Range 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB D-A Dynamic Range 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz Crosstalk Input to Input Better than 90dB Output to Output Better than 90dB Input to Output Better than 85dB Input Metering Ring LED lit Green Signal present (-24 dBFS) Ring LED lit Red Signal overload (0dBFS), peak held for approximately 1 second Weight and Dimensions Height 45 mm / 1 ¾ “ Width 175 mm / 7” Depth 100 mm / 4” Weight 580 g / 1.3 lb

Behringer C-1U USB Studio Condenser Mic A professional large-diaphragm condenser microphone with a built-in USB interface so you can record faster than ever in both live and studio applications. The Behringer C-1U USB mic is a digital home recording or podcasting enthusiast's dream. This professional quality condenser microphone is identical to the acclaimed Behringer C-1 mic with one awesome difference: it's has a built-in USB interface so you can be ready to record faster than ever and with minimal preparation and equipment. Just plug it into your computer and start recording. What is a USB Condenser Microphone? As the primary type of microphone used in recording studios and radio stations, condenser microphones are the ideal choice for capturing vocals and acoustic instruments. Unlike a dynamic microphone, a condenser microphone collects sound from throughout an environment such as a room, rather than only picking up what's happening directly in front of it. It is capable of capturing much more detail with a wider, flatter frequency response. Trouble is, conventional condenser microphones aren't made to interface with a computer—you have to provide a microphone preamplifier and an analog to a USB interface. The C-1U has a built-in USB interface that derives the needed power directly from your computer's USB input and requires no special drivers. Just plug in and start recording your music. Unlike most other USB microphones, you won't need to download any additional drivers to begin using the Behringer C-1U right out of the box—it even works with Vista. You also get an extensive software package that includes: Audacity for recording, Kristal Audio Engine for editing and multitracking, plus Podifier uploading software and PodNova downloading software. It works like this: Connect the mic to your PC or Mac. Load Audacity and save your recording onto your hard drive. Now load the included Kristal software and you can edit your recording or add tracks. Now you're ready to upload your work onto the Web via Podifier. Getting started with the USB mic may seem like child's play, but this pro-caliber microphone is anything but a toy. It has an exceptionally flat frequency response and pristine sonic resolution that ensures content-rich audio that is as natural sounding as the original source. The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. The Behringer C-1U's ultra low-noise, transformerless field-effect transistor (FET) input circuitry can handle extreme dynamics, all the way up to 136 dB, with ruler-flat frequency response from 40 Hz to 20 kHz. That means that even if the special guest on your next podcast happens to be a revved-up jet engine, this workhorse mic will not distort. Why You Need a Behringer C-1U USB Microphone: •Far better sound quality than the dynamic microphones you may be using •With its built-in USB interface and comprehensive software package, just plug it in and start laying down tracks •You don't have to download any new drivers, and it's perfectly compatible with Windows XP/Vista and Mac Features Professional large-diaphragm condenser microphone with a built-in 48 kHz USB Interface for unsurpassed audio quality Gets phantom power directly from PC USB output Comes with Audacity audio editor, Kristal audio engine, Podifier uploading software, and Juice and Podnova downloading software Maximum SPL (sound pressure level) of 136 dB Ideal as main and support microphone for studio and live applications Exceptionally flat frequency response and ultra-high sound resolution Cardioid pickup pattern for outstanding sound source separation and feedback rejection Ultra low-noise transformerless FET input circuitry LED indicates phantom power operation C-1U USB Studio Condenser Mic Specifications: Transducer type: condenser, 0.63'' Polar pattern: cardioid Frequency response: 40 Hz - 20 kHz Max. SPL (1 % THD 1 kHz): 136dB Connector: USB connector type B Power supply: 5 V, max. 50 mA (via USB) Dimensions: shaft diameter: 2.1", length: 6.7" Weight (net): approx

SYSTEM REQUIREMENTS mac OS 10.12, 10.13, 10.14, 10.15 (latest update), Intel Core i5, 4 GB RAM Windows 10 version 1803 or later (64 Bit), Intel Core i5 or equivalent CPU, 4 GB RAM SUPPORTED AUDIO FORMATS MP3, WAV, AIFF, Audio-CD, FLAC, Ogg Vorbis, non-DRM AAC GENERAL Monitor with 1280 x 800 screen resolution, USB 2.0, 1 GB free disc space. An internet connection and a graphics card which supports OpenGL 2.1 or higher are required to download and activate TRAKTOR software. Once installed and activated, all products can be used offline. SUPPORTED DRIVERS Core Audio, WASAPI, ASIO, DirectSound DIMENSIONS 542 mm / 339 mm / 60.5 mm 21.34" / 13.35" / 2.38“ HARDWARE SPECIFICATIONS AUDIO INPUTS (A/D) Channels: 4 Stereo Sample Rate / Resolution 96-kHz / 24-bit Converter Cirrus Logic CS5368 LINE INPUTS DNR (a-weighted) 110 dB Frequency Response 20 Hz - 20 kHz, +0.1/- 0.05 dB THD+N 0.002% MIC INPUT DNR (a-weighted) @ 1 kHz 104 dB Frequency response 20 Hz - 20 kHz, +0.04/- 2.7 dB PHONO INPUTS Input Impedance 48.5k? DNR (a-weighted) @ 1 kHz 78 dB AUDIO OUTPUTS (D/A) Channels 2 Stereo Sample Rate / Resolution 96-kHz / 24-bit Converter Cirrus Logic CS4385 LINE OUTPUTS (XLR & 1/4" BOOTH) DNR (a-weighted) 110 dB Frequency Response 20 Hz - 20 kHz, +0.4/- 0.2 dB THD+N 0.001% LINE OUTPUTS (RCA) DNR (a-weighted) 110 dB Frequency Response 20 Hz - 20 kHz, +0.6/- 0.2dB THD+N 0.001% HEADPHONE OUTPUT Load Impedance 33? DNR (a-weighted) 104 dB Frequency Response 20 Hz - 20 kHz, +0.4/- 0.3 dB Views: 2

Product Description Two-way bass-reflex bi-amplified nearfield studio monitor with 8" cone. The Yamaha HS8 is a 2-way bass-reflex bi-amplified nearfield studio monitor with 8" cone woofer and 1" dome tweeter. The Yamaha HS-Series have the inherited universal mix-translation legacy and distinctive white cones of the industry-respected NS-10’s, designed to deliver your mixes with transparent honesty. Room control and frequency response switches allow custom tailoring of the monitor's response to give you accurate performance in any environment. High-performance Speakers and Mounting System Optimum Response In Any Room Speaker response can vary greatly depending on the size, shape, and surface acoustics of the room in which they're used, as well as how they're placed within that environment. The HS8 gives you extra room-matching and speaker placement versatility with ROOM CONTROL, MID EQ, and HIGH TRIM response control switches that are specifically designed to compensate for common acoustic deficiencies and monitoring needs. The ROOM CONTROL switch, for example, can be used to compensate for the unnatural low-end exaggeration that usually occurs when speakers are placed close to walls or in corners. The MID EQ switch gives you subtle midrange boost and cut options in addition to flat response, while the HIGH TRIM switch offer the same type of response-tailoring capability for the high frequencies. Features 2-way bass-reflex bi-amplified nearfield studio monitor with 8" cone woofer and 1" dome tweeter 38Hz - 30kHz frequency response 75W LF plus 45W HF bi-amp system for high-performance 120W power amplification ROOM CONTROL and HIGH TRIM response controls HS8 Powered Studio Monitor Specifications: Speaker type 2-way bi-amp powered studio monitor Frequency range (-10dB) 38Hz - 30kHz Components LF 8" cone HF 1" dome Crossover 2kHz Output power 120W (LF:75W, HF:45W) I/O connectors XLR3-31 type (balanced), PHONE (balanced) Power consumption 60W Shape Bass-reflex type Cabinet material MDF Dimensions W 250mm (9.8") H 390mm (15.4") D 334mm (13.1") Net weight 10.2kg (22.5 lbs.) Others LEVEL control (+4dB/center click), EQ: HIGH TRIM switch (+/- 2dB at HF) / ROOM CONTROL switch (0/-2/-4 dB under 500Hz)) Shop No. 345-D, 3rd Floor Star City Shopping Mall, Opp,Bambino Cinema Abdullah Haroon Road Saddar Karachi Pakistan

Type Audio Midi Interfaces Product Description Robust 2 in, 4 out USB powered recording interface. The Focusrite Scarlett 2i4 is a robust 2 in / 4 out USB recording interface that combines affordability, cross-platform operation, a comprehensive feature set and the best audio performance in its class. It’s a perfect match for both the musician and the digital DJ – and it comes in an elegant, road-ready anodized aluminum unibody case.Scarlett 2i4 is a great tool for any musician, with its two award-winning Focusrite microphone/line/instrument preamps accessed via universal front-panel XLR/TRS sockets, combined with professional 24-bit, 96kHz conversion, plus class-leading analogue and digital design from input to output to ensure pristine audio quality throughout the signal path.With its 48V phantom power capability, Scarlett 2i4 is perfect for recording guitar, vocal, or even stereo piano, with high-quality condenser mics. You will love the direct monitoring mode, which removes the latencies associated with listening back to the input signal through the DAW. You can record into the DAW in real time, whilst hearing a zero latency monitor feed from their input sources, controlled by a single knob for easy blending between direct monitoring and DAW playback. In common with other interfaces in the Scarlett series, input level controls feature a novel LED “signal halo” around the knob that indicates signal presence (green) and input overload (red), while a large-diameter silver volume knob gives you full and accurate control over monitor levels at all times, so whether you are mixing your music, or listening back to the track, the levels will always be in your control.Alongside the two Focusrite preamps are four RCA phono outputs, two of which are also available on balanced TRS sockets. These, coupled with the high-level headphone output and flexible monitoring capability make Scarlett 2i4 ideal for digital DJs. Send outputs 1 & 2 to the main PA and use 3 & 4 for cueing, or send all four to a mixer. The converter performance ensures that the quality of the audio streamed from the computer is sonically superb. An A/B source switch for monitoring either of two stereo output pairs via the high-level headphone output provide everything that’s required from a DJ interface.MIDI input and output are included in Scarlett 2i4, allowing capture of performances with MIDI keyboards and controllers and the ability to play parts out to instruments and sound modules, recording their audio via 2i4’s TRS inputs.Scarlett 2i4 comes complete with an excellent package of software tools to help you get your music down straight away. The latest version of the Focusrite Scarlett Plug-in Suite includes Compressor, Reverb, Gate and EQ in the form of VST/AU/RTAS plug-ins. Focusrite’s established Xcite+ bundle is also included, which features Ableton Live Lite (for all your production, performance and compositional needs), Novation’s Bass Station soft synth and over 1GB of royalty-free samples from Loopmasters.Scarlett 2i4 delivers high quality, 24-bit 96kHz audio to and from both Macintosh and Windows computers with USB 2.0 capability – and it’s bus powered so you only need to plug in the included USB cable to start making music. Features Dual mic/line/hi-Z instrument inputs on universal XLR/TRS front-panel connectors Precision, quality conversion at up to 24-bit, 96kHz sampling Better than 105dB dynamic range on record and playback Operates solely on bus power Front-panel inputs and headphone out Switchable Phantom Power Switchable 10 dB pad on all inputs Rear panel balanced TRS outputs (1 & 2) and phono (1–4) Headphone monitor switched to hear either pair of outputs Mixer knob for direct monitoring, mixes between source and outputs 1 & 2 Large monitor level control MIDI in and out Anodized aluminum unibody chassis Scarlett 2i4 USB Audio Interface Specifications: Mic Frequency Response 20Hz - 20kHz +/- 0.1 dB THD+N Equivalent Input Noise (EIN) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3.5dBu Line Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N Noise -90 dBu (22 Hz/22KHz bandpass filter) Signal to Noise Ratio > 100dB Gain Range -10dB to +35dB (-20dB to +25dB when pad is engaged) Max Input Level +26dBu (at 1% THD+N) Instrument Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N % (‘A’ weighted measured with 16dB input gain, -1dBFS at output and 22Hz/22kHz bandpass filter) Noise -87dBu (22Hz/22kHz bandpass filter) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3dBu (+13dBu pad in) Analogue Output Performance Nominal Output Level 0dBFS = +10dBu, balanced 0dBFS = +5.5bBu, unbalanced Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N Output Impedance Power Output into mW Digital Performance Clock sources Internal clock only A-D Dynamic Range 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB D-A Dynamic Range 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz Crosstalk Input to Input Better than 90dB Output to Output Better than 90dB Input to Output Better than 85dB Input Metering Ring LED lit Green Signal present (-24 dBFS) Ring LED lit Red Signal overload (0dBFS), peak held for approximately 1 second Weight and Dimensions Height 48 mm Width 210 mm Depth 140 mm Weight 890 g

Type Audio Interfaces Product Description Now get the power and precision of Focusrite recording on your iPad, Mac or PC. iTrack Solo provides the best solution for recording your instruments and vocals using an iPad. Featuring a Focusrite microphone preamp and an input to record directly from electric guitars, iTrack Solo is the perfect companion for any singer-songwriter wanting to take their demos to the next level. Using the very best in digital audio technology, iTrack Solo will capture your sound with pristine quality. Simply plug in and press record. It couldn’t be simpler. Since , Focusrite has been a leading manufacturer in the professional audio field. Focusrite mic pres have played a key part in the recording of hundreds of hit records and they’re a top choice of leading artists, recording studios and engineers around the world. This experience has been used to great effect when designing the input section of iTrack Solo, which features a clean, low-noise, low-distortion preamp. iTrack Solo also provides phantom power for professional condenser microphones. With a guitar input alongside the microphone input, you are free to record both vocals and your instrument simultaneously to separate tracks in your software*. You could even use both a microphone on your guitar and the guitar input at the same time to get a different sound. Unique halo signal indicators, also found on Scarlett 2i2, let you know that you’ve got a good volume for recording. Red means that your signal is clipping, and that you should reduce the gain. The halo will momentarily turn amber as the signal returns to a healthy level, at which point the halo will turn green again. A large monitor dial provides a tactile control for the volume of your speakers and headphones, whilst a high-quality headphone amp provides a clean yet loud signal to headphones connected to the front panel socket. The direct monitor switch routes audio directly from the inputs to both the headphone and speaker outputs. This allows you to hear the incoming signal with no latency, which can be distracting and affect your performance. On the rear panel you will find phono outputs allowing you to connect iTrack Solo to a pair of powered speakers, or to your home Hi-Fi system. The speaker volume can then be controlled using the large dial on the front of iTrack Solo meaning everything you need is within reach. iTrack Solo will also work with Mac and PC allowing you to record with your desktop or laptop. There is an included version of Ableton Live Lite and Focusrite’s Scarlett Plug-In Suite, which provides essential effects for recording – Reverb, Compression, Gate and EQ. *Please note that at current, GarageBand for iOS will record two simultaneous inputs to a single stereo track, which cannot be separated using iPad. The two separate signals can be separated by transferring your session to a Mac. Other apps are available which allow recording to two separate tracks simultaneously. Features High-quality award-winning Focusrite microphone input Compatible with iPad, Mac OS X and Windows Record your songs with many apps including GarageBand Directly connect your microphone or instrument Aluminium unibody case Signal halos for level and clip indication Outputs on the back panel allow you to connect directly to your speakers Front panel headphone output for easy monitoring Large speaker/headphone level dial and “Direct Monitor” function Switchable phantom power for condenser microphones Ableton Live Lite recording software to use with iTrack Solo and your PC or Mac Scarlett Plug-In Suite: professional plug-ins for PC and Mac iTrack Solo Audio Interface for iPad, Mac and PC Specifications: 2 in / 2 out USB audio interface 96kHz, 24-bit conversion One Focusrite microphone preamplifier Silver “soft-touch” aluminium unibody chassis Front Panel 1 microphone input – XLR 1 Instrument input – ¼’ unbalanced 2 Gain knobs 2 Gain halo signal indicators 48V Phantom power switch Direct monitor switch Large monitor level dial (controls headphone and line level outputs) USB Connection LED indicator Headphone output - ¼” TRS Jack Rear Panel 2 unbalanced monitor outputs – RCA Phono DEVICE LINK port (to connect iTrack Solo to iPad) USB 2.0 Port Kensington Lock slot Included Software Ableton Live Lite 8 – professional music making software to use your iTrack Solo with a Mac or PC. Focusrite Scarlett Plug-in Suite – collection of software plug-ins bringing effects to your music software (like Ableton Live for example) Novation Bass Station – legendary Novation synthesizer modelled in software as a soft-synth plug-in instrument Loopmasters content – 1 Gigabyte of royalty free samples Mic Frequency Response: 20Hz - 20kHz +/- 0.2dB THD+N Equivalent Input Noise (EIN) Gain Range: +10dB to +55dB Max Input Level: -3dBu Instrument Frequency Response: 20Hz - 20kHz +/- 0.2dB THD+N %: (measured with -1dBFS input and 22Hz/22kHz bandpass filter) Noise: -87dBu (22Hz/22kHz bandpass filter) Gain Range: -10dB to +55dB Max Input Level: -3dBu Analogue Output Performance Nominal Output Level: 0dBFS = +9dBu, unbalanced Frequency Response: 20Hz - 20kHz +/- 0.2dB Noise: -87dBu (22Hz/22kHz bandpass filter) Gain Range: +10dB to +55dB Max Input Level: -3dBu Analogue Output Performance Nominal Output Level: 0dBFS = 10dBu, balanced Frequency Response: 20Hz - 20kHz +/- 0.2dB THD+N Digital Performance Clock sources: Internal clock only A-D Dynamic Range: 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range: 114dB D-A Dynamic Range: 105dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range: 114dB Supported sample rates: 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz – Mac and PC 44.1kHz, 48kHz – iPad Crosstalk Input to Input: Better than 90dB Output to Output: Better than 90dB Input to Output: Better than 85dB Input Metering Ring LED lit Green: Signal present (-24 dBFS) Ring LED lit Red: Signal overload (0dBFS), peak held for approximately 1 second Weight and Dimensions Height: 45mm / 1-3/4“ Width: 150mm / 6” Depth: 100mm / 4” Weight 500g / 1lb.

A FireWire interface with authentic preamp emulations, seamless software integration, and excellent routing flexibility. Liquid Saffire 56 is Focusrite's flagship 2U multichannel FireWire audio interface. Liquid technology combines with Saffire PRO FireWire interfacing to deliver a host of authentic preamp flavors, seamless software integration, excellent routing flexibility and future-proof, rock-solid driver stability. Features Two Liquid preamps Six high-quality award-winning Focusrite preamps high-quality 24-bit/192kHz Firewire interface Total I/O count of 28 inputs and 28 outputs Two separate headphone busses Saffire Mix Control zero-latency DSP mixer/router Liquid Saffire 56 Specifications: System Requirements Windows: Operating System: Microsoft Windows XP and Windows Vista CPU/Clock: Athlon 900MHz or higher (1.5 GHz or higher recommended) Memory (RAM):512 MB (more recommended) Apple Mac: Operating System: Mac OS X 10.4.x or later CPU/Clock: PowerPC G4/Dual 1 GHZ or faster or any Intel-based Mac Memory (RAM): 512 MB (more recommended) Performance Specifications: Microphone Inputs: Frequency Response: 20Hz - 20kHz +/- 0.1 dB THD+N: % (measured at 1kHz with a 20Hz/22kHz band-pass filter) Noise: EIN > 125dB (128dB analog to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz band-pass filter) Line Inputs: Frequency Response: 20Hz - 20kHz +/- 0.1dB THD+N: Noise: -90dBu (22Hz/22kHz band-pass filter) Instrument Inputs: Frequency Response: 20Hz - 20kHz +/- 0.1dB THD+N: Noise: -90dBu (22Hz/22kHz band-pass filter) Instrument Inputs: Frequency Response: 20Hz - 20kHz +/- 0.1dB THD+N: % (measured with 0dBu input and 20Hz/22kHz band-pass filter) Noise: -87dBu (20Hz/22kHz band-pass filter) Conversion performance: Dynamic Range = 110dB (A-weighted) Clock jitter THD+N AMPL = -109dBFS A-weighted Front and Rear Connectivity: Analog channel inputs (inputs 1-8) XLR Mic inputs 1-8 on rear panel 1/4" TRS line inputs 1-8 on rear panel Instrument inputs on channels 3 and 4 (separate front-panel 1/4" TRS). Notes: Individual switchable high-pass filter on all inputs. Phase switch on inputs 3, 5 and 7. Input pad on inputs 3 and 4 = -10dB. Analog Outputs: Line level 10 x 1/4" TRS Jack Notes: Outputs Monitor 1 and 2 have anti-thump protection circuitry. Digital I/O: SPDIF input and output (RCA phono) on rear panel, (24-bit, kHz), output transformer isolated. Optional AES output mode with professional channel status and voltage levels on SPDIF output (isolated and balanced). [Currently not implemented, a future update will include this feature]. 2 x ADAT in/out 16 channels (kHz), 8 channels S-MUX (kHz), 4 channels S-MUXII (kHz) ADAT input and output 2 can be re-configured to be optical SPDIF input/output via control panel. BNC Word clock input and output (75 ohms) MIDI I/O: 1 in/1 out (16 channels) on rear panel Headphone Monitoring: 2 x 1/4" TRS jack on front panel (mirrors outputs 7-8 and 9-10). NOTE: These are high-power headphone drivers. Other I/O: 2 x 6-pin FireWire sockets 2 standard 5-pin DIN MIDI connectors: In and out IEC mains power input connector Weight: 5kg/11 Ib. Dimensions: 350mm / 13.8" (W) x 90mm / 3.6" (H) x 235mm /9.3" (D) Shop No. 345-D, 3rd Floor Star City Shopping Mall, Opp,Bambino Cinema Abdullah Haroon Road Saddar Karachi Pakistan

Product Description Robust 2 in, 4 out USB powered recording interface. The Focusrite Scarlett 2i4 is a robust 2 in / 4 out USB recording interface that combines affordability, cross-platform operation, a comprehensive feature set and the best audio performance in its class. It’s a perfect match for both the musician and the digital DJ – and it comes in an elegant, road-ready anodized aluminum unibody case.Scarlett 2i4 is a great tool for any musician, with its two award-winning Focusrite microphone/line/instrument preamps accessed via universal front-panel XLR/TRS sockets, combined with professional 24-bit, 96kHz conversion, plus class-leading analogue and digital design from input to output to ensure pristine audio quality throughout the signal path.With its 48V phantom power capability, Scarlett 2i4 is perfect for recording guitar, vocal, or even stereo piano, with high-quality condenser mics. You will love the direct monitoring mode, which removes the latencies associated with listening back to the input signal through the DAW. Features Dual mic/line/hi-Z instrument inputs on universal XLR/TRS front-panel connectors Precision, quality conversion at up to 24-bit, 96kHz sampling Better than 105dB dynamic range on record and playback Operates solely on bus power Front-panel inputs and headphone out Switchable Phantom Power Switchable 10 dB pad on all inputs Rear panel balanced TRS outputs (1 & 2) and phono (1–4) Headphone monitor switched to hear either pair of outputs Mixer knob for direct monitoring, mixes between source and outputs 1 & 2 Large monitor level control MIDI in and out Anodized aluminum unibody chassis Scarlett 2i4 USB Audio Interface Specifications: Mic Frequency Response 20Hz - 20kHz +/- 0.1 dB THD+N Equivalent Input Noise (EIN) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3.5dBu Line Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N Noise -90 dBu (22 Hz/22KHz bandpass filter) Signal to Noise Ratio > 100dB Gain Range -10dB to +35dB (-20dB to +25dB when pad is engaged) Max Input Level +26dBu (at 1% THD+N) Instrument Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N % (‘A’ weighted measured with 16dB input gain, -1dBFS at output and 22Hz/22kHz bandpass filter) Noise -87dBu (22Hz/22kHz bandpass filter) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3dBu (+13dBu pad in) Analogue Output Performance Nominal Output Level 0dBFS = +10dBu, balanced 0dBFS = +5.5bBu, unbalanced Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N Output Impedance Power Output into mW Digital Performance Clock sources Internal clock only A-D Dynamic Range 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB D-A Dynamic Range 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz Crosstalk Input to Input Better than 90dB Output to Output Better than 90dB Input to Output Better than 85dB Input Metering Ring LED lit Green Signal present (-24 dBFS) Ring LED lit Red Signal overload (0dBFS), peak held for approximately 1 second Weight and Dimensions Height 48 mm Width 210 mm Depth 140 mm Weight 890 g Shop No. 345-D, 3rd Floor Star City Shopping Mall, Opp,Bambino Cinema Abdullah Haroon Road Saddar Karachi Pakistan

Product Description Robust 2 in, 4 out USB powered recording interface. The Focusrite Scarlett 2i4 is a robust 2 in / 4 out USB recording interface that combines affordability, cross-platform operation, a comprehensive feature set and the best audio performance in its class. It’s a perfect match for both the musician and the digital DJ – and it comes in an elegant, road-ready anodized aluminum unibody case.Scarlett 2i4 is a great tool for any musician, with its two award-winning Focusrite microphone/line/instrument preamps accessed via universal front-panel XLR/TRS sockets, combined with professional 24-bit, 96kHz conversion, plus class-leading analogue and digital design from input to output to ensure pristine audio quality throughout the signal path.With its 48V phantom power capability, Scarlett 2i4 is perfect for recording guitar, vocal, or even stereo piano, with high-quality condenser mics. You will love the direct monitoring mode, which removes the latencies associated with listening back to the input signal through the DAW. Features Dual mic/line/hi-Z instrument inputs on universal XLR/TRS front-panel connectors Precision, quality conversion at up to 24-bit, 96kHz sampling Better than 105dB dynamic range on record and playback Operates solely on bus power Front-panel inputs and headphone out Switchable Phantom Power Switchable 10 dB pad on all inputs Rear panel balanced TRS outputs (1 & 2) and phono (1–4) Headphone monitor switched to hear either pair of outputs Mixer knob for direct monitoring, mixes between source and outputs 1 & 2 Large monitor level control MIDI in and out Anodized aluminum unibody chassis Scarlett 2i4 USB Audio Interface Specifications: Mic Frequency Response 20Hz - 20kHz +/- 0.1 dB THD+N Equivalent Input Noise (EIN) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3.5dBu Line Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N Noise -90 dBu (22 Hz/22KHz bandpass filter) Signal to Noise Ratio > 100dB Gain Range -10dB to +35dB (-20dB to +25dB when pad is engaged) Max Input Level +26dBu (at 1% THD+N) Instrument Frequency Response 20Hz - 20kHz +/- 0.1dB THD+N % (‘A’ weighted measured with 16dB input gain, -1dBFS at output and 22Hz/22kHz bandpass filter) Noise -87dBu (22Hz/22kHz bandpass filter) Gain Range +10dB to +55dB (0dB to +45dB when pad is engaged) Max Input Level +3dBu (+13dBu pad in) Analogue Output Performance Nominal Output Level 0dBFS = +10dBu, balanced 0dBFS = +5.5bBu, unbalanced Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N Output Impedance Power Output into 32O 24mW Digital Performance Clock sources Internal clock only A-D Dynamic Range 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB D-A Dynamic Range 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz Crosstalk Input to Input Better than 90dB Output to Output Better than 90dB Input to Output Better than 85dB Input Metering Ring LED lit Green Signal present (-24 dBFS) Ring LED lit Red Signal overload (0dBFS), peak held for approximately 1 second Weight and Dimensions Height 48 mm Width 210 mm Depth 140 mm Weight 890 g

3D-Compatible: The HDMI v.1.4 connections will accept 3D video from your 3D-ready Blu-ray player and output the video signal in 3D to your 3D-ready HDTV. Double Bass: With the double bass feature you can boost the bass output by feeding the low frequency signals from the left and right channels (when front speakers set to large) to both the front speakers and to the subwoofer. WRAT (Wide Range Amplifier Technology): This technology uses low-negative-feedback circuit topology for accurate signal reproduction, improved dynamic signal-to-noise ratio, and better delivery of power peaks. H.C.P.S. (High Current Power Supply): The Onkyo HT-R580 is equipped with a H.C.P.S. massive high power transformer. Digital-to-Analog Converters (DACs): This receiver is equipped with 192kHz/24-bit Burr-Brown DACs to decode and playback high-resolution recordings with less jitter and clearer sound. 32-Bit Processing DSP: The Onkyo AV receiver is equipped with a powerful and highly accurate 32-bit processing DSP (Digital Signal Processor) for better surround sound reproduction. Supported Audio Formats: The HT-R580 supports the following audio formats: 2-channel Linear PCM (32-192-kHz, 16/20/24-bit/) Multichannel Linear PCM (7.1-ch, 32-192-kHz, 16/20/24-bit) Bitstream (DSD, Dolby Digital, Dolby Digital Plus, Dolby TrueHD, DTS, DTS-HD High Resolution Audio, DTS-HD Master Audio) Dolby Pro Logic IIx Music Settings: While listening in the Dolby Pro Logic IIx Music format, there are three further enhancements you can adjust: Panorama: Broadens the front stereo image to the surround speakers to provide a wraparound effect, especially effective when there is limited output from the surround channels, panorama can be turned on/off in the menu. Dimension: Allows you to move the sound field forward or backward. Centre Width: Allows you to adjust the width of the centre channel. PLIIz Height Gain: The Height Gain Control in Dolby Pro Logic IIz enables you to select how much gain is applied to the front-height effect speakers. There are three settings - Low, Mid, and High. Onkyo Original DSP Modes: The OnkyouTX-SR508 features its own proprietary set of DSP (Digital Signal Processing) modes to bring your movies and music more to life. Audyssey Dynamic EQ: Audyssey Dynamic EQ solves the problem of deteriorating sound quality as volume is decreased by taking into account human perception and room acoustics. Dynamic EQ selects the best possible frequency response and surround levels moment-by-moment as volume is changed. The result is bass response, tonal balance and surround impression that remain constant despite changes in volume. Audyssey Dynamic EQ combines information from incoming source levels with actual output sound levels in the room, a prerequisite for delivering a loudness correction solution. Front L/R 130 W/Ch (6 ohms, 1 kHz, 1%, 1 channel driven, FTC) Center 130 W (6 ohms, 1 kHz, 1%, 1 channel driven, FTC) Surround L/R 130 W/Ch (6 ohms, 1 kHz, 1%, 1 channel driven, FTC) Subwoofer 130 W (6 ohms, 1 kHz, 1%, 1 channel driven, FTC)) Dynamic Power 180 W (3 ohms, Front) 160 W (4 ohms, Front) 100 W (8 ohms, Front) THD (Total Harmonic Distortion): 0.08% (1 kHz, 1 W) Damping Factor: 60 (Front, 1 kHz, 8 ohms) Input Sensitivity and Impedance: 200 mV/47 k-ohms (Line) Output Level and Impedance: 200 mV/2.2 k-ohms (Rec out) Frequency Response: 5 Hz–100 kHz/+1 dB, -3 dB (DSP bypass)) Tone Control ±10 dB, 50 Hz (Bass) ±10 dB, 20 kHz (Treble) Signal-to-Noise Ratio: 100 dB (Line, IHF-A) Speaker Impedance: 6 ohms –16 ohms Video Section Input Sensitivity/Output Level and Impedance Video 1.0 Vp–p/75 Ù (Component) 0.7 Vp–p/75 Ù (Component PB/CB, PR/CR) 1.0 Vp–p/75 Ù (Composite) Component Video Frequency Response: 5 Hz–100 MHz/0 dB, -3 dB

M-Audio M-Track Two-Channel USB Audio Interface Overview Open The Door To Computer-Based Music Making The M-Track interface from M-Audio® transforms your computer into a digital recording studio with plug-and-play simplicity. A single USB cable provides both power and a data connection to and from your laptop or desktop computer. M-Track offers the right connections for any instrument, from an electric guitar to a professional condenser mic—phantom power is provided. With an all-metal chassis, and low-profile form factor, M-Track delivers professional control in a robust portable package. For software, M-Track includes both Ableton™ Live Lite and a select Waves Audio plugin bundle to get things started. Specifications All specifications are measured at 20 kHz bandwidth. Specifications are subject to change without notice Mic Inputs 1–2 (balanced XLR) Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB) Dynamic Range: 104 dB (A-weighted) Signal-to-Noise Ratio: 104 dB (1 kHz, +1.4 dBu, A-weighted) THD+N: 0.003% (1 kHz, +2 dBu input, -0.8 dBFS) Preamp EIN: -133 dBu (max gain, 40 Ω source, A-weighted) -126 dBu (max gain, 150 Ω source, unweighted) Sensitivity: -53 dBu Gain Range: 55 dB Line Inputs 1–2 (balanced 1/4" [6.35 mm] TRS) Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB) THD+N: 0.004% (1 kHz, -1 dBFS) Sensitivity: -43 dBu Gain Range: 55 dB Inst Input 2 (unbalanced 1/4" [6.35 mm] TS) Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB) THD+N: 0.022% (1 kHz, -1 dBFS) Sensitivity: -47 dBu Input Impedance: 1 MΩ Gain Range: 55 dB Main Outputs, L and R (impedance-balanced 1/4" [6.35 mm] TRS) Frequency Response: 20 Hz – 20 kHz (+/-0.3 dB) Dynamic Range / Signal-to-Noise Ratio: 102 dB (A-weighted) THD+N: 0.008% (1 kHz, -1 dBFS) Max Output Level: +2.86 dBu Power: USB-bus-powered Size (H x W x D): 2.07 x 9.4 x 4.85 inches (52.58 x 238.76 x 123.19 mm) Weight: 2.29 lbs (1.04 kg

Like the title says, up for sale are 3-way custom components comprising of Hertz tweets, midrange, mid-bass speakers and Nakamichi made in japan 3 way audiophile grade crossovers. Specs: Hertz HT 25 Tweeters: Size mm (in.) 25 (1”) Power Handling - Peak W 120 Power Handling - Continuous W 40 Impedance Ω 4 Frequency response Hz 1.6k ÷ 22k Sensitivity dB SPL 92 Voice coil Ø mm (in.) 25 Magnet Neodymium Cone/Dome Tetolon Hertz HL 70 3 inch Midrange: Size mm (in.) 70 (3”) Power Handling - Peak W 100 Power Handling - Continuous W 50 Impedance Ω 4 Frequency response Hz 200 ÷ 14k Sensitivity dB SPL 92 Voice coil Ø mm (in.) 20 Magnet REN® Neodymium DV 165.3 DV 165.3 1. Large motor assembly for mobile voice coil control. 2. Pure copper voice coil, wound on conex former, for maximum lightness. 3. V-cone® for best off-axis response, clear mid-high frequency detail and powerful bass. 4. TPU surround, for wide excursion and resonance damping. 5. DIN size basket protected by abrasion-proof dust paint. 6. Tin-plated, high current terminals. 7. Silver-plated lead wires for maximum reliability and conductivity. 8. Butyl rubber protective cover, against crashes and abrasions. 9. Epoxy glue for basket and motor system provides perfect coupling. 10. Low carbon content plates for maximum magnetic permeability and high heat dissipation. Technical Specifications: Woofer size mm (in.) 165 (6.5) Power handling W peak 160 W continuous 80 Impedance Ω 4 Frequency response Hz 50 ÷ 23k Sensitivity dB SPL 93 Woofer Magnet size D·d·h mm (in.) 80 x 40 x 15 (3.1 x 1.6 x 0.6) Woofer Voice coil Ø mm (in.) 25 (1.0) Woofer magnet - High density flux ferrite Woofer cone - Water-repellent pressed paper Woofer weight kg (lb.) 0,74 (1.63) Serious buyers

Behringer C-1 Studio Condenser Microphone Product Highlights Condenser Element Cardioid Pattern Wide Frequency Response Mic Case Included Behringer C-1 Overview The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure gradient transducer and a shock-mounted large diaphragm capsule for open, transparent sound with high-quality transient response. It is constructed of a die-cast metal body for durability and features an LED light to indicate when the microphone is receiving phantom power. The C-1 includes a swivel mount and custom case. Cardioid Polar Pattern The cardioid polar pattern minimizes off-axis noise and feedback. Wide Frequency Response The C-1 features a 40 Hz to 20 kHz frequency response for accurate reproduction of vocals and instruments. Condenser Element The sensitive condenser element captures signal accurately and with low noise. Behringer C-1 Specs Analog Performance Operating Principle Pressure Gradient Transducer Condenser Diaphragm 0.63" / 16.0 mm Polar Pattern Cardioid Frequency Range 40 Hz to 20 kHz Maximum SPL 136 dB SPL THD 1% Impedance 100 Ohms Load Impedance 1000 Ohms Sensitivity -33 dB General Output Connectors 1 x 3-Pin XLR Operating Current Consumption 2.5 µA Operating Voltage 36 to 52 V Length 7.09" / 180.0 mm Diameter 2.13" / 54.0 mm Weight 0.93 lb / 0.42 kg Packaging Info Package Weight 2.05 lb Box Dimensions (LxWxH) 12.1 x 5.2 x 3.5" In the Box Behringer C-1 Studio Condenser Microphone Swivel Mount Custom Case Views: 3

Behringer TRUTH B1030A Active Monitor (Pair) 5.25″ Kevlar Woofer-1″ Dome Tweeter-Class A/B Amplifiers-XLR, RCA, and 1/4″ Inputs-Precision Crossover Network-Room Adjustment Controls-International Power Supply-Magnetically Shielded The B1030A from Behringer is an active 2-way studio monitor speaker, ideal for use in small home, project, or mobile studios. The cabinet houses a 5.25″ long-throw Kevlar woofer and an ultra-high resolution 1″ dome tweeter to provide crisp, natural audio with a wide frequency response. Advanced waveguide technology provides a wide sweet spot, providing great results no matter where the speaker is placed. For a strong, distortion-free performance, the monitor has dedicated Class A/B amplifiers for each driver; 50W for the bass and 25W for the treble. A high-precision crossover network ensures that each driver section performs to its maximum potential. The rear panel has XLR, RCA, and 1/4″ input connectors, letting you connect to virtually any sound system. A variety of controls on the rear panel let you adjust the monitor’s volume and tone, and even compensate for the speaker’s position within a room. The universal power supply makes it easy to use the monitor internationally, while magnetic shielding provides safe use near video monitors and other electronic devices. Compact design is ideal for use in small home, project, or mobile studios 5.25″ long-throw Kevlar woofer and an ultra-high resolution 1″ dome tweeter provide crisp, natural audio with a wide frequency response Rear bass port for extended low frequency response Advanced waveguide technology provides a wide sweet spot, providing great results no matter where the speaker is placed Dedicated Class A/B amplifiers for each driver (50W for the bass and 25W for the treble) provide a strong, distortion-free performance High-precision crossover network ensures that each driver section performs to its maximum potential XLR, RCA, and 1/4″ input connectors let you connect to virtually any sound system Rear-panel controls for volume, high and low frequency adjustment, and room placement let you tailor the speaker’s tone to your specific environment Universal power supply makes it easy to use the monitor internationally Magnetically shielded for safe use near video monitors

Type Audio Midi Interfaces Product Description A 24-bit/96khz FireWire interface with pristine audio quality and reliable synchronization. The Focusrite Saffire Pro 40, a multichannel FireWire audio interface designed with today's project studio in mind, and delivers the sound quality of much more expensive interfaces.Focusrite's unparalleled preamp legacy forms the foundation of the Saffire Pro 40 interface, with eight award-winning Focusrite preamps. These are combined with the latest in FireWire interfacing technology to deliver seamless integration, excellent routing flexibility and future-proof, rock-solid driver stability.With the Saffire PRO 40 interface, sonic integrity reigns supreme. The eight Focusite preamps ensure low noise and distortion, while quality digital conversion and JetPLL jitter elimination technology ensure pristine audio quality as your audio flows between the analogue and digital domains.Alongside the eight Focusrite preamps are a host of I/O options; 10 analog outputs, ADAT I/O, stereo SPDIF I/O, and 2 virtual "loopback" inputs for routing digital audio between software applications. Every channel features phantom power, with the first two channels also featuring -9dB pads for additional headroom. Front panel 5-LED metering for each analog input offers accurate viewing of levels.Saffire PRO 40 comes with the Focusrite plug-in suite. Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins provide a significant upgrade from standard sequencer effects, bringing a touch of class to your session. Focusrite's established Xcite+ bundle is also included. The bundle includes Ableton Live Lite, Novation's Bass Station soft synth and over 1 gigabyte of royalty-free samples.Saffire PRO 40 Control, the zero-latency 18 x 16 DSP Mixer/Router software provided with Saffire PRO 40, sets a new standard at this price point for audio interface control. It features unparalleled output routing and monitoring, as well as intuitive one-click solutions, a clear and concise mixing layout and large on-screen metering for inputs, outputs and submixes.Two independent headphone buses are provided, each with their own level controls available on the front panel. A dedicated stereo monitor mix output features pads for improved sound quality when connected to active monitor speakers. An 'anti-thump' circuit protects your monitor speakers from spikes when booting up or shutting down. Front panel controls include a main monitor dial with dim and mute switches, all of which fully integrate with customizable software to cover every possible monitoring need, providing a set of controls for any setup from basic stereo to full 7.1 surround.Focusrite’s popular Saffire Firewire interfaces are fully compatible with Thunderbolt ports on Mac computers. All you need to connect the two is a FireWire cable (included with all new Saffire interfaces later this year) and the Thunderbolt to FireWire 800 adapter (not included). Simply plug this into the Thunderbolt port on your computer and connect the FireWire interface – it’s as simple as that. Saffire interfaces are 100% compatible with Thunderbolt using this adaptor. Features 8 award-winning Focusrite preamps 24-bit/96kHz FireWire Interface with JetPLL jitter elimination technology; pristine audio quality, and reliable synchronization Total I/O count of 20 inputs and 20 outputs, including a unique loopback facility for routing audio between software applications via Saffire PRO 40 Control The Focusrite Plug-in Suite 2 separate headphone buses Saffire PRO 40 Control zero-latency 18 x 16 DSP mixer/router can route any input signal or DAW output, or a mix of both, to any of the 20 outputs Saffire Pro 40 FireWire Interface Specifications: SYSTEM REQUIREMENTS WINDOWS: Operating System Microsoft Windows XP SP2 (32 bit and 64 bit) and Windows Vista (32 bit and 64 bit) CPU/Clock 900MHz AMD or Pentium. (1.5 GHz or higher recommended) Memory (RAM) 512 MB (more recommended) APPLE MAC: Operating System OSX (10.4 and 10.5) CPU/Clock PowerPC G4/Dual 1 GHZ or faster or any Intel-based Mac Memory (RAM) 512 MB (more recommended) PERFORMANCE SPECIFICATIONS Microphone Inputs: Frequency Response: 20Hz - 20kHz °0.1 dB THD+N: % (measured at 1kHz with a 20Hz/22kHz bandpass filter) Noise: EIN > 125dB (128dB analogue to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter) Line Inputs: Frequency Response: 20Hz - 20kHz °0.1dB THD+N: Noise: -90dBu (22Hz/22kHz bandpass filter) Instrument Inputs: Frequency Response: 20Hz - 20kHz °0.1dB THD+N: % (measured with 0dBu input and 20Hz/22kHz bandpass filter) Noise: -87dBu (20Hz/22kHz bandpass filter) Conversion performance: Dynamic Range= 110dB (A-weighted) Clock jitter= 250 picoseconds THD+N AMPL= -109dBFS (A-weighted) Front and Rear Connectivity: Analogue Channel Inputs (Inputs 1-8) 2 Mic/Line/Inst Combo XLR (Inputs 1 and 2) 6 Mic/Line Combo XLR (Inputs 3-8) Automatic switching of Mic / Line (e.g. inserting a jack switches from Mic to either Line or Instrument) Digital Channel Inputs (Inputs kHz Stereo S/PDIF input on RCA 8 ADAT inputs on Optical Connector, reduces to 4 inputs at kHz Optical input can be switched to S/PDIF 3/4 in software preferences (ADATs disabled) Analogue Audio Outputs (Outputs " TRS Jack (Outputs monitor mix outputs on 1/4" TRS Jack (Outputs 1 and 2) Stereo headphones mix 1 on 1/4" TRS (also routed to outputs 7 & 8) Stereo Headphones mix 2 on 1/4" TRS (also routed to outputs 9 & 10) Digital Channel Outputs (Outputs kHz Stereo S/PDIF output on RCA 8 ADAT outputs on Optical Connector, reduces to 4 outputs at kHz Optical output can be switched to S/PDIF 3/4 in software preferences (ADATs disabled) Other I/O: 2 6-pin FireWire sockets 2 Standard 5-pin DIN MIDI connectors: In and Out IEC mains power input connector Weight and Dims: 3kg / 6.6 Ib. 350mm / 13.8" (W) x 45mm / 1.8" (H) x 235mm /9.3" (D)

Large diaphragm, little price. The MXL 990 Condenser Microphone with shock mount has a silky, sweet high end while retaining tight, solid low and midrange reproduction. The 3/4" gold-sputtered diaphragm creates a professional sound suited for digital and analog recording. Attractive vintage body style with champagne finish. The 30Hz-20kHz frequency response is ideal for lead and background vocal, male or female. Includes custom shock mount, mic stand adapter, and case. Remember folks, this mic requires phantom power, so make sure your console or interface delivers it before ordering. There are a bazillion studio vocal mics on the market that break the magical $100 barrier, a traditionally unheard of price point for a studio vocal mic. Once that price floor was demolished, however, the market became flooded with offerings in the $ price range. MXL has emerged as a true leader in this market, and the MXL990 is MXL's flagship product in that category. If a well-built, good-sounding, versatile studio microphone for less than $100 sounds like a good fit for your current needs, you can't go wrong with the MXL990. FEATURES 3/4" gold-sputtered diaphragm Attractive vintage body style with champagne finish 30Hz-20kHz frequency response 130dB maximum SPL Sensitivity: 15MV/pa Equivalent noise: 20dB (A-weighted) SPECIFICATIONS 990 Condenser Microphone with Shockmount Type: Condenser pressure gradient condenser Diaphragm: 6 micron gold-sputterred Frequency response: 30Hz — 20kHz Polar Pattern: Cardioid Sensitivity: 15mV/Pa Impedance: 200 Ohms S/N Ratio: 80dB (Ref. 1Pa A-weighted) Equivalent Noise Level: 20dB(A weighted IEC ) Max SPL for 0.5% THD: 130Db Max SPL with -10dB cut: 130dB Power Requirements: 48V Phantom Power (+- 4V) Current Consumption:

Shure SM58 vocal microphone SM58 Vocal Microphone Tuned to accentuate the warmth and clarity of lead and back-up vocals, the SM58 is a legendary live vocal microphone known for its rugged reliability on tour. Handheld microphone ideal for live vocals Dynamic cartridge with cardioid polar pattern Available with or without a cable and On / Off switch, and available in wireless versions Includes SM58, microphone clip, storage bag, and user guide Frequency response tailored for vocals, with brightened midrange and bass rolloff Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise Pneumatic shock-mount system cuts down handling noise Effective, built-in spherical wind and pop filter Supplied with break-resistant stand adapter which rotates 180 degrees Legendary Shure quality, ruggedness and reliability Cardioid (unidirectional) dynamic Frequency response: 50 to 15,000 Hz WHAT IS THE SM58 BEST SUITED TO? It’s an ideal choice for a professional vocal artist in any live performance setting. It is tuned to accentuate the warmth and clarity of lead and backing vocals. Even in extreme conditions, the SM58 is tailored to target the main sound source while minimizing background noise. It is also very popular with djs and presenters in clubs and in small and large live venues. CAN IT WITHSTAND THE RIGOURS OF TOURING? Durable construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently, outdoors or indoors. Transducer Type: translation missing: en.microphones.dynamic Polar Pattern: translation missing: en.microphones.cardioid Frequency Response: 50 Hz - 15 kHz Sensitivity: -54,5 dBV/Pa / 1,88 mV/Pa Weight: 298 g Product ID SHU-SM58-MIC Views: 204

Its available in mind condition, sealed and 100% genuine. Made In Japan Only calls will be answered. Price is final DTS-ES (Extended Surround) decoder that realizes 6.1 channel surround playback Dolby Pro Logic II for superior sound field playback Equipped with an AAC decoder corresponding to BS digital voice All channels Same power Discrete configuration with the same response 6ch power amplifier Equipped with D terminal (compatible with D4 video), supporting higher quality video Various surround modes that can be selected to suit your source and preference Subwoofer's crossover frequency can be switched (80 Hz, 100 Hz, 120 Hz) Equipped with a 6-channel extension input terminal aiming for future potential and development MAIN SPECIFICATIONS - AVC-2850 Audio section Power Amplifier Rated output / Front: 90W + 90W (20Hz ~ 20kHz, 8Ω, THD0.05%), 135W + 135W (6Ω, 1kHz) THD0.7% Center: 90W (20Hz ~ 20kHz, 8Ω, THD0.05%), 135W THD 0.7% THD 0.7% Surround back: 90 W (20 Hz to 20 kHz, 8 ohm, THD 0.) THD 0.7% Surround: 90 W + 90 W (20 Hz to 20 kHz, 8 ohm, THD 0.05%), 135 W + 135 W (6 ohm, 1 kHz) 05%), 135 W (6 Ω, 1 kHz) THD 0.7% Practical maximum output / Front: 150W + 150W (6Ω, EIAJ) Center: 150W (6Ω, EIAJ) surround: 150W + 150W (6Ω, EIAJ) surround back: 150W (6Ω, EIAJ) Output terminal / Front: [A or B] 6 to 16 Ω, [A + B] 8 to 16 Ω, center, surround, surround back: 6 to 16 Ω Analog section Input sensitivity / impedance / 200mV / 47kΩ frequency characteristic / 10Hz ~ 100kHz: + 0dB, -3dB (direct mode) SN ratio / 102dB (direct mode) strain rate /0.005% (20Hz ~ 20kHz) (direct mode) rated Output / 1.2V [Digital part (D / A output)] Rated output / 2 V (at 0 dB playback) Total harmonic distortion ratio / 0.008% (0 dB at 1 kHz) SN ratio / 102 dB dynamic range / 96 dB [Phono Equalizer part (PHONO input REC OUT)] Input sensitivity / 2.5 mV RIAA deviation / ± 1 dB (20 Hz to 20 kHz) SN ratio / 74 dB (at JIS-A, 5 mV input) Distortion rate / 0.03% (at 1 kHz, 3 V output) Rated output / maximum output / 150 mV / 7 V Video section [Standard video terminal] Input level / impedance / 1 Vp - p / 75 Ω frequency characteristics / 5 Hz to 10 MHz z: + 0 dB, -3 dB S video terminal Input level / impedance / Y (luminance) signal: 1 Vp - p / 75 Ω, C (color) signal: 0.286 Vp - p / 75 Ω frequency characteristics / 5 Hz to 10 MHz: +0, -3 dB Component video terminal P / C (blue) signal: 0.7 Vp - p / 75 Ω, PR / CR (red) signal: 0.7 Vp - p / 75 Ω Frequency response / input level / impedance / Y (luminance) signal: 1 Vp - 5 Hz to 27 MHz: +0, -3 dB Overall Power supply / AC 100 V · 50/60 Hz Power consumption / 235 W (less than 2 W at standby)　 Maximum external dimensions / W 434 × H 171 × D 416 mm mass / 11.5 kg

BEATS STN13 BLUETOOTH WIRELESS HEADPHONES Enjoy wireless music and answer phone calls in crystal clear stereo sound Corded option for MP3 players etc Extra audio enhancement with power bass Remote control your music Convenient carrying style Specifications TF Card Support: 128M~32GB Bluetooth version: Version2 0 EDR /Class2 Support: Profile A2DP Headset Profile Range of Frequency: 2 4GHz FM frequency response: 87 5 – 108 MHz Operating Rang: Up to 10 Meters Range of Frequency: 2 4GHz Bluetooth version: Version2 0 EDR /Class2 Support: Profile A2DP Headset Profile Range of Frequency: 2 4GHz Operating Rang: Up to 10 Meters FM frequency response: 87 5 – 108 MHz

M-Audio AV32 Compact Desktop Speakers for Professional Media Creation (Pair) Product Highlights 3" Polypropylene-Coated Woofer 1" Ferrofluid-Cooled Silk Cone Tweeter Optimage IV Tweeter Wave Guides 10W per Channel into 4 ohms 80 to 20,000 Hz Acoustically-Inert MDF Cabinet RCA and 1/8" Aux Inputs Front-Panel Volume Control Front Panel 1/8" Headphone Output Acoustically-Inert MDF Cabinet M-Audio AV32 Overview The M-Audio AV32 Compact Desktop Speakers for Professional Media Creation (Pair) use acoustically-inert MDF cabinets to eliminate resonances, and 10W per Channel into 4 ohms per channel into a 3" polypropylene woofer in a bass reflex design. The woofer is complemented by a 1" wave-guided ferrofluid cooled silk dome tweeter to deliver a frequency response of 80 to 20,000 Hz and an RMS SPL level of 101.5 dB at 1 meter. The rear panel of the monitors feature RCA inputs for connecting gaming systems, DJ gear, mixers and more. A front panel 1/8" (3.5mm) stereo auxiliary input allows for the connection of a laptop, smartphone, or other mobile device. A front panel 1/8" headphone output allows you to monitor directly using headphones. The monitors are suitable for a wide range of professional and consumer applications. M-Audio AV32 Specs Type Two-way desktop reference speaker Input Connectors 2x RCA (left and right line inputs) 1x 1/8" aux input Low Frequency Driver 3.0" (7.6 cm) polypropylene-coated woofer with high-temperature voice coil High Frequency Driver 1.0" (2.5 cm) silk cone tweeter Frequency Response 80 to 20,000 Hz Crossover Frequency 3.3 kHz RMS Level 101.5 dB at 1 m SNR >90 dB (typical, A-weighted) Polarity Positive signal at "+" input produces outward low-frequency cone displacement Dynamic Power 10 W per channel at 4 ohm Input Impedance 10 kilOhm unbalanced Input Sensitivity 100 mV pink noise input produces 90 dBA output SPL at 1 meter with volume control at maximum Protection RF interference Output current limiting Over temperature Turn on/off transient Subsonic filter Indicators Blue power LED for aligning wave guide Power Requirements 100 to 120 V at 50/60 Hz 200 to 240 V at 50/60 Hz Powered via detachable 2-conductor line cord Cabinet Vinyl-laminated MDF Dimensions (H x W x D) 7.9 x 5.3 x 6.3" (20.1 x 13.5 x 16.0 cm) Weight 11.7 lb (5.3 kg) Packaging Info Package Weight 7.0 lb Box Dimensions (LxWxH) 14.3 x 9.8 x 8.2" Views: 3

Brand: Accessories & Gadgets Price: 260000 Seller Type: An Individual Condition: Used Product Description: The Midas Venice 320 Analog Mixing Console sets a new standard in compact mixing consoles. Venice is Midas' first truly compact console built in direct response to customer demand. And the Venice 320 does exactly what was asked in that it provides a high quality alternative in a huge number of applications where previously Midas was not an option. These range from smaller conference or live band applications, to effects returns or additional inputs in a large multi-console application, or as part of a small complete mobile system. It also provides the perfect feature set for live acts who need to mix their own FOH and monitor sound from on-stage, and is compact and light enough to fit on even the most cramped performance area. Midas has paid attention to the details that set their consoles apart taking care to provide high quality mic preamps and a stable, responsive EQ section, just as they do on their larger consoles. The simple but intuitive outputs make the overall configuration of the console extremely quick and easy to use. Legendary Midas Sound The overall sonic performance of any console can only be as good as the incoming signal interfaces, namely the microphone pre-amplifier. Midas consoles always incorporate the very best microphone pre-amps available. Venice uses an updated version of the ground-breaking Midas XL3 microphone preamp, which uses Midas own "long-tailed pair" circuitry. This means that the Venice preamp has ample headroom and gain range to accept both microphone and line-level signals without any pad or range switching. Frequency response and distortion (a 'hot' issue) To retain the natural qualities of many different sorts of input signals, a console must be able to handle incoming signals across a very wide frequency range with lowest possible distortion. The maximum input capability of Venice is +22dBu, enabling the console to deal with even the hottest line signals within a 15Hz- to 100kHz- frequency range. High-value EMI suppression filters shelter the signal-path from unwanted external noise, one of the fundamental Midas design specialities. Venice EQ Pure Performance Leading audio professionals all over the world confirm: it's not the number of pots that make an EQ section, it's the audible result, the ability to accurately control and fine-tune audio signals in the most musical way possible. Great EQ also provides the creative processing power to create personalized soundscapes without any unwanted side-effects. For instance, this means that the HF and LF filters won't interfere with the mid-band frequencies: All filters keep their gain regardless of frequency settings, and +/-15dB on a gain potentiometer means exactly what it says. The Venice EQ is what thousands of Midas owners and users expect from Midas products: pure performance. Highest Quality Components The world-class audio performance expected of a Midas can only be achieved by using first-class components with minimized tolerances. There is no other way to do it: The operational benefit is that two identical signals will sound equal regardless of which channel they are fed into. Midas Venice -first-class electromechanical parts throughout: Pots, knobs, switches, connectors and faders. These components work hard throughout the long life of the console, and are constantly exposed to heat, moisture, cold, dust and heavy mechanical usage. Venice uses only pots and faders with metal shafts from Alps and connectors from Neutrik, ensuring low maintenance and first class reliability. Clear and Straightforward Layout All console manufacturers have their own philosophy of control surface design and layout. While Venice can certainly be used for recording, Midas's "dedicated to live production" approach means the design layout of Venice is optimized for quick and easy control. Every function is exactly placed where it should be, easy to find, operate and read even at low light levels (though connectors for two desk lamps ar

Audio-Technica’s stringent quality and consistency standards set the AT2020 apart from other mics in its class. Its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high SPLs with ease. The AT2020: the new standard for affordable side-address studio condensers. Fetaures: The price/performance standard in side-address studio condenser microphone technology Ideal for project/home-studio applications High SPL handling and wide dynamic range provide unmatched versatility Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone Views: 88